#1
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So I shimmed a saddle today
I was playing my Seagull folk and I had noticed the 6th string sounded a bit dead. I have been playing it everyday now for about a week and for some reason took notice of the the 6th string tone. I guess playing at 10 at night when you're 65 has its drawbacks,
I looked at the saddle and realized that years ago in my quest for easy playing I had gone overboard with the saddle. It didn't buzz and played very easily so for what it was I must have decided to leave it. I have a bunch of wood shims in my toolkit and once I convinced the saddle to come out I cut the shim to length and restrung it with D'Addario NB mediums. I have it in a lower tuning so I'm pretty sure the bridge won't be on the ceiling one morning . The 6th string sounds a bit better now
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: Last edited by TBman; 07-18-2020 at 04:25 PM. |
#2
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I am finding I prefer the action on my guitars a little stiffer now than I used to like.
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#3
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When I'm playing a lot (like when I'm gigging a lot, unlike these days) I prefer higher action because 1) my technique is more solid 2) I can drive the guitar more and get more headroom. 1 and 2 are related, of course. A third benefit is that casual players don't like the setup. Sometimes raising the saddle is just the thing.
I usually make a new saddle instead of shimming, but I've shimmed my saddles in the past and not noticed very much tonal loss. In fact, quite the opposite. I attribute that to the higher saddle, and not the shim. I made a recent investment in tools from Stew Mac and making saddles has become easier and more effective. Anyway, I can echo and validate the OP's experience. It is often just the thing to do! |