#16
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I have four different acoustics. If I was able to buy another without getting rid of one I'd probably look at J-45.
If I could only have one guitar in that price range I really like the Taylor 324 as a very versatile guitar. |
#17
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These would be at the top of my list too.
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#18
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I'm with Wade...a Standard Series Martin. Probably a D-18/D-28 of some sort? And welcome to the forum!
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Jim Dogs Welcome......People Tolerated! |
#19
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I'd go with a Halcyon if I was ok with waiting on a build, if not, Larrivee.
Take your time...the search can be very educational and fun
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Bourgeois Custom OMC (White/Bocote) Taylor GO Custom (Engelmann/EIR) Halcyon SJ FF (Cedar/Walnut) Larrivee OM3 (Walnut/Walnut) Martin 00017SM Webber OM (Sitka/Maple) Tinker OM (Sitka/EIR) |
#20
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Welcome to the three new members!
I would get a used Martin OM or 00-28, a used Taylor 814ce or a used Gibson J-45
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Bourgeois, Collings, R Taylor, Santa Cruz |
#21
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Martin D18, Martin D28 and/or Gibson J45 in that order. (I'm Australian so not sure what they sell for in the USA new or used).
On a side note, played a number of Sigma guitars at my local music shop (Martin and Gibson copies) and was overwhelmed by their build quality, playability and sound at a fraction of the cost of a Martin and/or a Gibson. (Granted they had laminated back and sides). |
#22
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I'm curious what you are hoping to get from your question. There are so many factors since the choice might be influenced by what you already own, one's playing style, physical attributes, etc. etc. Seems like you are just going to get a hundred random answers.
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#23
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Quote:
What I get out of it is a crash course in AGF members. And maybe I hear about a guitar I've never heard of before - like a Waterloo. So, here's a great place for me to say thanks to everyone who has participated so far. And to give my answer: I'd go for a nice 6-800 series used Taylor or a Larrivee. I'm also still kicking myself everyday for not ordering that Olson I came thisclose to ordering when I was just out of college, still living at home with plenty of disposable income. |
#24
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Quote:
So there'll always be great guitars that slip away, never to be available again. That's just part of the deal, the "real life" part of the deal... Still, if I could ever hop in a time machine and zoom back there to buy that guitar and a couple of others, I'd be on it in an instant! Wade Hampton Miller |
#25
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That's the way I'd go hands down.
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Proud member of OFC |
#26
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OUCH Wade, I'm sure that still stings
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Proud member of OFC |
#27
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It would be a toss up between a Martin D-18, D-28 or Gibson J-45. The iconic dreadnaughts give the big sound
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#28
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I'd look first at a Gibson, probably a J-45. They don't sound like anything I already have (a Martin, a Voyage Air and some very inexpensive imports).
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Bob https://on.soundcloud.com/ZaWP https://youtube.com/channel/UCqodryotxsHRaT5OfYy8Bdg |
#29
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Intro and hypothetical question
I might be weird, but I just recently got my first over-$1k guitar - 1991 Martin J-40 - and I wouldn't trade it for anything right now. But if I could add to it...maybe a nice maple Guild Jumbo. Played one used several times, wanted to go back and get it and it was already gone (which was when I met the Martin).
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Martin J-40 (1991) Yamaha FG-405 (1988) |
#30
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After I mentioned my lost opportunity to buy a 1939 000-28 for $850 back in 1976, Bridgepin wrote:
Well, yes and no. Sure, I would love to have been able to acquire that guitar, and should reasonably priced time travel ever become a viable option, I'd love to go back to 1976 and buy it! Heck, I'd even throw in an extra twenty dollars or so, just for lagniappe! But what playing that guitar taught me was how extraordinarily perfect-sounding a rosewood 000-28 can sound. So that missed chance was still a powerfully transformative musical experience for me, one that has informed my taste in guitars ever since. Back then, very few acoustic guitarists aside from dedicated fingerpickers were interested in anything other than Martin and Martin-style 14 fret dreadnoughts. That '39 000-28 woke me up and made me realize that there's an equally viable steel string acoustic guitar design, one that's even better for the wide variety of musical styles I play than dreadnoughts are. So it awakened me to the tonal glories and unbeatable musical versatility of Triple O's and OM's. I'm sure I would have eventually figured that out for myself, but playing that one guitar definitely kickstarted the whole process for me. The benefits I've received from what I learned while playing it have always outweighed my minor regret at not being able to afford it at the time. Wade Hampton Miller |