#31
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For some interesting info
I hardness tested some frets today, taking into consideration there shape and size and the limitations of hardness testing I carried out a rockwell f scale test. A gibson les paul I defretted, the frets at 4 points registered 108 F A stemac wire out of the packet, at 4 points registered 96 F That is approx 11 percent softer than a Gibson fret. Got a refret later this week on an ibanez, so might test that one as well Steve
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Cole Clark Fat Lady Gretsch Electromatic Martin CEO7 Maton Messiah Taylor 814CE |
#32
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Quote:
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https://www.reverbnation.com/bootheelers |
#33
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Relative hardness is all very interesting, but it has very little to do with wear characteristics and longevity. As I and others have pointed out earlier, the fretwire that was available when I started building is extremely malleable and cuts very easily. At the same time it wears several times as well as the StewMac wire that many consider the industry standard today. I still have 20 or 30 feet of the old wire here in the shop, so it is not faulty memory. It is actually challenging for me to do a professional refret with this wire as it is difficult to get it to lay flat enough against the fingerboard using a mallet as I do. Might be better with a press, but I'm gonna die with a hammer in my hand.
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#34
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Tool steels are different as they have macro and micro hardness's. That is steel a and steel b may have same macro overall hardness, but on micro grain structure analysis the hardness's differ greatly due to its makeup. This difference affects wear characteristics. Steve
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Cole Clark Fat Lady Gretsch Electromatic Martin CEO7 Maton Messiah Taylor 814CE |
#35
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The Gibson is just a les paul, possibly late 80's, I finished last week a Gibson refret from the 60's, so wish I had kept the fretwire. Steve
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Cole Clark Fat Lady Gretsch Electromatic Martin CEO7 Maton Messiah Taylor 814CE |