#31
|
|||
|
|||
Tony,
Excellent advice. See my "pawn shop disaster" posting. Feeling really dumb this evening. Robert |
#32
|
|||
|
|||
bluesfreek,
That is a cool-looking guitar; I've never seen one of these before. |
#33
|
|||
|
|||
Yes, but the older ones were better IMO. Around the same time Martin was making the DM, DR et al - insanely good guitars for way under $1000. But their lower-end stuff changed too, and not for the better, again IMO.
|
#34
|
||||
|
||||
Quote:
Scott Memmer |
#35
|
|||
|
|||
Everybody,
I really appreciate your postings to the “Thumbs-down on Epiphones” thread. I’m learning a lot from all of you, especially about taking my time and making wiser decisions before buying yet another guitar. I really need the kind of education I’m getting here on the forum (see my “Pawn shop disaster” posting). By way of introducing myself (since I’m new to the forum) here are my guitars so far: Harmony H-162 (1960s; solid wood, spruce top, mahogany back and sides; made in Chicago) Harmony H-165 (1960s; solid wood, all mahogany; made in Chicago) Epiphone FT-135 grand auditorium 6-string (1970s; tobacco burst solid spruce top, rosewood back and sides; made in Japan) Epiphone FT-160 12-string (1970s; tobacco burst solid spruce top, mahogany back and sides; made in Japan) Alvarez 5054 12-string (1960s; made in Japan) Alvarez RD-10 6-string (1970s; made in Korea) Art & Lutherie Wild Cherry (2000s; made in Canada) Art & Lutherie 12-string (2000s; made in Canada) Fender CD-60 mahogany (2010s; solid mahogany top, mahogany laminate back and sides; made in Indonesia) Martin DX1AE acoustic-electric (2010s; solid spruce top, mahogany HPL back and sides; made in Mexico) Martin DXK2 acoustic (2010s; koa HPL top, back and sides; made in U.S.A.) Oddly enough, the two Martins are my least favorites, especially the DXK2 (see “Pawn shop disaster”). These are perfectly playable instruments, but the sound is cold to me. Maybe it’s the HPL material. I would really like to get my hands on a 40/50-year old D-18, but that’s never going to happen. Which is OK because I have too many guitars as it is. Good night from Tucson everybody . . . Last edited by welshr; 03-02-2019 at 11:02 PM. |
#36
|
|||
|
|||
Quote:
You have other alternatives. If you like the 60's era J-45 tone then check out the Blueridge BG140 and BG160 ($850 and $1200) models. If you like early 40's "banner" era J-45s then look at the Eastman E10SS ($1200). All solid wood, well built instruments.
__________________
Wayne J-45 song of the day archive https://www.youtube.com/playlist?lis..._Zmxz51NAwG1UJ My music https://soundcloud.com/waynedeats76 https://www.facebook.com/waynedeatsmusic My guitars Gibson, Martin, Blueridge, Alvarez, Takamine |
#37
|
|||
|
|||
Quote:
|
#38
|
|||
|
|||
Thumbs-down on Epiphones?
Quote:
Sorry, quick sidetrack I Love the Huss and Dalton! I’m thinking of adding another H&D to my modest collection and this model would fit in nicely. Most H&D’s I’ve tried have great responsiveness, clarity and sweet trebles but a good degree of warm even in their luscious rosewood dreadnoughts. How would you describe this maple H&D’s tone? To respond to the OP, personally I think there are better Gibson copies out there at present, sigma and Farida are just two examples of brands that produce excellent Gibson like clones that are of significantly higher quality than Epiphone (although their master built range is the exception). For a bit more money Eastman make some wonderful value slopes, especially if you buy used. Epiphone is similar in quality to recording king dirty 30’s series etc. There is nothing wrong with them but you generally get what you pay for.
__________________
Huss & Dalton DS-12 Custom (Italian/Mahogany) Collings 000-2H (Sitka/Rosewood) Dave King L-00 (Adi/Mahogany) Gibson J-45 JT project "1942 Banner" (Adi/Mahogany) Eastman E20P (Adi/Rosewood) Sigma-SDR-28MLE (Adi/Madagascan Rosewood) Sigma SDR-45 (Sitka/Rosewood) Sigma SDM-18 (European/Flamed Mahogany) Freshman FA400D (Engelmann/Rosewood) Freshman FA300 (Cedar/Hog) Voyage Air VAD-06 Last edited by bobster7; 03-02-2019 at 03:33 AM. |
#39
|
|||
|
|||
Two or three years ago I bought an IB64 Texan but eventually sold it to a friend because I didn't like the tone. However after hanging on a wall for a couple of years, unplayed (he isn't really a player, more an admirer of guitars), it has begun to sound pretty good. Maybe the solid top and back have something to do with it, but I'm tempted to get another now!
__________________
Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#40
|
|||
|
|||
If I recall correctly some early Masterbilts had issues with structural stability and cracking. Reports of the build being too lightly braced began to surface. However reviews all seemed positive.
__________________
Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#41
|
|||
|
|||
Quote:
The past management at Gibson made a lot of bad decisions and the new managers are off to a good start cleaning up the mess. Hopefully, some new, better models from Epiphone will be somewhere in the future. |
#42
|
|||
|
|||
Quote:
Lightly built and super responsive. Beautifully balanced to my ear. A good strummer but really shines with finger-style bare flesh. A guitar you can appreciate immediately - unlike some guitars that take time to grow on you, it's there from the moment you start playing.
__________________
Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#43
|
|||
|
|||
My Epiphone Hummingbird was a fantastic guitar for the money!
|
#44
|
|||
|
|||
Quote:
https://www.sweetwater.com/store/det...-pr-5e-natural |
#45
|
|||
|
|||
Quote:
__________________
Something something, beer is good, and people are crazy. |