#16
|
|||
|
|||
|
#17
|
|||
|
|||
I think this is changing though. I’m starting to see a lot more people playing Martin’s. The brightness of the Taylor’s helps cut through the band but in my experience our techs have always had to do more mixing with Taylor’s vs smaller adjustments with Martin’s to get the tone right! Could be a PNW thing though!
|
#18
|
|||
|
|||
Having led worship off and on for quite some time, I get not wanting to play a dread all the time. The OM has become the go-to for me in that area. With a K&K, direct into the board and a capable sound man, they are fantastic. I’d check out some Larrivee mahogany models (OM-03 or OM-40) and see what you think.
Also, the 15 series Martin’s are amazing…and the 00 might be the best of the bunch. Worth a look. Best of luck!
__________________
Treenewt |
#19
|
|||
|
|||
Quote:
Here is their version of the 214 Taylor: https://reverb.com/item/38798017-fur...y-2020-natural |
#20
|
|||
|
|||
Quote:
Regardless of the fact that I live in a small 3 million people island, Martin guitars have never been that popular among acoustic guitarists in Puerto Rico, and especially with church players. Taylor is the go-to choice among church players and many other players. I'd even say Gibson is as popular among acoustic players (or even more) than Martin. Maybe it's a weather thing.
__________________
-2017 Gibson J-45 Standard -2019 Gibson J-15 -2019 Gibson Les Paul Junior -2020 Gibson Les Paul Special -2019 Gibson Les Paul Studio -2021 Fender Aerodyne Special Telecaster -2022 Fender Telecaster 50s (Vintera) -1994 Fender Telecaster Deluxe 70 (Vintera) -Sire V5 5-string |
#21
|
|||
|
|||
Exactly. Cuz of course you can't play all those sus2, add 6, slash this or that chords on anything OTHER than a Taylor.
|
#22
|
|||
|
|||
Add6? What's that?
__________________
-2017 Gibson J-45 Standard -2019 Gibson J-15 -2019 Gibson Les Paul Junior -2020 Gibson Les Paul Special -2019 Gibson Les Paul Studio -2021 Fender Aerodyne Special Telecaster -2022 Fender Telecaster 50s (Vintera) -1994 Fender Telecaster Deluxe 70 (Vintera) -Sire V5 5-string |
#23
|
|||
|
|||
For example, a C6 would add the A note to the C major triad since the A (note) is the sixth note in the C major scale.
__________________
Martin:1956 00-18, 1992 D-16H, 2013 HD-28, 2017 CEO-7, 2020 000-28 Modern Deluxe Santa Cruz OM/PW, Larrivee OM-03R, Taylor GS-Mini Mahogany, Taylor 356CE, Fender American Professional Stratocaster, MIM Telecaster, Gibson Les Paul Studio, Epiphone ES-339 Pro YouTube Channel | Listen to my stuff on Spotify/Apple Music |
#24
|
|||
|
|||
??????????????
__________________
-2017 Gibson J-45 Standard -2019 Gibson J-15 -2019 Gibson Les Paul Junior -2020 Gibson Les Paul Special -2019 Gibson Les Paul Studio -2021 Fender Aerodyne Special Telecaster -2022 Fender Telecaster 50s (Vintera) -1994 Fender Telecaster Deluxe 70 (Vintera) -Sire V5 5-string |
#25
|
|||
|
|||
Well, that's a C6, not a C(add6), and if you turn it around, it'd be a minor 7th. There's not such a thing as an "add6."
__________________
-2017 Gibson J-45 Standard -2019 Gibson J-15 -2019 Gibson Les Paul Junior -2020 Gibson Les Paul Special -2019 Gibson Les Paul Studio -2021 Fender Aerodyne Special Telecaster -2022 Fender Telecaster 50s (Vintera) -1994 Fender Telecaster Deluxe 70 (Vintera) -Sire V5 5-string |
#26
|
|||
|
|||
Quote:
I'm very sorry and humbly apologize. Now, explain what you mean by "if you turn it around" it becomes a minor 7th? Oh, I think you mean if you make a different note the ROOT, then THAT chord is a minor 7th. We must ALL keep our terminology squeaky clean, don't you think? |
#27
|
|||
|
|||
Six of one, half dozen of the other. Yes, if you put the A as the root, you get an Am7 but that sounds quite a bit different than a C6 even though they are the same notes.
__________________
Martin:1956 00-18, 1992 D-16H, 2013 HD-28, 2017 CEO-7, 2020 000-28 Modern Deluxe Santa Cruz OM/PW, Larrivee OM-03R, Taylor GS-Mini Mahogany, Taylor 356CE, Fender American Professional Stratocaster, MIM Telecaster, Gibson Les Paul Studio, Epiphone ES-339 Pro YouTube Channel | Listen to my stuff on Spotify/Apple Music |
#28
|
|||
|
|||
I've led Jewish worship at our synagogue with the GS-Mini. Just in a solo setting (we don't do the big "rock" band thing there) but it works fine.
__________________
Martin:1956 00-18, 1992 D-16H, 2013 HD-28, 2017 CEO-7, 2020 000-28 Modern Deluxe Santa Cruz OM/PW, Larrivee OM-03R, Taylor GS-Mini Mahogany, Taylor 356CE, Fender American Professional Stratocaster, MIM Telecaster, Gibson Les Paul Studio, Epiphone ES-339 Pro YouTube Channel | Listen to my stuff on Spotify/Apple Music Last edited by egordon99; 07-04-2021 at 12:11 PM. |
#29
|
|||
|
|||
As a former worship leader I am squarely in the camp of “any quality acoustic guitar with a reliable pickup and an equally reliable and proficient person on the sound board” is sufficient. For the purposes of leading worship, the brand and model of acoustic electric guitar is far down on my list of priorities.
__________________
It won’t always be like this. |
#30
|
|||
|
|||
Yes, it would be a minor 7th. And as for which minor 7th, it would be Am7.
|
|
Tags |
worship |
Thread Tools | |
|