#16
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Bob https://on.soundcloud.com/ZaWP https://youtube.com/channel/UCqodryotxsHRaT5OfYy8Bdg |
#17
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Easy Do. Get your handy dandy diatonic chord converter out to get the appropriate harp. I think that song would be a D harp, and have at it.
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#18
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'59 Gibson J-45 "Spot" '21 Gibson LG-2 - 50's Reissue '94 Taylor 710 '18 Martin 000-17E "Willie" ‘23 Taylor AD12e-SB '22 Taylor GTe Blacktop '15 Martin 000X1AE https://pandora.app.link/ysqc6ey22hb |
#19
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I am an intermediate guitar player, but I am an extremely advanced harp player. Been blowin' for nearly 30 years. When I say advanced, I mean I could walk up on stage with Eric Clapton and feel at ease (the harp playing on our web site is my wife). I strongly recommend both Lee Oskar and Hohner Special 20 harps. Marine Bands are very nice too, but have a sharper edge wear your mouth goes to play it. Lee Oskars last longer and the Special 20 are more responsive and require less wind to play.
I have had all the cheaper harp racks too - and they are essentially junk IMO. I replaced all of them years ago with a Farmer Harp Holder - nothing I have seen or used is even a contender in this universe. There are several ways to play harp. Straight harp (leans towards Country and Neil Young style) and Cross Harp (used for the Blues and anything with a Bluesy edge). I specialize in Cross harp but also dabble in straight harp occasionally. Knowing what harp to pick for each style is integral. On this page - Harp Chart is a chart that you can print out. You will find it helpful in the future if you decide to explore cross harp. In straight harp you simply play the same key harp as the key on your guitar. Do not get taken in with $10 harps, even from a known maker like Hohner. They are junk and will last a few songs before the reeds go out. Good luck in playing harmonica. It is not as easy as some hear are proclaiming. The only way to get good is to play constantly and learn where each note is by feel. Bends, shakes and overblows will be far down the road for you, but explore them on Youtube, It is an instinctual instrument to play and once you acquire the skill, it never goes away.
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Roy Ibanez, Recording King, Gretsch, Martin G&L, Squier, Orange (x 2), Bugera, JBL, Soundcraft Our duo website - UPDATED 7/26/19 |
#20
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The key is knowing that its the "suck notes" that you want. And learning how to bend the notes is hard to explain, but that's what makes it sound bluesy.
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#21
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Like someone said,learn to use your tongue to block holes and play single holes clearly.Oh, and I can play a few songs with my nose.I used to get free harps from our harp player,I would reach in his case and grab one and start belting out a rendition of Swanee River with my nose.Keep it! was always his response.
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#22
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'59 Gibson J-45 "Spot" '21 Gibson LG-2 - 50's Reissue '94 Taylor 710 '18 Martin 000-17E "Willie" ‘23 Taylor AD12e-SB '22 Taylor GTe Blacktop '15 Martin 000X1AE https://pandora.app.link/ysqc6ey22hb |
#23
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I am a hard blower when I do play (rarely now as my wife blows most of the harp stuff live) and the new harps just ain't what they used to be. If you haven't tried Lee Oskar, give 'em a shot. They take more wind but do outlast the special 20's by about 2 to 1 IME.
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Roy Ibanez, Recording King, Gretsch, Martin G&L, Squier, Orange (x 2), Bugera, JBL, Soundcraft Our duo website - UPDATED 7/26/19 |
#24
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This is essentially true. Straight harp uses more blow notes and chord work whereas cross harp is more draw (suck) notes coupled with bends and shakes.
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Roy Ibanez, Recording King, Gretsch, Martin G&L, Squier, Orange (x 2), Bugera, JBL, Soundcraft Our duo website - UPDATED 7/26/19 |
#25
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What used to be a Marine Band is now called something else, but is the same thing. Guess Honer thought the marketing was harder with the old name.
If you have a moustache, be prepared for some pain. LOL Doing the Dylan/ Young thing is folk harp 101 and does not always need precision, but in deference to those you live with, a sound proof room is in order. It helps to be able to go on autopilot with the guitar, but not more than singing would.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#26
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#27
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I had a reed go flat in a Seydel. Took it apart to see if I could find a problem or could fix it, but no luck. Ended up tossing it and replacing it with a Lee Oskar.
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#28
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Your problem is one that I used to have too. It's usually an indication that you are "overplaying". Play more sparingly and find good notes to add long blows on and the problem will solve itself. Can't pull more air in than goes out, that simple. Relax your style a bit and include more blow notes and pauses during solos and it will take care of itself.
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Roy Ibanez, Recording King, Gretsch, Martin G&L, Squier, Orange (x 2), Bugera, JBL, Soundcraft Our duo website - UPDATED 7/26/19 |
#29
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I have been playing harmonica off and on for about 30 years. Currently at a low intermediate level.First instruction came out of the "Klutz" book series back in 1989.
As an "ear player" musician I have found straight harp to be fairly easy to learn.Cross harp and bends continue to be a bit difficult depending on the key. If I close my eyes and try to flow with the music ,it seems easier. Among the many harmonicas I have owned the Lee Oskar brand lasts longer and is easier to play than any of the Hohners. Even after complete disassembly and cleaning ,I was unable to restore any harp blow holes.I think my body chemistry is hazardous with harps as I seem to go through them quickly. They are a nice adjunct to the singer/songwriter genre. |
#30
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Best advice is to get into cross harp and bends right away. Lots of great blues to play along with to build your chops. Even some Steven Tyler, e.g., pink. Have fun! Straight harp is not as interesting or fun imo
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