#16
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Jumbo
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Makes sense. After playing my naught last night, I started having pain in the ball joint of my right shoulder. I hope that's not a trend. Everything else hurts, why not add a shoulder to the list? |
#17
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naught
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I wonder if there is a jumbo version of the FG-820? |
#18
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Moving target
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Moving target indeed. I've been trying to determine the difference by reading posts for a month, rather than hanging the question out on the forum. No avail. Descriptions within posts seem to vary. Another term I keep seeing is "slope." What is that all about? |
#19
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OM sized
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#20
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When Martin introduced a 14-fret guitar for the first time, it was a 14-fret version of their 000 guitar (the different sizes were discussed in that other thread). For a while, Martin used the term “Orchestra Model” to describe any guitar with a 14-fret neck, but the 14-fret 000 was called the OM (e.g., OM-18, OM-28, OM-45). In 1934, they stopped calling them OMs, and shortened the scale length from 25.4 (“standard”) to 24.5 (“short”). For many decades, Martin didn’t make OMs—000s with a standard-scale neck. Eric Schoenberg is credited with reviving the OM in the late ‘60s.
Today an OM is generally considered any guitar similar in shape to a Martin 000, with a standard-scale neck (Martin 000s have short-scale necks). Modern Martin OMs have 1/4” main braces, but my understanding is that the OMs from the early 1930s had 5/16” main braces. Quote:
Martin continued to spell dreadnought with an “a” instead of an “o” for several decades. Catalogs from the late ‘60s still say “Dreadnaught,” but sometime in the ‘70s Martin relented and started spelling dreadnought with an “o.” |
#21
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I find Jumbo's very comfortable to play for some reason.
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#22
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I'll take my M-36 (and GPC-35E) over a dread every time.
__________________
Pura Vida 2011 Martin M-36 2016 Martin GPC-35E 2016 Martin D12X1 Custom Centennial 1992 Takamine EF-341C, great for campfires 85 Gibson Les Paul Custom 82 Gibson SG 96 Fender Clapton Stratocaster 91 Fender Deluxe Telecaster Plus 86 Fender MIJ E-series Stratocaster |
#23
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Quote:
Quote:
__________________
2018 Guild F-512 Sunburst -- 2007 Guild F412 Ice Tea burst 2002 Guild JF30-12 Whiskeyburst -- 2011 Guild F-50R Sunburst 2014 Gibson J-15 -- 2012 Epiphone Dot CH 2010 Epiphone Les Paul Standard trans amber 2013 Yamaha Motif XS7 Cougar's Soundcloud page |
#24
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I was just out testing. To me, playing a Jumbo on my right leg seated, feels much bigger than a dread. Playing it on my left leg, it feels much more comfortable than a dread.
I've got Jumbo Fever, I've got to order mine right away! |
#25
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__________________
Martin:1956 00-18, 1992 D-16H, 2013 HD-28, 2017 CEO-7, 2020 000-28 Modern Deluxe Santa Cruz OM/PW, Larrivee OM-03R, Taylor GS-Mini Mahogany, Taylor 356CE, Fender American Professional Stratocaster, MIM Telecaster, Gibson Les Paul Studio, Epiphone ES-339 Pro YouTube Channel | Listen to my stuff on Spotify/Apple Music |
#26
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The original Dreadnaught was designed with a 12 fret neck, as was the original 000. When Martin converted them to 14 fret necks they pretty much just chopped off the upper bout straight across, so the shoulders are flat. Later designers came up with similar body shapes that were rounded off at the upper end, so 'slope shouldered' Dreads.
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#27
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Quote:
Gibson came out with its Jumbo at around the same time Martin went from 12 to 14 frets on its dreadnoughts. That guitar was roughly the same shape as Martin’s 12-fret dreadnought. The Super Jumbos were a size bigger, but when Gibson dropped “Super” from the name, that size became know as the jumbo, leaving Gibson’s original jumbo shape in linguistic limbo. Slope-shoulder dreadnought (or round-shoulder dreadnought, as Gibson sometimes calls it) just stuck. It didn’t really matter what came later once the 14-fret version became the de facto shape identified simply as a “dreadnought.” |
#28
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Well, the FG-830, and the FG-730 before it, and the vintage FG-180 before that, are sort Yamaha's mash up/combo idea of the Dreadnaught and Jumbo body shape, not fully dread, not fully jumbo. In Yamaha's guitar line, to get the "traditional" jumbo body shape, like a Gibson SJ-200 or Guild F-50/50R, you have to go up to the LL series Yamaha's, and the "LJ" model designation, and the first series in that with Yamaha is the LJ-16, which are really wonderful guitars!!!...and for their price, especially used...an amazing value...what you pay for what you get. That is true of all the Yamaha LL series of guitars from the 6 series to the 56 series, but the 16 series in particular are just an incredible value all around. duff Be A Player...Not A Polisher |
#29
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It's simple...
Drednaughts hang on a strap.
Jumbos sit in your lap.
__________________
- Tacoma ER22C - Tacoma C1C Chief - Tacoma EK36C (ancient cedar Little Jumbo, '01, #145/150) - Seagull SWS Maritime Mini Jumbo ('16) - Simon & Patrick Pro Folk Rosewood ('01) - Tacoma JM9 jumbo -Tacoma JK50C jumbo - Godin Montreal Premiere Supreme - Ibanez Mikro Bass |
#30
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Dreanaughts sound like you’re playing in a bathtub. Jumbos sound like you’re playing in a swimming pool!
__________________
2008 Santa Cruz OM/PW CA Legacy/Performer pre-peavy carbon fiber, a gift from my daughter and son-in-law. Richard Young Soprano and Concert Ukulele Collings UT1 Tenor Ukulele Eastman 305 Mandolin McSpadden Mountain Dulcimer Thomason Mountain Dulcimer Deering Eagle ii Banjo Homemade Wash Tub Bass O'Riordon Tin whistle (Traveler Set) Hammered Dulcimer by Jim Hudson |
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dreadnaught, jumbo |
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