#91
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Cool! I know you are looking for answers but I got questions! Did you radius braces and use 3x5 card trick? If so how'd it go?
Also, why are there distinct gaps between bridge plate and braces, braces and other braces etc? Ok nice progress. Sam |
#92
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It very well braced, Why is the bridge plate skewed away from the X bracing and tone bar? Curious?
Also you have to get one finished and decide what you will do differently on #2. I just strung up #3 and its quite a progression. Good Luck.
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Andersonville Tennessee Clinch River Instruments, White Oak O, 13 fret Nick Lucas, 1937 spec D-18 Martin 000-28 EC Gibson Les Paul Gibson 335 Dot Bunch of Strats Fender B-Bender Tele |
#93
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Hi LoS, I actually used staggered wooden door shims. They seemed to work well when a few are staggered. My radius was tight (12' is what the design called for) so I found the larger stack of cards a bit fiddly. As for brace placement, again, just following the plans.
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Guitars: J-45 copy, Stahl Style 6 inspired copy |
#94
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Hi clinchriver. The bridge plate is skewed according to the plan. I suppose I will make a second. I have some sinker honduran mahogany and old lutz spruce for the next one.
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Guitars: J-45 copy, Stahl Style 6 inspired copy |
#95
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Your plan differs a lot from the way I build; I can't really critique it. You are going to clean up the glue excess, right? That is more easily done before it hardens.
I see that you routed all the way through the top for part of your rosette. Get that entirely backed up or it will some day open up. A thin spruce layer will do.
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"Still a man hears what he wants to hear, and disregards the rest." --Paul Simon Last edited by Howard Klepper; 10-20-2013 at 12:16 PM. |
#96
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Quote:
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Guitars: J-45 copy, Stahl Style 6 inspired copy |
#97
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Hey Steven, Howard et al - so I've seen some people shellac insides. Then I've read some people use HHG as seal coat. Why not "seal" the inside of the top with HHG to make it uniform? Obviously I know next to nothing/ enough to screw up, but it's a thought I've been having for my own build.
Sam |
#98
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Quote:
I have seen photos of what you are talking about, but I don't know anything it. I am in the process of scraping the glue off.
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Guitars: J-45 copy, Stahl Style 6 inspired copy |
#99
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Quote:
- Mcknight shellacs insides. - klepper tried it for awhile but no longer does it. - Sexauer wonders why anyone would do it (I paraphrase). - John Arnold sometimes does it (I think). Some believe it might help to mitigate humidity issues. Some believe it might change tone. You might have already gleaned all this info as well but whateva! Sam |
#100
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Quote:
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Guitars: J-45 copy, Stahl Style 6 inspired copy |
#101
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Shellac is not an effective moisture barrier, it does slow the change in moisture content of the wood in response to humidity changes, but it does not prevent it. Protection against humidity changes is limited.
The argument against shellacing the inside of the box is that it makes future repairs more difficult. There doesn't seem to me to be any compelling reasons to favor shellac or no shellac inside the box.
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Rodger Knox, PE 1917 Martin 0-28 1956 Gibson J-50 et al |
#102
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Back thickness
The back thickness (Brazilian Rosewood) called for in the plan is mostly running around 2.0-2.2mm (some areas as low as 1.7 and as high as 2.4mm). Is that reasonable? Is it significantly more fragile at that thickness. I have currently hand planed it to a pretty consistent 2.75mm thick. I thought I would take a pause and see if there's any prevailing wisdom about the final thickness. Thx.
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Guitars: J-45 copy, Stahl Style 6 inspired copy |
#103
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Even though I haven't posted lately, I have been busy working away on the guitar. Here I am thicknessing (thinning) the back plate.
Here's what the back plate looks like with the braces glued on but not yet shaped. These handy tools are good for radiusing the edges of the braces. Shaped braces. Still some fine tuning to do... Outtards Innards
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Guitars: J-45 copy, Stahl Style 6 inspired copy |
#104
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looking good to this novice! Seems like the top has a lot of brace mass yes?
Cool and nice progress. Sam |
#105
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Why are you ending the back crossgrain strip at the braces instead of continuing to the neck and tail blocks?
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"Still a man hears what he wants to hear, and disregards the rest." --Paul Simon |