#46
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Is this an inferior instrument? I understand you have a personal preference, but you're attempting to back it up with a pseudo-science mashup of fact, generalization, and invention. You walked it back a bit in this last post but I think you're still troweling it on a bit thick.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#47
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There's definitely a new vanguard of laminate that I've been missing out on.
Last edited by Kerbie; 10-29-2018 at 04:11 AM. Reason: Rule #1 |
#48
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What is most important is a solid top.
That contributes the most to the sound of the guitar. The back and sides less so. All my acoustics are solid tops and laminated back and sides. They all sound great. Plus, they are more resistant to low humidity, which we have here in Mass during the winter months.
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Be nice. |
#49
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'04 Ovation Custom Legend 6759 (12 strings) '06 Ovation Balladeer K1111 '10 Gibson Sheryl Crow '11 Martin HD-28V '16 Yamaha FG180 50th anniversary '18 Gibson Southern Jumbo '20 Guild F-512 MPL |
#50
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#51
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I have played a bunch of pretty ordinary solid back/sides guitars and a bunch of utterly exceptional laminate back/side guitars. As a generalisation, more expensive guitars are usually solid, but like all generalisations in guitar land there are plenty of exceptions! There is much more to the equation than the materials used. That said, at home my favourite guitars are solid back/sides and BRW. For camping/travel, laminated Mahogany floats my boat. Variety is the spice of life and this is definitely one hobby where trusting your own ear and your own hands to determine what you like to play is more important than the spec sheet. That said, for environments where the guitar isn't going to be cherished like mine are at home (eg travel, uni, shared house, gigging) it's hard to go past the additional robustness that laminated designs can offer. |
#52
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I can add other three:
Do you know who David Crosby is right? And anybody who played an arched back Guild or a vintage Yairi can explain to you why they are good guitars.
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'04 Ovation Custom Legend 6759 (12 strings) '06 Ovation Balladeer K1111 '10 Gibson Sheryl Crow '11 Martin HD-28V '16 Yamaha FG180 50th anniversary '18 Gibson Southern Jumbo '20 Guild F-512 MPL |
#53
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Perhaps you could offer some actual proof of the assertions you've made regarding backs/sides and time.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube Last edited by Kerbie; 10-29-2018 at 04:07 AM. Reason: Deleted quote; Rule #1 |
#54
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The OP asked for thoughts, so we can all share those. Courtesy is required.
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#55
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Less feedback is another reason I like laminated backs and sides (or HPL) for performing live.
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#56
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Why would you take an all solid wood guitar to a party? I think laminates have their place. When I first tried out a Yamaha A1R, my jaw dropped to the floor and I had to take my phone out to double-check the specs because it sounded incredible, and that model features laminated (rosewood) back and sides. The dynamic response was fantastic, the guitar went effortlessly from quiet to as loud as I could strum, without choking out, and I could feel the back resonating. |