#1
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Flailing Pinky.
My little finger has a mind of its own. It defaults to the straight position when the other fingers are behaving themselves above the fretboard. I still use the finger all the time but it looks messy and it's beginning to bug me and I'd like to address the issue.
There are several YouTube videos on the topic, suggesting it's a common problem, though I haven't found any that useful so far. Anyone else had this problem? |
#2
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I wouldn't worry about it. In 36 years of playing and multiple learning sessions with world class instructors my pinky has never come up once. And it does some weird stuff at times.
Is your wonky pinky preventing you from being musical? If not, cut yourself a break because really imo being musical is the one true goal. Last edited by Guest 33123; 01-16-2022 at 05:16 PM. |
#3
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I also had a pinky finger problem, but it’s with my picking hand. I’m a flat picker and I would occasionally catch my little finger on my right (picking) hand on an odd string and completely mess up my rhythm. I just consciously made an effort not to do that and after a while my finger learned to behave itself.
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#4
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Yes, I have dealt with it, and in fact I practice training the pinky every day as no doubt it is my slowest finger. Slow might be relative. I’m talking “Devil’s Dream” at 120 BPM, playing four 1/16th notes per beat. I attacked the flailing pinky after watching a Chris Thile instruction video in which he said it was one of the biggest flaws he commonly sees and a severe limit to speed. Or that was my take at least.
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#5
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Quote:
I have also been playing - on and off - for several decades, but i have been taking it more seriously in recent years, which is why I've only just started to notice it. |
#6
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Quote:
__________________
Yamaha LJ56 & LS36, Furch Blue OM-MM, Cordoba C5, Yamaha RS502T, PRS Santana SE, Boss SY-1000 CG3 Tuning - YouTube - Bandcamp - Soundcloud - Gas Giants Podcast - Blog |
#7
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Scale studies. Classical technique.
Of course, using proper form from the outset is optimal - this is the benefit of studying with a teacher, who will correct you every time your ergonomics go astray. |
#8
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A flailing pinky is a late pinky. It gets to the string after the pick has already hit it. If having your notes sound different depending on the finger is a "style," then I guess the sound of Long John Silver's footsteps is a style, too.
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#9
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Quote:
Nope, I solved it about 58 years ago by resting it lightly on the top (glides around as I move my hand position). I don't put pressure on it, but it acts more like a place-finger (like the home row of keys when typing). I always drop it in the same place. After 40 years of teaching fingerstyle I can tell you there are as many great fingerstyle players who rest or drop a pinky on the top as those who do not (probably more droppers). Fingerstyle is not classical, as the more oblique hand angle is usually preferred by players, as is right knee versus left knee. I've never been so narrow as to declare there is a one-size-fits-all because hands are different, styles are different, players are different sizes, and I've seen people play both ways with great success. |
#10
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Quote:
OP is talking about his fretting hand pinky. |
#11
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ljguitar - try reading the OP again
*oops, posted at the same time as above - no snark intended. Last edited by catt; 01-17-2022 at 10:59 PM. |
#12
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But really... stop looking at your pinky while you're playing. It's weird and you're going to give your pinky a psychological complex.
__________________
Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#13
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Of course there is Django Reinhardt but the fretting hand pinky is a major requirement to be able to play most anything
fingerstyle which involves simultaneous playing of chords and harmony. Make yourself use it and coordination will come.
__________________
Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above Last edited by rick-slo; 01-18-2022 at 12:27 AM. |
#14
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One thing that helps me is to think of the fretting hand "grip" as pinky-and-down, versus index-and-up. I'm mainly a bass player, and that's fundamental because of the silly stretches you encounter. It's a bit counterintuitive because the bulk of God's construction of your fretting hand is on the "low note" side.
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#15
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Hi J-D
This forum is so prolific (soooo many posts) I need a speed reading course and better glasses… Sorry. |