#46
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You don’t have to be a good player to notice the difference - I’m a pure hacker and I definitely notice a difference. Which is not to say it’s better or worse - like most things it’s down to personal preference. I think the bevil is mostly there for picking, but I don’t particularly like what they do to the sound when strumming. And while I’m fine with it when picking, but I’m also fine without it. So, I’ve carefully filed the speed bevel off of some picks and like them more for it. To each their own, for sure, but I think there’s definitely a difference... -Ray |
#47
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I've got a couple of Chicken Picks and some large triangle Primetones.
I've become a Primetone junkie. I like the standard medium-gauge teardrop for electric and my 12-stringer, the large triangle (1.4) for acoustic, and the rounded triangle for my mandolin. But I like the Chicken Picks a lot, too. |
#48
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I'm a casein guy an have bad in picks from Fender,Clayton, John Pearse,Red Bear and charmed life. My favorites are the CL 1.5 triangles an I like the John Pearce 1.5s.
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1981 Yari DY 74 (S EIR) (Rosie) 2006 Takamine EG 340 SC (SM) (Tak) 2013Recording King RP06 12 fret (SM) (Chapo) 2017 Washburn Revival 1939 Solo Deluxe reissue (S EIR sunburst) (Amber) Fishman Loudbox Mini 2008 S style (Blue) 2018 T style (Pearl) 2019 Fender Mustang II V2 |
#49
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Folks, if you've been interested in trying a better pick but have never played one made from casein, you will likely be stunned. scott memmer |
#50
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scott |
#51
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I use TAD40s (=1 m/m) for smaller guitars w. light gauge strings, andv TAD50s (1.25 m/m) for dreads with mediums.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#52
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So I must admit that even though I've been playing guitar for around 15 years, I've just ventured down the rabbit hole of thicker picks and different picks in the last year. I just played medium Taylor picks for ever and was ok with that. Then I tried an Ultex sharp and was blown away. I have them in 1.14, 2.0 and really like them. When I bought my Koa Taylor, I tried Gator Grips to tone down the brightness and I really like them too. I've recently bought some Wegen Bluegrass picks and I like them too, but I'm still trying to figure out the tone and if they're really my thing. I've heard lots of good about Primetones and that they're fantastic picks. So here's my question. What, realistically, will a CL or BC pick give me that makes them worth the big money. I don't play lots of gigs anymore, mainly church on Sunday mornings, some local coffee shop gigs and bluegrass festivals. Are those picks that much better to warrant spending the extra money? Not trying to get anyone riled up or cause an argument. I really want to know before I order some primetones to try.
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Education is important! Guitar is importanter!! 2019 Bourgeois “Banjo Killer” Aged Tone Vintage Deluxe D 2018 Martin D41 Ambertone (2018 Reimagined) 2016 Taylor GS Mini Koa ES2 |
#53
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Current: 1952 Gibson J-45 - Schatten HFN passive / Fishman Matrix Infinity 1983 Washburn Timber Ridge Custom - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive 2016 Gibson J-45 Standard - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive backup Tonedexter & Sunnaudio Stage DI 1990 Yamaha FS-310 Past: 1995 Martin D-28 2015 Eastman E10SS |
#54
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I’ve got a bunch of BCs and, other than mandolin or electric, don’t use them much on acoustic. My taste leaned more toward the TD60 and CT55. I stareted with 35s and 40s and they sounded thin to me. That same thing happened with the thicker BCs as I got into the super thick Wegens. I now use those 350, 425, and 500 in teardrop and triangle, depending on the guitar. But I’m in love with the tone I can coax with those things. But it’s all so subjective. Tone production is very personal.
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#55
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OK, here is my take on bevels for what ever it is worth (you aren't paying anything for my opinion, so it's probably worth nothing).
Personally, I don't find them of much benefit on picks below 1 mm. I get about the same tone with or without, and in some cases even too bright with a bevel on thin picks and I am picky on tone. To me the sweet spot in picks is around 1.15 to 1.2 mm for single line flat picking. At that thickness I really like a good clean (sharp) bevel. I have put bevels on about every pick know to man if it didn't have one so I'm kinda picky about how it's done. To be perfectly honest, I don't like many picks above 2 mm even with a good bevel, but that's probably just a cranky old man talking. I create bevels with sand paper. I feel I can control the angle better. Here I show how I cut a bevel on a 2.5 mm Dunlop Flow pick. The first picture shows how I hold the pick. You can see the sanding marks in the paper that I scribe the cut in an ark. I hold the pick at about a 40 degree angle to the sandpaper. I start with 400 wet or dry (the black stuff) then to 600, 1000, 1500 and 2000 grit. The next picture shows the bevel after sanding. I polish the bevel with automotive rubbing compound. I really like the System 51 products. They cut fast and are water based so no odor. I polish the bevel with a cloth drum in a Dremel. I use both Step one followed by the Step 2 Compound. I just apply a small amount of compound to the pick. You don't want to use a lot of pressure on the drum as it can burn the pick. The last picture shows the finished bevel, and then tossed it in the pick jar, because I don't like thick picks (I think I already said that). Last edited by Portlandplayer; 03-07-2019 at 07:01 PM. |
#56
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And now my favorite pick (today). It's a casein that I made. It's just a hair under 1.2 mm. I really like to have two or three casein picks down to about .8 mm. If I want a brighter attack, or the strings are old, I just grab a thinner pick. Saves on string changes.
Notice the nice sharp bevel. |
#57
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I've experimented with a lot of picks the last 2-3 months, including many recommended here. My favorite by a significant margin is the Gravity Gold series. (Not a fan of their acrylic ones.)
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#58
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I've been saying for years that the Gravity Golds are excellent picks and a superb value. In fact, they're under-priced. I know this because we personally tested that material in the field for a long period of time with dozens of our prototype players. My decision not to move forward had nothing to do with the quality of the material, which is close to as good as what we or anyone else sells. As a small shop, we have to choose our spots carefully, and this didn't fit into our overall marketing plan, at least not now. Also, the market has led us to become much more a casein house than anything else. I'm following the market. I didn't see that when we started, but I do now.
Anyway, I always play it straight. If someone other than us makes good picks using premium materials, I've never hesitated to recommend that product. Honesty is a good way to live one's life, folks, the best way, and has its own rewards. I lay my head on the pillow every night knowing that I've conducted myself in the world in a way my father would be proud of. That means more to me than short-term profits, or market penetration, or any of that crap. Again, honesty is its own best reward. So yes, everyone should jump on some Gravity Golds, before they go up in price. scott memmer Last edited by Charmed Life Picks; 03-23-2019 at 12:02 PM. |
#59
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To answer your question: The absolute most important thing about doing these kinds of experiments with a company that has a fair and generous return policy. The good ones all do. If you don't see it in writing on their website, by all means you should have it in writing on a return email. Otherwise, I wouldn't order from them. Sorry this advice is late. This thread just popped up again. Happy Hunting, Scott Memmer |
#60
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This is the type of businessman that I want to support!
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |