#31
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I've posted statistics. Please feel free to disprove ANY of it.
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Something something, beer is good, and people are crazy. |
#32
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You're not helping yourself, but yes time to move on.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#33
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I would say the same for you. You've brought nothing to the table as far as relevance goes. Meanwhile i've brought information which you can't seem to disprove.
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Something something, beer is good, and people are crazy. |
#34
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Quote:
And here's where your entire tangent fails: You're bragging about your 40 years of whatever experience you have and you're expecting the OP to be able to apply that to his room, which looks to be somewhat compromised by shape and size, and come out with something wonderful using cheap foam. The OP doesn't have your knowledge or experience and you're not going to be there measuring frequencies and reflections and every other thing, so the outcome is predictable.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#35
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You say Rick-Slo has brought nothing to the table. I disagree. He has posted many songs on this forum where he played acoustic guitar and recorded them in his home studio using his gear. He is a great musician and is able to capture his performance and his instrument using his gear/techniques/studio. I feel you (Monsoon1) don't have any idea who you are talking to.
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Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi |
#36
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#37
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#38
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I have seen no statistics or relevant empirical evidence in your posts, although I have seen numerous mere assertions, a claim of authority and some simple arithmetic. You have yet to provide relevant empirical evidence supporting many of your bald claims. Under common rational discourse rules, you have the burden of proof/persuasion. Until then, your unsupported claims are rejected.
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#39
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As already said countless times, foam does not absorb the low frequencies. Yes, you get rid of the flutter echo. But its the lows that muddy up the recording, and if they are bouncing around the room (principally getting worse from the corners), it only make it worse. You can hear it when you are listening to a mix in an untreated room just by moving your head around the listening area and paying attention to how the sound changes. If you are only recording in the room, then it is less of a concern, of course.
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#40
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Seems to me that the degree of unconstrained contentiousness in this thread is unusual for AGF. Since it's on a topic that's more about science than subjective opinion, I think it's mostly good. :-)
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#41
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I'm having a hard time understanding how the guy who claimed this:
Quote:
Quote:
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#42
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Quote:
"More practical solutions require efficient low-frequency absorbers. Foam panels would typically need to beat least a metre thick to get significant absorption at low frequencies, so a resonant type of absorber is typically necessary, with membrane designs being most common in small rooms. " Quote:
https://www.soundonsound.com/techniq...ol-room-design
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 Last edited by KevWind; 01-10-2019 at 08:22 AM. |
#43
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Just saying it on a forum does not make it so. Prove it.
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#44
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Ownership, let alone foamership, obviously lies in the head of the beholder. 🤔
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