#16
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Strings work in the elastic region, as fazool said, but over time they work harden due to playing and age (and likely also experience some creep). Once they work harden their elastic ability is reduced and they become brittle. Also there is a stage between transitioning from plastic to elastic and breaking when the string is permanently deforming. Old work hardened strings are more likely to be deforming as they've lost some of their elasticity. |
#17
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Bending up one whole step while soloing, generally around the 8th to 10th fret.
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#18
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Oh, OK... that's more than I prefer to bend on an acoustic, but it still seems to me like it shouldn't be more than a very minor problem.
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#19
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That tip is only valid for those who get applause.
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#20
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hahahahaha
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Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 |
#21
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Us physicists like to do experiments to get real data. So here is what I did out of curiosity, to see what happens to a brand new string when we "break it in" by stretching it out.
1) Marked two tiny black spots on a new Ernie Ball 0.010" string with a sharpie, placed so that they would wind up between the nut and saddle on my Strat when I mount up the string. 2) Measured the distance between the two spots as precisely as I could, which is approximately a tenth of a mm for changes and approximately 1 mm absolute accuracy, using a meter stick with two good metal rulers with 0.5 mm increments taped to it. The initial separation was 556 mm. 3) Removed my old E string and mounted the new one, being careful not to rub off the sharpie marks. 4) Tuned the string to E, 329.6 Hz. 5) Stretched the string vigorously with my fingers. I noted that the tuning dropped a half-step to Eflat, 311.1 Hz. 6) Retuned to E and stretched again. The tuning dropped a little bit. 7) Retuned to E and stretched again. The tuning did not drop. 8) Removed the string carefully and remounted it on my measurement device. The final separation was..... 556 + 0.1 mm. So any real deformation of the string was at the limit of my ability to measure, and approximately 0.018%. This compares with the change in frequency due to stretching (5.6% after the first stretching routine), and the required decrease in mass per unit length required to explain that frequency change (twice that, if I did the math right). Conclusion: A string can indeed stretch and deform a bit, but what I measured can't possibly account for the full half-step drop in tuning I heard. In fact it's nowhere close. So what is changing? It seems unlikely to be the tuning peg, since the string was wrapped nicely and tightly. My guess, it's at the ball end somewhere, but that's a guess. If a string doesn't deform when it's brand new and just installed, it certainly won't when you bend it up a half step or two. But it's conceivable that whatever is slipping when you break in a brand new string, could slip a bit more when you bend it up, particularly if it's still relatively new and if you haven't gone through a stretching routine to get it to hold a stable tuning.
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'17 Tonedevil S-18 harp guitar '16 Tonedevil S-12 harp guitar '79 Fender Stratocaster hardtail with righteous new Warmoth neck '82 Fender Musicmaster bass '15 Breedlove Premier OF mandolin Marshall JVM210c amp plus a bunch of stompboxes and misc. gear |
#22
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Getting stuck in the nut, you bend it pulling it towards the bridge and it gets stuck again. Graphite first, but itf it still happens, you need to look at widening/smoothing edges of the nut slots.
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Christian Guitar: Camps Primera Negra A (a flamenco guitar) Strings: Aquila SugarAquila Rubino, Knobloch CX, Aquila Alchemia I play: Acoustic blues & folk Videos: https://www.youtube.com/user/sirwhale28/videos |
#23
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The mass-per-unit-length of the string has nothing at all to do with it's frequency. Your confusing point-mass (like a pendulum) where the natural frequency is affected by mass. The frequency is only (essentially) affected by the tension. The wrapping of the strings on the peg is a whole science and likely where most of the slack always occurs.
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Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 |
#24
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Quote:
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#25
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Ahh yes - thanks. I saw "mass" and jumped to thinking he was after pendulum style mass.
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Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 |
#26
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Correct. I don't know why fazool doesn't understand this.
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'17 Tonedevil S-18 harp guitar '16 Tonedevil S-12 harp guitar '79 Fender Stratocaster hardtail with righteous new Warmoth neck '82 Fender Musicmaster bass '15 Breedlove Premier OF mandolin Marshall JVM210c amp plus a bunch of stompboxes and misc. gear |
#27
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I understand it - I misunderstood what you were saying - I thought you were talking about masses.
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Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 |
#28
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Whatever is happening during break-in, appears to be happening to the string itself. A couple other things that are happening during this break-in are, the end of the string is developing a permanent helical coil from the peg, and the end by the ball is developing permanent kinks where the string goes out the bridge and again where it goes over the saddle. The tuning drop during break-in could be partly related to these permanent changes as well.
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'17 Tonedevil S-18 harp guitar '16 Tonedevil S-12 harp guitar '79 Fender Stratocaster hardtail with righteous new Warmoth neck '82 Fender Musicmaster bass '15 Breedlove Premier OF mandolin Marshall JVM210c amp plus a bunch of stompboxes and misc. gear |
#29
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You certainly bring up a compelling thought with your observations. Maybe it's a combination of the two. Your initial deformation happens once, then any instability after that is slack. Perhaps.
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Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 |
#30
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Actually a simple pendulum doesn't depend on mass either.
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Guild CO-2 Guild JF30-12 Guild D55 Goodall Grand Concert Cutaway Walnut/Italian Spruce Santa Cruz Brazilian VJ Taylor 8 String Baritone Blueberry - Grand Concert Magnum Opus J450 Eastman AJ815 Parker PA-24 Babicz Jumbo Identity Walden G730 Silvercreek T170 Charvell 150 SC Takimine G406s |
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Tags |
lightnin' hopkins, string bends, tuning |
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