#46
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Like the OP, I came into the world of guitars knowing only D's and big gibsons, that you generally see in the hands of touring musicians. I thought smaller bodied guitars were for kids or something, so I definitely get the "odd" take from the OP.
Come to find out, I much prefer OM and smaller guitars to anything larger with the 000 being my personal favorite. Since the advent of amplification, I think most arguments about guitar volume fall on their face unless you are playing an acoustic show like traditional bluegrass or something. As others have also mentioned, loud is a uncertain term. Loud for who? The player? The audience? How does the guitar project? Cut through? Etc. I would suggest getting out there and playing everything you can. The new Martin 00-18's are fantastic. The CEO-7 in fantastic. People love the 00-18v and the 00-DB Jeff Tweedy. I am looking to get my hands on the 0017s personally. I would love to add a vintage 17 series to my collection at some point. Get your hands on some and see if they work for you and your playing style. I personally play with a thumbpick mostly and love the balance and articulation you get from smaller guitars. Plus they are objectively more comfortable and subjectively look so much better than a D....
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My Therapy: Martin 000-18GE 1937 Sunburst MFG Martin 000-15 Kevin Enoch Tradesman Open Back Banjo Collings MT2-O Honey Amber Royce Burt #560 5-String Fiddle |
#47
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OP's mind gonna be blown when he sees a little Martin or Baby Taylor.
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#48
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I'm with you on the 0017s. They're fairly affordable for a vintage Martin and I've considered jumping into that area myself.
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#49
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They're amazing guitars. I've had a lot of great guitars but my 00-17 is the one I will never get rid of and would grab first in a fire (or earthquake I guess).
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#50
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A musician called Bob Dylan was known to play one.
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#51
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I have a 2018 reimagined 00 28 that I simply can't put down. It has plenty of depth of tone. It's very responsive and is so comfortable to play that I have to force myself to put it away at the end of the day.
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#52
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In this day and age I find dreadnaught guitars to be the odd ones. With all the sound reinforcement, quality pick-ups and modelers why would anyone fight the dread bass and boominess ? Add in the size and it doesn't make allot of sense.
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Waterloo WL-S, K & K mini Waterloo WL-S Deluxe, K & K mini Iris OG, 12 fret, slot head, K & K mini Follow The Yellow Brick Road |
#53
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Quote:
Literally....lol Well said |
#54
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A 00-42 is a sight to behold.
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#55
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Ian Anderson
I believe he played first prewar 0 -16īs and then some 60īs 0-42 and at least to me proved, that small guitar in rock setting can cut through better than bigger bodies.
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Tomas Furch Blue OM CM |
#56
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Quote:
I love 00s. Last edited by Mycroft; 07-18-2019 at 07:27 PM. |
#57
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I’ve had my share of dreadnaughts; smaller-bodied guitars are just more responsive and fun for me. My 1930 0-21 is truly special guitar that proves what they say about Martin’s Golden Age small bodies every time I pick it up.
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An old Gibson and a couple of old Martins; a couple of homebrew Tele's Last edited by WordMan; 07-18-2019 at 08:55 PM. |
#58
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I have a Martin size 2 (style 28) that is the most comfortable guitar I have, and it is an incredibly good sounding guitar. It is not loud, but holds its own. It is an intimate guitar that I always want to pick up and play, even if I am tired at the end of a long day. I would love to get a Martin 0-18 someday, as I think it would be the perfect compliment to the Martin 2. I have no desire to own a dreadnaught guitar, and whenever I go into guitar stores I always try to find the smaller guitars among the heard of dreadnaughts.
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#59
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My guitars are getting smaller over time, having gone Dread -> OM -> O.
I'm working my way up to a ukulele! |
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Tags |
0 size, 00 size, martin, parlor guitar |
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