#16
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I"ll probably do an X20 vs Sable video whenever my X20 gets done. I promise I won't say "tin can" once! Will be interesting to have an unbiased comparison of them against a Martin.
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Emerald X30 Padauk Custom Emerald X20 Koa 1998 Gibson J200 Elite 1972 Martin D-28 McPherson Sable Breedlove Masterclass Taylor PS16ce Macassar |
#17
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That's a convenience I hadn't considered.
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Some CF, some wood. |
#18
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Congrats on a great guitar, mine gets a lot of play currently and goes on most every trip, whether RV or airplane, fantastic instruments. It took me a while to like the looks, but I am finally there, I bought it for the playability and sound and those qualities make it look better everyday. Enjoy.
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Dave McPherson Sable, Blackbird Lucky 13, Rainsong OM1000. Various wood, mostly Taylors |
#19
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Do you have another X20 on the way? Love to hear more about this, and I promise not to mention tin cans. Not even once.
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Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |
#20
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I'm curious too of what is being done to the tin can? oops...I mean X20.
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John |
#21
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yah long time in waiting. found this veneer and lost my mind. love my X30 but i want a nimbler model... and an amber-tone version. Emeralds are just such unbeatable overall-design guitars and it's been bugging me that I sold the X20 I got with my X30 way back when.
https://www.acousticguitarforum.com/...d.php?t=576075 I'm gonna do an X20 vs X30 vid and prob a Sable Takes On Them All vid.
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Emerald X30 Padauk Custom Emerald X20 Koa 1998 Gibson J200 Elite 1972 Martin D-28 McPherson Sable Breedlove Masterclass Taylor PS16ce Macassar |
#22
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Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |
#23
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And, there also seems to be an aversion to "bright", especially wood side of this forum. Personally "bright" can be a really nice thing if you are a fingerstyle player. I look forward to your NGD. Oh, the first time I heard of monkey pod it was John at Shoreline demonstrating a guitar with that tonewood for back and sides- incidentally a wonderful sounding tonewood! |
#24
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Design is obviously important, but it's the tone that makes me pull the wallet out. Emerald has both and that does make them pretty special.
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John Last edited by jdinco; 08-11-2020 at 09:30 AM. |
#25
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Yeah, hard to disagree with that. All factors are certainly important regarding guitar design but tone is a little more important than everything else.
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#26
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#27
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Well, I preferred the tone of the Sable to the tone of the X20 by a long shot. And the neck shape. But yes, I really loved the contours and design of the Emerald more. A very beautiful guitar.
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#28
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I agree completely David, the video will be interesting, but really would mean nothing to me, the Sable has just been getting better and better the more I play it, strings settling in I guess. The X20 is truly a work of art.
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John |
#29
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I think this depends on the purpose. For playing at a farmers market, give me the well-designed guitar that just sounds okay ANY day. No one cares about the guitar's inherent tone, they just want you to play in time and sing well, and you can modify it through your amp. I want something easy, comfortable, tunes well, good tuner placement, good neck, good place to hook a capo, sweat and humidity proof, etc etc. For sitting at home writing songs I don't care about tone either. I write almost everything on a Chinese knock-off at my wife's apartment. I LIKE nice-sounding guitars, but I just think tone is irrelevant compared to musicianship, voice, etc. Of course if we're talking about pianos I suddenly change 180 degrees.
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Emerald X30 Padauk Custom Emerald X20 Koa 1998 Gibson J200 Elite 1972 Martin D-28 McPherson Sable Breedlove Masterclass Taylor PS16ce Macassar |
#30
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YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |