#16
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Keep in mind I can't actually play guitar very well yet, LOL. But friends have played acoustic through mine and it's wonderful. We also use it for singing, DJing, outdoor movies... I love it. |
#17
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Actually, we use two Bose S1’s for most of our venues and then add one or two troupers for outdoors or in a larger indoor setting. If you play small to medium sized rooms it’s plenty loud enough and has sufficient bass response for that application. $199 and get a stand.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#18
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"I go for a lotta things that's a little too strong" J.L. Hooker |
#19
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Nice. I like the look of it. Sleek. |
#20
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Others? |
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#22
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You should be able to find a lightly used Evolve 30m at the top of your budget.
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#23
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When I decided to try solo gigs, I looked at several Tower Pa systems.
The worst of the bunch was the Harbinger as expected. The store rep said to stay away from them. I wound up getting a JBL Eon 1 and I have been very happy with it. It's 3 years old no2w and sounds great for solo or even with my full 6 piece Folkgrass Band, when a mixer is added. My model has been discontinued and the newer one is over $1,000.00. My buddy is using a Fishman Tower System and it sounds very nice. https://www.sweetwater.com/store/det...e-audio-system The price on it is also very nice.
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Happiness Is A New Set Of Strings L-20A Last edited by L20A; 09-03-2022 at 12:23 PM. |
#24
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I'm loving the Fishman SA300x, been using it a whole lot in the last few weeks as we've just passed peak tourist season here, with venues and hotels open and hiring entertainment most every night.
The Fishman lets me get in, get set up and sound good, and I've yet to notice anything I don't like about it, sound or design-wise. The other thing is that being able to mount the Fishman Expand Unit on the mic stand has been a revelation. I can adjust my basic eq or input levels between strums, because it's all right in front of me. Connect to the unit with a cat-5 cable and then you only need a short mic lead to the unit and your guitar leads going into the mic stand. Somer cables make a super-heavy duty 'tourtech' cat-5 that is very flexible and has reinforced connectors, that I've bought as a back up to the flat cable Fishman supply with the unit in case it should ever fail, but it's a beautifully thought out system. You can see in the below picture that I am very close to the unit (edge of it in the left-hand side), the expand unit (I hadn't yet procured the shorter leads for the mic, hence all the un-needed surplus wiring) and it's easily coping with an outdoor gig that had most of my audience sat either side of the centre aisle that was directly in front of me. I was running it on about 11 o'clock on the master volume and had no feedback issues despite being so close to the speakers. I'm extremely impressed with it. I paid very little for it as as far as I can tell, the UK dealers are clearing them for a new incoming model with bluetooth and app capabilities. You should be able to get a great deal.
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Rick Yamaha MIJ CJX32 Avalon L32 Avalon A32 Legacy Lowden 022 Gibson J-185 Takamine TNV360sc Cole Clark Fat Lady 3 |
#25
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I'm with Rick above and have posted my positive experiences with the sa330x in a previous thread.
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"I go for a lotta things that's a little too strong" J.L. Hooker |
#26
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I have been using the predecessor to the Fishman SA330x, the Fishman 220, for a few years. What I like about it compared to many of its competitors is that it has physical controls for everything - EQ (bass, mid, treble), volume, reverb, etc., and lots of connectors for monitors, effects loop, tuner, aux inputs plus some others that I can't remember. The controls are on the front side so if you have the unit behind you it easy to reach back and tweak the controls during a performance without having to wade through a digital menu. It only has two channels and not a ton of bass, but that is fine for me because I just run a single guitar through one channel and my vocal through the other, perfect for what I need. Plus the portability factor with the rolling bag/case makes it great for a quick setup and takedown.
One negative is that instead of the column being mounted on a subwoofer, it uses a more traditional PA speaker type tripod stand which takes up more floor area than the sub mounted arrangement but that has not really been much of a problem for me. Last edited by CarlE; 09-05-2022 at 07:28 AM. |
#27
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They often are on backorder though including a couple sources I checked just now. |
#28
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The 330 is just so...pro..it works best for me...pros and cons for every system I've owned...330 checks the most boxes. People want to hear different things...I need some punch/warmth you'd typically hear from a point source speaker. The 330 has that...while most other columns sound thin to me. Reverb is great, controls are at the perfect height, led light for dark stages, the right ins and outs, monitor volume is handy...most cases i do not need a monitor, but if you can't get some space between you and a column it will sound harsh to you but fine to your audience...confusing.., cheap expander that can be mounted on your mic stand...super convenient if you want to both mic your guitar and use your pickup..blending is simple. I owned a 330...sold it, looked for greener pastures, and bought another one because I couldn't find anything that compared with using it live. Mic stand, tripod, and 330 in roller bag, small backpack (bag of tricks for all the unknowns), and I'm ready for any gig. I hope fishman doesn't abandon this...I've heard they are out of production..cannot find a sa sub anywhere.? When with my band I use the 330 as a monitor..keeps up, easily with a loud folk rock band.
I've gotten slightly better tone from other acoustic amps (Genzler) but not at gig volumes/distances. |