For Sale: SOLD! Martin Custom Shop 0000 - FLAWLESS! - (2020) Adi/Madagascar/all hide glue

[Joe-six-string]

Like New, totally mint Custom Shop Martin 0000-21

$4,200 including shipping in the continental U.S.

Absolutely flawless, mint condition. I purchased this brand new in January and decided to keep a custom Collings instead.

• Adirondack top
• Madagascar back & sides
• Highly flamed koa wood bindings
• Adirondack Golden Era scalloped bracing
• All hide glue construction
• Herringbone rosette
• Waverly tuners
• Geib 5-ply premium case

SPECS:

SPECIAL INSTRUCTION: HIDE GLUE COMPLETE (AUTHENTIC FEATURE)
LABEL: none
CONSTRUCTION: Standard; Mahogany Blocks/Dovetail Neck Joint
BODY SIZE: 0000-14 Fret

TOP: Adirondack Spruce - Sand to .105
TOP GRADE: 3-4
TOP BRACES: Adirondack / Scalloped 5/16" / Golden Era
PATTERN: J/0000 #2A
TOP BINDING: Highly Flamed Koa
TOP INLAY: .040" Maple; .042" B/M/B Fiber
TOP PEARL: none
ADDITIONAL TOP INLAY: none
ROSETTE: Same as D21 Special Rosette
ADDITIONAL ROS. INLAY: Inner/Outer- .015 Black Fiber/.012 Maple/.030 Black Fiber; Center- Fine Herringbone/.030 Black Fiber on Each Side
PICKGUARD: Faux Tortoise 3071, Self-Ad, Pattern 22B

BACK: Madagascar Rosewood
BACK PANELS: 2 Pc.
PURFLING: 00-21GE Fine Herringbone w/ D-18 strips on each side
CENTER STRIP/LOC. STAMP: Sitka Standard (C.F. Martin & Co. Nazareth, PA Btwn 1st & 2nd Brace

CAUTION STAMP: none
BACK BRACES: Sitka Spruce
BACK BINDING: Highly Flamed Koa
BACK INLAY: .040" Maple / .015" Black fiber (black against binding)
ADDITIONAL BACK INLAY: none

SIDES: Madagascar Rosewood
SIDE INLAY: none
SIDE PEARL: none
ADDITIONAL SIDE INLAY: none
ENDPIECE: Highly Flamed Koa
ENDPIECE INLAY: .040 Maple/.015 Black Fiber (maple against endpiece)

BLOCK: Solid Genuine Mahogany
REAR: 00/000 Mahogany
FRONT: 000 14 Fret Square Rod Mahogany
LINE 1: C. F. Martin Logo
LINE 2: Custom Shop Logo

NECK: Solid Spanish Cedar 12/4
NECK SHAPE: CS Profile #1
HEADSTOCK: Solid / 6 String / Diamond
BACK/HEAD STAMP: none
TRUSS ROD: NR, T-Bar, 14 Fret ,Depth, .3759 Length 14
HEELCAP: High Figured Flame Koa
NUT: Bone
ON ANGLE/FLAT: On Angle
HEADPLATE: Madagascar Rosewood
HEADPLATE DECAL: Old Style Silver (Large)
HEADPLATE BIND: none
HEADPLATE INLAY: none
ADDITIONAL HP INLAY: none
TUNING MACHINES: Waverly Nickel 4060 w/ BB Btn (11/32)
FINGERBOARD: Black Ebony (Stain- Yes, Oil- Yes)
RADIUS: 16”
SCALE LENGTH: 25.340" (25.4")
WIDTH AT NUT: 1 3/4" (1.750)
WIDTH AT 12 FRET: 2 1/4" (2.250)
FRET WIRE: German G300, Notched 1 3/4
FRETS CLEAR: 14
TOTAL FRETS: 20
FINGERBOARD BIND: none
FINGERBOARD INLAY: none
PEARL INLAY: Style 21- .190" Select Abalone Squares - One at 5th, Two at 7th, One at 9th
ADDITIONAL FB INLAY:
SIDE DOTS: Grained lvoroid
SIDE DOT POSITION: One at 3rd, 5th, 7th, 9th, Single at 12th, One at 15th & 17th Frets

FINISH TYPE: Gloss/Satin Neck
FINISH BODY: Non-Catalyzed Gloss I No Stain / Rosewood Filler
FINISH TOP: Non-Catalyzed Gloss/ Clear
FINISH NECK: Cat. 15 Sheen Satin / 144 Maple Stain / Rosewood Filler

BRIDGE: Black Ebony
STYLE: Standard Belly
PEARL INLAY: None
STRING SPACING: 2 5/16" (2.313)
SADDLE: 16" Radius/Compensated/Bone

ELECTRONICS: none
BRIDGE PINS: Bone with Paua Pearl, 3.0mm
END PIN: Bone w/ Paua Pearl Dot, 4.0mm

[Bill Arthur]

G sus that is beautiful. Outside of my price range but someone will be cherishing that for decades to come.

[Joe-six-string]

Hump Day, Bump Day

[Joe-six-string]

Weekend bump

[Joe-six-string]

Wednesday Bump

[Joe-six-string]

Another bump

[Joe-six-string]

Bump to the top!

[MooWahmBah]

Longshot ...Any chance you are in the Dallas area?
thanks

[Joe-six-string]

Bump to the top

[Joe-six-string]

Bump it real good.

[Joe-six-string]

Monday Bump to the top

[zoopeda]

Wow, style 21, t bar neck reinforcement, golden era bracing, nut on an angle. Major attention to detail. This has to be the best sounding Martin 0000-21 ever made. GLWS!

[Joe-six-string]

It's unworldly. Unfortunately I can't keep both of my new guitars.

[Joe-six-string]

Bump to the top

[handers]

Lovely guitar. But the photos of the back are underexposed so the grain cannot be seen on a standard computer screen. The photos of the top are overexposed so that you can't see the grain of the topwood. I think this guitar would be very much more appealing if you reshot them with the grain mind.

Just my take and good luck with the sale.

hans