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The Emerald Flaminco Guitar
Years ago I went though 40-some wooden guitars looking for my ideal nylon string guitar. When I discovered carbon fiber guitars I started the search anew. I've played or heard just about every CF nylon string guitar and Alistair has made me five custom instruments.
I have, in general, argued that CF nylon string instruments do not have the projection power of a good wooden guitar. A complaint recently emphasized when getting a chance to play an 1800's Martin. I've laid the blame on CF tops, arguing that they need to be thinner. But the problem is bigger than that. I've made a big mistake in my goal. Without thinking I've not differentiated classical and flamenco guitars. After playing the Martin and mentally reviewing my brother-in-law's Ramirez I picked up my Emerald X10 acoustic and realized that the 10 was very much in the park as a classical. Unfortunately, the sound seed in my brain was based on a Flamenco sonic. In my early 20's I attended a concert by Carlos Montoya; it was ravishing. I've noted before that the closest CF guitar to my nylon taste was the Blackbird Rider. Blackbird put out two versions of the Rider, a classical and a flamenco. I had the classical but heard the Flamenco and wondered why I couldn't get that sound. I'll never reach the level of skill evidenced by Montoya, but would like to get the sound. And so, I'm starting over. I think I'm going to sell my CFs, purchase a moderately priced wooden flamenco guitar. If it gives me a taste of what I'm looking for then I'll start pestering Alistair. I don't think he's ever made a Flamenco guitar and it would be a worthy challenge. And away I go................................Excuse my long-windedness, I've had an epiphany (and I wasn't even drinking or smoking). |
#2
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That sounds like a useful insight, Evan. Your sojourn has been almost legendary so far. Good luck!
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#3
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As you know Evan, if you can dream it Alistair can make it. Heck, it could become one of their best sellers. You never know.
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#4
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My Cordoba GK is a Flamenco, since I'm not a classical player, the nut width, comfort and tone works really well for me. It is a fun guitar to play. Enough about me, best of luck with your quest ! Sounds like you are on the right track. You do have to stomp your foot and yell 'ole every once in a while when playing it though.
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John Last edited by jdinco; 08-28-2020 at 11:30 AM. |
#5
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Thank you Earl, I hope you're right, though I could be on a fools errand.
Steel; I'm not so sure. I'm not sure an offset sound hole would work with a flamenco guitar--much of the soundboard depends on bracing finely tuned to accentuate trebles and moderate bass and I'm not sure that would work for flamenco. Although, Alistair could return to a center sound hole, but it would take a lot of modification to change the face of new X7 build. JD; no problem--I stomp my feet and yell "ole" at least a few times a day, anyway. I'm half way there. |
#6
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Evan, you might like the Córdoba GK guitars, and you can probably pick up a second hand Córdoba GK Pro for around $1000 - $1300, or it’s little sib, the GK Studio for $400 - $700 on either eBay or Reverb.
They are good quality for the price, and they have several features that will appeal to you, such as thin body, light weight nut width of 50 mm (vs 52 on most classical guitars) I became enamored with the GK Pro a few years ago, and much to my surprise, my wife loved the GK Pro so much that she stopped playing her beloved Taylor steel string. So I “had“ to buy a second GK Pro in order to have one to play myself. |
#7
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Probably something you picked up from your neph since he lives down there close to the border and all.
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John |
#8
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Not a bad price either. This is a classical, but they do Flaminco if you want to get one while you wait on Alistair.
https://www.youtube.com/watch?v=nv1RbPE7K_M
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Cheers, Tom PS If you don't want to invest in yourself, why should anyone else even bother to try? |
#9
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Cecil; Thanks for assisting my quest. I appreciate the experience and advice.
Tom; thank you for option. I'm not getting a visual--what is the guitar? |
#10
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Read the title (Flaminco SIC) and wasn't sure whether I was going to read about a pink guitar or a nylon-strung guitar...
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#11
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BSMAN;
Sorry about that. Although I suppose that somewhere in the universe there is a pink Flamenco. |
#12
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It is the Dlutowski that popped up in one of your previous topics (if I am not mistaken).
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Emerald X30 Emerald X20 Nylon Emerald X7 Nylon Rainsong Smokey SMH Outdoor Guitalele Taylor 522e 12-fret ✝ Gitane DG-560 nylon ✝ Alhambra 3C CW Eastman AR910CE Recording King RM-991 tricone resonator Recording King RK-G25 6-string banjo Thomann Irish Bouzouki M1089 |
#13
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Quote:
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YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |
#14
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MM has the answer. I was thinking (I know it's dangerous), and I would love to see Alistair's take in this direction. I could get behind a dedicated classical or flamenco guitar with all the excellence and bevels that you see on the X20.
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Cheers, Tom PS If you don't want to invest in yourself, why should anyone else even bother to try? |
#15
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Tom;
I've played the Leviora and listened to the Dlutowski. They seem to be very good instruments, but as you note, they do not reflect the innovative features introduced by Alistair. If I am going with CF I want something more than a traditionally built guitar--otherwise I could just pick up a nice wooden instrument. |