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  #16  
Old 10-10-2019, 03:32 PM
Sonics Sonics is offline
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Quote:
Originally Posted by cdkrugjr View Post
What traits does Ovation have that make it good for this application?
X marks the spot!

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  #17  
Old 10-10-2019, 05:49 PM
WordMan WordMan is offline
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I agree with the basic premise that a smaller, somewhat thinner guitars are likely to have the responsiveness for a lot of fast work.

A good 00-sized guitar works. I have an old Harmony auditorium-sized with ladder bracing and rock out on it all the time. Toys in the Attic and Girls Got Rhythm sound great
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  #18  
Old 10-10-2019, 05:51 PM
Tony Burns Tony Burns is offline
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Id agree about the ovation -but not your only choice -
it has to play easy , easy to fret, and a fast neck
never mind it being a narrow or wide -
possibly have it set up for low action with no buzzing ,
dont wrao your hand around the neck -
play it like classical style with your thumb on the center on the neck back -
practice strumming , various tempos and beats ( like it a rhythm machine )
maybe put brighter strings on it -my favorite is elixar PB's - my 12 fret Horton long body dread is a loud guitar -
which is great for the Stones and other hard rock music.

you need to put in alot of time to get the music down on a acoustic -
but acoustics work
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  #19  
Old 10-10-2019, 06:20 PM
der Geist der Geist is offline
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Quote:
Originally Posted by cdkrugjr View Post
I know this is Quite impossible
That no acoustic can possibly play like an electric.
No point in restating it.


Now that That’s out of the way.

I’m contemplating a guitar to play hard rock unplugged.

Primary application may be summed up as “I’m in the mood to play Master of Puppets, but SWMBO is in a ‘Don’t you Dare practice with headphones’ sort of mood.”

What traits should I look for?

Replacing SWMBO is out of the question 😂😂😂
Actually an acoustic can play like an electric. Get your hands on a vintage Ovation 1868. You’ll be pleasantly surprised.
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  #20  
Old 10-10-2019, 08:48 PM
slopeshoulder slopeshoulder is offline
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I would definitely be looking at Takamine and Ovations.
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  #21  
Old 10-11-2019, 05:06 AM
cdkrugjr cdkrugjr is offline
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Quote:
Originally Posted by lowrider View Post
Here's your guitar;
Martin DSS-17. It makes me want to play ''Bad to the Bone'' and ''Bat out of Hell'' but I'm probably a lot older than you.
I'll take that bet
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  #22  
Old 10-11-2019, 11:52 PM
flagstaffcharli flagstaffcharli is offline
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Ovation or one of those Carvin AC-175 types of guitars.
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  #23  
Old 10-12-2019, 08:40 AM
JBCROTTY JBCROTTY is offline
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Quote:
Originally Posted by Sonics View Post

This made my day......
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  #24  
Old 10-12-2019, 11:26 AM
FrankHudson FrankHudson is offline
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For the rhythm guitar parts you don't need much sustain and you'll be damping the power chords anyway. Since the timbre will be different on acoustic (without a pickup anyway) to pull it off you'll need to get the rhythm feel right.

Just about any acoustic could do that played with the right attitude and skill. The Ovation neck throughout the years of the their popularity felt a lot like an electric guitar neck and might aid you in carrying over some characteristic chord grips from electric.

A Gitanne "Gypsy Jazz" style guitar might be another interesting choice here.

In an acoustic band arrangement even something like mandolin or mandolin family instrument playing "chop" rhythm would be another path. Freddie Green style archtop guitar comping would be another idea.

The lead parts can be carried off with attitude and skill too, but a 12-string would be my choice, particularly if you thinking acoustic as opposed to using a pickup. There's some chorusing in the arpeggio parts in the middle of the song, a natural thing for 12-string acoustic to portray.

Not Metallica, but I used to like to try do Gang of Four songs on 12-string acoustic--that lots of harmonics timbre with some harmonics feeding back can surprisingly be approached with a 12-string using natural and artificial harmonic notes on the strings.
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