#16
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#17
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Ray, sounds good and , more importantly, looks like you're having a ball working through all this! Nice!
I too use the Pro Pik Fingertones and have found them to be "my answer" to what I'm needing (zero nails....nada!). I started on finger picks in the 60's and have always used them...back then you needed the volume which fed into a mic for the guitar....very little amp usage. Spent years with Nationals, and then various other picks before landing on these. I needed less "pick noise' and the others just gave out too much, or my technique wouldn't adapt. I've stayed with the Pro Piks for lots of years now. Make sure you get a back up set, they do tend to "wander"! LOL! As you get more used to the picks and search for your tone, remember that you can turn these picks slightly on your finger to bring your finger and pick surface more fully flush to the strings. Listening carefully to your recorded sound will help bring you any changes you might want to make. As an example, I have the pick on my index finger turned a fair amount toward me, while the pick on my middle finger is straight on. It's a matter of what technique you use for the best sound you can achieve. Good luck with the progress! Fred
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1993 Bourgeois JOM 1967 Martin D12-20 2007 Vines Artisan 2014 Doerr Legacy 2013 Bamburg FSC- 2002 Flammang 000 12 fret 2000 McCollum Grand Auditorium ______________________________ Soundcloud Spotify |
#18
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Great work, it's shaping up nicely! There is a solid rhythmic foundation that is really key for the way ahead. Onwards and upwards!
If I may, I would consider working on reducing the amplitude of the finger movement. It might come in the way of accuracy and speed for more intricate pieces. Cheers, |
#19
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I hope I do. I've never tried anything even remotely like that type of music or that tuning. But at least a couple of the pieces don't sound too complicated, so I'm HOPING I'll be able to learn them. If not, it's worth a try anyway - anything that doesn't kill you makes you stronger (current pandemic aside).
-Ray
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"It's just honest human stuff that hadn't been near a dang metronome in its life" - Benmont Tench |
#20
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At this point, I'm still new enough to this type of playing that I'm a lot more focussed on the actual physical/mental challenge of PLAYING rather than worrying too much about tone. If I play it well, it sounds good enough to me. And if I don't, slightly better tone isn't gonna save me! -Ray
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"It's just honest human stuff that hadn't been near a dang metronome in its life" - Benmont Tench |
#21
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Thanks! -Ray
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"It's just honest human stuff that hadn't been near a dang metronome in its life" - Benmont Tench |
#22
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I was sitting here working from home and when I finished for the day I said, what the heck, let's pull out Jim's book to see what else is in there and I found a tune I never tried out before, Captain O'Kane. So I'm working on it now. Great book. I've had mine for about 15 years and every time I pull it out it entertains me for hours.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#23
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Good job Ray, fingerpicking is a journey...
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Burguet AC-007 (2003 - Cedar/Rosewood) Webber OM (2009 - Sitka/Sapele) https://www.youtube.com/channel/UC8A...2TVEhWes2Djrig |