#31
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I have a D18 and a D35. Both work very well for songwriting. I would probably lean more towards my D18 for that purposes, but the D35 works great too.
In thinking about it, I've probably written more songs with my Guild F50R than any other guitar, and it's bigger than a dread. No problems "leaning over to write" or any such thing. Pick the one that sounds good to you and inspires you. That's all that really matters. Plenty of folk/country/bluegrass/Americana/rock songs have been written on a dread just as many have been written on larger or smaller guitars (and banjos, ukeleles, mandolins, etc). So, again, buy what inspires your writing creativity. Anything else is secondary.
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https://www.mcmakinmusic.com |
#32
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I'd say mahogany is your friend in that environment, and the three that come to mind for me are the D-18, 000-18 and J-45.
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#33
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I had a D-18. Unless you have a deep baritone voice it would work well for a singer- songwriter
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David Webber Round-Body Furch D32-LM MJ Franks Lagacy OM Rainsong H-WS1000N2T Stonebridge OM33-SR DB Stonebridge D22-SRA Tacoma Papoose Voyage Air VAD-2 1980 Fender Strat A few Partscaster Strats MIC 60s Classic Vib Strat |
#34
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Wayne J-45 song of the day archive https://www.youtube.com/playlist?lis..._Zmxz51NAwG1UJ My music https://soundcloud.com/waynedeats76 https://www.facebook.com/waynedeatsmusic My guitars Gibson, Martin, Blueridge, Alvarez, Takamine |
#35
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Actually I do have a deeper baritone voice...
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1949 Gibson J-50 1956 Gibson LG-2 Baxendale Conversion Yamaha FG-180 Red Label Seagull S6 GT |
#36
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Best thing about the HD-28 is how easily you can resell it. |
#37
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Can you elaborate on this? Why would his being a baritone make the D18 (or any particular guitar) a bad choice?
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https://www.mcmakinmusic.com |
#38
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My guess is that there are few more versatile instruments than a Martin D-18.
If you are happy with a dread size then I think they are close to the Swiss Army knife of guitars and the D-18 would be an excellent singer-songwriter guitar. Personally, and I know I am probably in a minority, I like the older D-18s that I have tried (pre 2012, I think) a bit more than the newer ones. My favourite was an older D18V I once tried which I reckon was about the perfect all-round guitar. Crisp and clear with plenty of bass and the most comfortable neck I have ever played. I sat in a shop with it and played and sang for about 30 mins. It seemed to be to be just perfect....except that I couldn't afford it! :-) |
#39
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I actually like the newer (2012 and after) D-18's and the older ones for different reasons. I've owned several new D-18's and think they may well be the best value Martin offers. But I found a '62 D-18 with repaired body cracks and a reset neck and refret that is amazing. Also have a 75th anniversary D-18 which is very close to a D-18GE that I really like. There are a lot of variations on a theme here but I seem to like them all...at least the ones I've tried. My playing partner has a D-18V and yes it is a fine guitar. It lacks nothing really? If someone told me to choose I'd have to go with the mahogany Martin's over their rosewood counterparts I believe. Love both but I think the 18's just have my heart?
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Jim Dogs Welcome......People Tolerated! Last edited by llew; 04-17-2018 at 05:54 AM. |
#40
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It’s kinda like when mixing a recording you try to eq in a way so as to not have instruments or voices compete in the same frequency. The older D-18 has more of a mid range boat then the post 2012 d18 But it comes down to preference, the ops opinion is what counts.
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David Webber Round-Body Furch D32-LM MJ Franks Lagacy OM Rainsong H-WS1000N2T Stonebridge OM33-SR DB Stonebridge D22-SRA Tacoma Papoose Voyage Air VAD-2 1980 Fender Strat A few Partscaster Strats MIC 60s Classic Vib Strat |
#41
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Really, any acoustic guitar can be a good singer songwriter guitar. The sound description that you said you are looking for fits well with a D-18. I have had mine for about 4 years, and it works well for singer songwriter stuff. I like J45’s for that stuff too. D-35’s are great too, but I feel like you would get a lot of what you may be trying to get away from, since they sound relatively similar to an HD-28.
A nice thing about a D-18 over some of the smaller guitars mentioned is that it’s great for playing by yourself, yet it works great if you find yourself in a group setting as well. |
#42
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Jason Isbell has used primarily D18s for years. He's recently been using an OM for some softer fingerstyle songs, and uses an HD28 as well as a "back up" lol.
I recently got a J45 and love it. It's actually very similar to the D18 in that it has a really nice woody tone, but it's drier sounding than the D18. Great for singing over. If I had an HD28 and wasn't going to sell it to get another Martin, I'd grab a J45 for the sake of diversity. |
#43
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Jason Isbell is one of my favorite artists! I’ve been considering a J45, the only problem is I am not currently in the position to purchase one outright. So either I can trade my martin I’m not happy with for a Gibson or a Martin that suits me better. I definitely feel a sense of loyalty to Martin, but I’ve also never owned a Gibson Guitar of any kind and can’t help but wonder if it’s what I need. I need a way to borrow a j45 for a while haha.
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1949 Gibson J-50 1956 Gibson LG-2 Baxendale Conversion Yamaha FG-180 Red Label Seagull S6 GT |
#44
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I will say that if I ever perform out again, it's J45 all the way! |
#45
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1949 Gibson J-50 1956 Gibson LG-2 Baxendale Conversion Yamaha FG-180 Red Label Seagull S6 GT |
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Tags |
ceo 7, d18, martin, singer, songwriter |
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