#16
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3 chords and you are set to r&r...
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1990 Martin D16-M Gibson J45 Eastman E8D-TC Pono 0000-30DC Yamaha FSX5, LS16, FG830, FSX700SC Epiphone EF500-RAN 2001 Gibson '58 Reissue LP 2005, 2007 Gibson '60 Reissue LP Special (Red&TV Yel) 1972 Yamaha SG1500, 1978 LP500 Tele's and Strats 1969,1978 Princeton Reverb 1972 Deluxe Reverb Epiphone Sheraton, Riviera DeArmond T400 Ibanez AS73 Quilter Superblock US[/I] |
#17
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Learn F and F#m and Bm barre chords and now you’re armed to play just about any pop or country 4 chord song in G, C, D, or A which are the most popular keys. |
#18
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Enough to play the songs I play...
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#19
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Apparently Dylan only knew three chords*... that's more than enough for me.
*Yeah, I know, apocryphal. |
#20
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You know what John Prine said;
''Thank God for capos, otherwise all my songs would have the same 3 chords!'' |
#21
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Wait, what ? Memorize, nobody told me there was gonna be a test, I hate tests.
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Herman |
#22
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I have no idea of how many chords I know...But I know enough to play all the songs I know how to play, though.
That's how I learn more chords these days...If I come across a chord I don't know, I'll look it up or figure it out and hopefully commit it to memory for future use. I have a music theory background, so I'm not at a loss knowing what notes belong in a chord, but that knowledge still doesn't always easily transfer to finding the best way to finger that chord so it flows properly. Another thing: I experiment. That's one of the great things about playing solo guitar. I'll sometimes come up with a chord by serendipity that I think has a really cool sound and just continue to use it. I'm often too lazy to reverse engineer what that chord is really named, so if I end up playing with another musician, I'll have to resort to the "put your fingers on these frets" method if they want to play along.
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Pray, Hope, and Don't Worry - Padre Pio |
#23
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That's my philosophy too. I don't "memorize" them. I try to understand how to build them and I guess after playing for most of my life, many of them are no-brainers now.
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#24
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This reminds me of a writer I read who touched on learning guitar. He explained that he had learned all 21 chords. “All?”, he explained, there are seven different notes in a scale (he was omitting the octaves) and every note has a sharp and a flat, seven notes, seven sharps, and seven flats, that’s twenty one, isn’t it? I truly didn’t have the heart to disabuse him.
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-Raf |
#25
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I have most chords that I use regularly memorized but as Jeff Matz commented, it's not all that hard to construct chords on the fretboard just as one would do on a piano keyboard.
I have no idea how many chords I have memorized. A couple hundred or so? - Glenn
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My You Tube Channel |
#26
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C, Cm, C7 Cmaj7 D, Dm, D7, Dm7 E, Em, E7, Em7 F, Fm, F7, Fmaj7 G, Gm, G7, Gmaj7 A, Am, A7, Am7 B. Bm, B7, Bm7, Bdim7 I'm at 22 right off the top of my head. That diminished chord goes by a few names though. I skipped some of the sharps/flats that are possible as an semi-open chord. (Fminor, C7 for instance)
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Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#27
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Sometimes I don’t know the name of the chord I am playing, if it sounds good I will use it. E add9 I only found the name of through looking up a chord analyser after using it in a song. Should really improve my theory knowledge.
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#28
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Clearly he was thinking in terms of chord tones, not shapes, and playing up the neck while also using open strings. |
#29
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That'll change your world.
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1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |
#30
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Three is all I need for bluegrass, LOL.
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |