#1
|
|||
|
|||
GHS Contact Core Strings
So it seems that GHS is the only maker doing this idea in 80/20. They feel great, and add a lot of lushness to my GA Alpine/Coco Furch. The only thing is that I'm not sure how long they will last.
So far I like them better than the other 80/20 strings I've played recently, but it's been about a month since a string change, so I'll have to let you know in a few weeks. https://www.ghsstrings.com/products?...right-bronzetm |
#2
|
|||
|
|||
Should be interesting to hear your thoughts.
I personally like GHS Strings quite a bit.
__________________
Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#3
|
|||
|
|||
I tried a set of GHS Bright Bronze (not contact core) on my Gibson dread and the sound was dead to my ears.
|
#4
|
|||
|
|||
Quote:
I also think they are made more for Rosewood than Hog |
#5
|
||||
|
||||
I used those on my Avalon and they were too harsh for it.
__________________
Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#6
|
|||
|
|||
It took a year of experimenting with a large variety of strings from different manufacturers after I got my D-18 in 2018, but I finally found GHS Silk & Bronze to be the warmest. I'm a cowboy chord strummer and get about 2 months from a set.
|
#7
|
|||
|
|||
So interesting, they are super Lush.
It seems to me that the 'brighter' I can make my string on my Furch, the better it responds in the way that I like. I might have to keep these as my go to's if they continue to sound so good! |
#8
|
|||
|
|||
I have used them on a few guitars over the years. They sounded best on my darker toned guitars.... like my Taylor GS7 with a cedar/rosewood combination. Nice strings... though i never liked the look of the strings at the saddle, where the winding of the wound strings, stops before they reach the saddle... but that is what gives them their unique sound. I think they are a good choice for a guitar that is very dark toned... as they tend to brighten the sound with the core only contacting the saddle on all the strings, and the fact that they are 80/20s makes them bright also. I like them.. and should give them a try on the Taylor GO 818 spruce/rosewood.. to see what they sound like... thanks for the reminder!
__________________
Joe 6 string... Taylor GS7 Custom / GO 818e 1st Edition 12 string... Taylor GO 358e / Guild F512 (79) Baritone…. Guild 258e (8 string) |
#9
|
|||
|
|||
Going to give the 00-28 a spin with these!
|
#10
|
||||
|
||||
I have been using GHS phosphor bronze strings for as long as I can remember. I keep coming back no matter what I try
__________________
Waterloo WL-S, K & K mini Waterloo WL-S Deluxe, K & K mini Iris OG, 12 fret, slot head, K & K mini Follow The Yellow Brick Road |
#11
|
|||
|
|||
Quote:
|
#12
|
|||
|
|||
Should try a set of the 80/20 Bronze on a rosewood guitar then!
|
#13
|
|||
|
|||
Quote:
56-46-36-26-16-12. If you like bright and rich, they will blow you away! They are head and shoulders the best strings I’ve ever heard on my J15 which is a brighter sounding Gibson. They play nice too! They are pretty much the equivalent of a normal set of lights in PB tension-wise. You can custom order them on their website. https://newtonestrings.com/shop/cust...-configurator/
__________________
Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#14
|
|||
|
|||
Quote:
|