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#1
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I have always been hesitant about going the custom route because of worries about longevity (I play my guitars...a lot).
I have been very impressed with Ed Claxton's work, and I'm considering a commission. Reading about Ed Claxton's builds, it seems like he had not changed the internal construction in a while. However, what would happen if I have a problem 20 years from now when Ed Claxton is no longer building or repairing his guitars? I know very little about lutherie. Can any luthier competently repair any other luthier's guitar? Everything from refretting and neck resets to rebuilding stuff if something were to somehow break (have no idea what, but I'm just thinking of the worst). Or would I be better off sticking with Custom Shop Martins if I need this repair ability 20 years from now? Thanks in advance! |
#2
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This may be somewhat controversial, but I generally prefer the setup, repair and restoration work of non-building luthiers. The tough part is vetting them and being close enough to a good one that you don't have to ship your guitar. Congrats on the commission - Ed is one of the most talented builders in the world. Definitely in my top 5! PM me if you need recommendations.
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#3
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Most workmanship and material problems tend to show up within the 1st year or 2. Things like neck angle changes & top bellying are normal occurrences and are often not covered under warranty. Personally, I wouldn't let concerns like yours deter me from ordering from an independent shop.
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Rick Ruskin Lion Dog Music - Seattle WA |
#4
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I would not be overly concerned. Technicians and builders see this from time to time and will be understanding. If Ed is no longer working, they are.
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The Bard Rocks Kinnaird 000 Adk/Ziricote Sexauer L00 Adk/Magnolia Hatcher Jumbo Bearclaw/"Bacon" Padauk Leach "Arctos" OM Millenium Sequioa/Macassar Ebony Goodall Jumbo POC/flamed Mahogany McAlister baritone Adk/Bubinga Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood '31 National Duolian banjos of all kinds, mandolin, autoharp, tiple... |
#5
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Builders and repair techs are two very different things, despite what appears to be obvious cross-over. While I do warranty many aspects of my own work w/o caveat, I am not the most skilled repair person (let alone restoration) I know and in many cases I would recommend them if my customer can afford it. But then set-up, that's something I think I do well.
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#6
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Couple of comments:
I have a buddy in California that has bought a number of guitars that are around a century old and left them with experienced restorers/repairers to bring them back up to their best. The results are very, very good and not off the planet in terms of cost. I have had one single-luthier guitar that needed repair work; in my case it was repaired by Dream Guitars and they did a great job. I have even had a guitar that was only half-built when the luthier passed away. Another luthier finished it, with outstanding results. So my experience suggests you need not be at all concerned about having work done on a guitar after its builder has stopped work. As to owning a Claxton….go for it! The guitars he builds are just sublime. |
#7
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Not all luthiers have the experience and expertise to rebuild an instrument of that quality, but you shouldn’t have any problem with basic repairs, like neck resets and re-frets, nuts, saddles, set-ups, etc. If you had a serious accident, and needed to re-top it, or some similar major surgery, you would want to check with a few of the better shops (whoever they’ll be in 20 years) before committing to who would do it. Also, with an instrument of that quality, it will be very worth any cost you might incur to keep it in premium condition. A Claxton, or any of the premium hand-builders we have currently working in traditional techniques, should not be a major concern for long-term reliability and maintainability. Just gotta figure out how to pay for them up front! ;-)
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More than a few Santa Cruz’s, a few Sexauers, a Patterson, a Larrivee, a Cumpiano, and a Klepper!! Check out my podcasts - https://youtu.be/xlFHEjl2hPA https://youtu.be/8SlNukuRU0U https://youtu.be/YGeFUD1Rmeo |
#8
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#9
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Greatest response to this sort of question I've ever run across, only sorry I didn't think of it myself, and I can't exactly remember where I read it, but it goes something like this: Buy the guitars you want when you want to--you're going to be dead a long time.
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#10
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Mark Hatcher www.hatcherguitars.com Give me six hours to chop down a tree and I will spend the first four sharpening the axe |
#11
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I have a Claxton OM and have played several others, and all have sounded quite extraordinary. However, on close inspection I can see no "special sauce" applied. Constructionally, they look like ordinary guitars...they just don't sound like it. No magic unicorn dust here, just decades of experience. Cheers, Steve |
#12
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You’re letting the tail wag the dog, as I mentioned in your other thread, if you’re deciding on a builder based on warranty. I can’t think of any guitars I own that can’t be repaired by someone other than the builder. In fact, as already stated, the builder may not even be the best person for the job. Skilled repair is an entire speciality in and of itself. Find a skilled repair person you can trust and then buy whatever you want.
Ed is a fantastic builder, by the way.
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Brondel A-2 (Adi/Hog) | A-2 (Carp/Mad) | A-1 (Adi/Pernambuco) | OM-42 (Adi/Brz) Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | B&H 12-Fret Dread (Alpine/Hog) |
#13
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And, I believe there will always be excellent Repair folks. Get aquatinted with a few ASAP, I do believe bolt on necks now qualify as time tested by now. And enjoy the process Paul
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3 beloved John Kinnaird Customs R.T 2c 12 fret Custom 2016 552ce 12X12 R.Wilson Weissenborn A few choice 90s Taylors More... Still Too many, but "OLD ENOUGH TO KNOW BETTER, TOO YOUNG TO CARE!" |
#14
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I agree with the general consensus, piannissimo. There is no reason to worry about the long-term future of your guitar once Ed Claxton is no longer around. His traditional building techniques and materials would hold no mystery for any qualified repairman should something ever go wrong.
My advice? Let go of the fear, and rejoice in the fact that you are in a position to commission a guitar from one the truly supreme masters of the craft. Only a small handful of people will be able to do so before Ed retires fully from what he calls his "labor of love". |