#16
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This video I found on YouTube gives the best representation to my ears of the difference I get between Tusq and bone saddles on my guitars. I've replaced Tusq saddles with bone on 4 guitars. I've found Tusq saddles had a little more attack, were brighter and gave more individual note separation than bone. Bone was mellower than tusk and blended the strings more when strumming. Plastic saddles were mellower than bone and bone mellower than Tusq. I have liked bone the best so far on my guitars for its projection and warmth. I have found Tusq saddles generally a little 'harsh'. Replacing saddles is an easy experiment - the trick is to never work on the original saddle so you always have something to go back to!!!
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I'm learning to flatpick and fingerpick guitar to accompany songs. I've played and studied traditional noter/drone mountain dulcimer for many years. And I used to play dobro in a bluegrass band. |
#17
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I had a Furch OM 22CR that I took to a tech for repair. I asked him to
replace the original tusq saddle with a new tusq saddle (I'd sanded the original down too far). He put a bone saddle in, and this made the guitar much too bright. Furch supplied all of their guitars with tusq and the sound from the Furch guitars I've had has always been more balanced with tusq saddles.
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Furch Blue D-MM Furch Blue D-CM Furch Stanford D1P MM Blues resonator Seagull S6 Original |
#18
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I lock stock bone and titanium bridge pins with a PlateMate.
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#19
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Bone or tusq for me. I didn't change my urea nut on my Yamaha, as mentioned doesn't make much difference in sound, I don't think most outside would actually tell the difference.
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#20
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As some other said, it depends on the guitar...
While bone, micarta or tusk will certainly positively replace any cheap guitar saddle, it is not sure a mid-range guitar need its saddle to be changed : The builder should have made its homework.
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Needed some nylons, a wide range of acoustics and some weirdos to be happy... |
#21
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Tusq seems to work better on the Gibson's I've owned. Tried a bone saddle in a SJ-200 I used to own and it dampened the tone so I put the Tusq back in it. That being said...I like bone saddles in my other guitars.
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Jim Dogs Welcome......People Tolerated! Last edited by llew; 10-20-2020 at 09:27 AM. |
#22
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I had always been happy with the tone of my 2000 Martin D40. When it needed fretwork - five or six years ago - I brought it to a well respected guitar repair tech http://www.diburro.com/ in New Hampshire f. While in his shop, I asked his opinion regarding saddle materials. (My Martin came stock with a micarta saddle). He did an interesting demo with two pieces of saddle materials - one micarta, one bone - he dropped each (one at a time) from about 6-8 inches onto a hard surface (a plate/dish if I remember correctly). The point was to hear the sound each one made. The bone made a noticeably louder "tink". Every time. He fitted the guitar with a new bone saddle and the guitar's tone and sustain definitely improved.
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#23
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Bright guitars like Taylor, Furch seems to work well generally with Tusq saddles. Martin seems to prefer bone as the Martin tone is darker sounding, in addition to their bracing generally more heavily braced.
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GS Mini Hog 2018 Cort Earth Mini A few Yamahas 000JR-10E Shawn Mendes |
#24
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Quote:
But as others have said, "improvement" is highly guitar-centric. I put a bone saddle on my K14c recently and while I didn't have the foresight to do a before/after video with fresh strings I can say it sounds great with the bone saddle and doesn't sound too bright compared to what I recall from before. But that guitar also doesn't have an ES2 so I can't compare the effect of that aspect on electronics. I just purchased a 2015 Custom which has a Micarta saddle+ES2 that sounds fantastic unplugged, but the first time I plugged it in sounded very bass heavy, to the point where I had to turn the bass knob so far down to tame it that in order to lose the "boominess" I ended up losing too much bass. My amp's knobs were at 12 o'clock so I guess I could have dialed it down at the amp. I'll experiment some. But I did just received a bone saddle for it, so on next string change, if I can't dial in a good plugged in tone, I'll see if changing from Micarta to Bone makes a tonal difference on the ES2.
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Santa Cruz | Huss & Dalton | Lakewood Fan (and customer) of: -Charmed Life Picks -Organic Sounds Select Guitars -Down Home Guitars |
#25
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Quote:
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I'm learning to flatpick and fingerpick guitar to accompany songs. I've played and studied traditional noter/drone mountain dulcimer for many years. And I used to play dobro in a bluegrass band. |
#26
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#27
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I changed from Tusq to a bone saddle on a new Simon & Patrick mini-jumbo (spruce-rosewood). I could not tell any tonal differences but the sustain was markedly improved (ie, longer) with the bone.
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If ya got time to breath, ya got time for music! Briscoe Darling |
#28
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Quote:
https://reverb.com/item/7332337-tayl...nian-blackwood |
#29
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Yes, I just checked, it does.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#30
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Some of the bone saddles in my guitars seem very prone to developing a groove at the spot that the string makes contact. Typically this is on the higher, thinnest strings. The groove sometimes makes no difference, and sometimes creates a problem in the way the string rings. I have experienced this with what are likely cheaper saddles, but also with saddles on high end guitars, as well as a Colossi saddle. It has made me rethink whether I always prefer bone as saddle material.
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RM ----------------------------------------------------- Taylor 856, Taylor GC7, Martin 00-28, Breedlove Oregon Concertina, Breedlove Jeff Bridges Signature, Guild JF55-12, Guild D212, Larrivee OM3, Eastman E20 OM, Farida OT22w, Cordoba Fusion 12 Orchestra, Blueridge BR-361, Pono 0-15 mango, Journey OF-660, Tanglewood TWJP parlor (Nashville tuned), Paul Reed Smith SE Custom. |