#16
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There a ton of great options, but I like your original suggestion of a Schenk. I have an Ophirio from Rod, and it holds it's own and then some in tone, intonation, and playability with anything I have played. The craftsmanship is superb as well. A lot depends on what you're looking for and how long you're willing to wait, too.
Another option may be Burner Guitars, I've seen and heard nothing but great things from Kyle and Paul Burner, but the wait period may be longer than youd like. I hope to have their very first PS model in my collection before too long.
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10,000 hours to mastery; here I come Cole Clark FL2AC (Bunya Pine/Australian Blackwood) Cole Clark Angel (Bunya Pine/Queensland Maple) Schenk Ophirio (Adirondack/Figured Sapele) Larrivee 00-03 SE (Sitka/Mahogany) Cole Clark Jack Tenor UKE (All Blackwood) Burner PS (Englemann/Cocobolo) A few electrics, amps, pedals, etcetera, but never enough; just don't tell my wife |
#17
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How about a California vacation this summer? There is a great place to visit called Healdsburg. They might have some guitars to try and buy this summer. Some even in your price range.
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#18
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I will throw Scott McNeil and Edward Victor into the mix. I am lucky enough to own one of each and really prize them for their tone and workmanship. Artists to be exact.
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Santa Cruz D12-12 string, Ger. Maple/Ger. Spruce Froggy Bottom SJ12 Custom Spalted Maple/ Adirondack Goodall Standard Custom Amazon RW/Italian Spruce Emerald X-20 Custom SS Life's been good to me so far.... |
#19
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Small builder reccommendation
I can recommend Marc Beneteau (www.beneteauguitars.com) without reservation. I own several of his instruments, and for my money he builds some of the liveliest and most responsive guitars out there. Marc has been creating world-class instruments in his one-man shop in St. Thomas, Ontario for more than thirty years. I have no commercial connection other than as a completely satisfied customer.
John Allen Frink Newark, Delaware |
#20
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Quote:
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#21
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Visiting Healdsburg or one of the other big guitar festivals (Montreal, Woodstock, etc.) is a great idea. I'd like to put in a plug for John Greven in Portland, OR. He specializes in building sonic (and visual if you like) replicas of 1930's Martins and Gibsons. Of course, being a custom builder, John could build anything else you might want. His prices are quite reasonable compared to many of the other builders mentioned in this post and he is a master builder at the top of his game.
Bill
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Music is vibration and vibration is the basis of all creation. 2002 Taylor GA 12-string custom: sitka/mahogany 2013 Greven OOO: Lutz/Brazilian 2021 Greven OO-12 fret: Lutz/Brazilian 2017 Rainsong Al Petteway Ltd. OOO: carbon fiber 2017 Birdsong Especial II Bass: Cypress/Rosewood |
#22
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Marc Beneteau without a doubt.
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Derek 14fret 0 12fret 000 |
#23
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I will throw Dan Kugler into the hat. He is building a OOO for me right now and I think he may even be more excited about it than me sometimes!. One man operation and his starting price is actually a little below your starting budget. Dan emails me 5-10 pictures every day after he works on the guitar and I am putting together a photo album; I really look forward to these pictures arriving each day. I started the process with an hour long phone conversation with Dan and knew very quickly that we were on the same page; I have had a couple similar conversations with him since and, as mentioned, he is enjoying the experience as much as I am or more. Check out his site at www.nonameguitars.com and good luck with your search.
Marc |
#24
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I'd start looking at the websites of the builders listed on the right side of the AGF main page.
My experiences with Edwinson, Stehr, Woolson, Sheppard have all been wonderful but I've heard similar comments about the others.
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"Dreams are the answers to questions that we haven't figured out how to ask." - Mulder |
#25
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This has been very gratifying to receive these comments!
The warmth and sincerity spoken here is a testament to the relationship these builders have forged with,,well, it appears the word "customer" seems somewhat inadequate. I have spent time with each of the recommendations. Thank you, each of you, for taking time to share your experiences. This is what I am looking for... a guitar I can build a relationship with. Its not just a tool or a thing to me..its a way to get the song out from within. Again, thank you. Tim |
#26
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#27
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This model's under $5K
Here's one of Charlie Hoffman's Concerts at work: http://www.youtube.com/watch?v=otY7bNR9nCM. My own Concert 12-fret is so straight-out beautiful it makes me cry (when I hear someone else playing it).
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#28
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Committed to Commission?
I'm not sure from your question if you are set on commissioning a guitar from a builder, or are open to checking out new or used luthier-built guitars at a reputable shop. Both have advantages. There is a great joy in working with a luthier to get just what you want; I am exceptionally happy with one I had built recently by Kent Chasson (above your price range, though.) On the other hand, I went to a local high-end shop yesterday and played a broad variety of instruments, some new and some used. Above about $3500 there wasn't a real strong correlation between the sound quality and price/builder fame. Also, it was very instructive. Even if you plan to commission a guitar, I would recommend a shopping expedition to get a better feel for the different woods, builders, sizes, options and tonal characteristics. I am totally sold on luthier-built instruments, for those who value tone and can afford the investment. Enjoy the search and good luck with the final outcome.
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#29
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Honestly, I think you should visit a high end shop or festival with a lot of guitars.
Or even some local luthiers. I am pretty lucky to have several high end shops in my area. I have tried a lot of hand built guitars that I really wanted to love, but didn't. These guitars were dogs or anything, but there is a lot of variation between each guitar. It's not like picking up a D18 and knowing you will get that martin sound. After trying a lot of guitars, you might find a keeper. |
#30
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Has anyone played a Ken Hooper guitar? He had an article in Bluegrass Unlimited in March.
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