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Ray Kraut's Recent OM in Acoustic Guitar Magazine
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#2
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All three guitars on that page are the nuts...amazing..
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#3
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Interesting - it looks like Ray is also exploring the trail that Michi Matsuda has blazed. Personally, I absolutely love the aesthetics of this combination of function and art. The feel and tone of the instrument are always paramount to me, though.
I've only played one Kraut (which I enjoyed very much - and he's one of the top candidates for builder of my next guitar, whenever that may be) but I can report that, to my tastes at least, the more outlandish looking Matsudas do actually sound better too.
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Huckleberry ----------- Baranik Meridian "Aurora" fan-fret - Celebes ebony / Colorado blue spruce Tom Sands Model L fan-fret - Macassar ebony / European spruce Hamblin GC - Macassar ebony / Italian spruce Kronbauer SMB - Macassar ebony / Engelmann spruce Baranik JX - Indian rosewood / German spruce Sheppard GA - African blackwood / Bosnian spruce Collings OM1 CA Cargo Raw | Ele |
#4
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Quote:
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#5
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Quote:
My sample of one Kraut OM was very balanced with a coherent tone from bass to treble, along and across the strings. Beautiful, but predictably beautiful. The Matsudas have a bass response that is very different to the trebles. It's difficult to describe guitar tone, but I would describe a Matsuda's trebles as 'fat with overtones' and its bass as 'pure and fundamental'. The difference is really quite striking when you play one - they really are unique and like nothing else out there. Do I like it? I'm actually not sure! Edit: in answer to your question, better than the more standard Matsudas.
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Huckleberry ----------- Baranik Meridian "Aurora" fan-fret - Celebes ebony / Colorado blue spruce Tom Sands Model L fan-fret - Macassar ebony / European spruce Hamblin GC - Macassar ebony / Italian spruce Kronbauer SMB - Macassar ebony / Engelmann spruce Baranik JX - Indian rosewood / German spruce Sheppard GA - African blackwood / Bosnian spruce Collings OM1 CA Cargo Raw | Ele |
#6
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I played one Matsuda at Healdsburg (the other one or two were display only) while Michi hovered over me like a hawk (and on his cell phone the whole time) and found the tonal quality in the bass to be very, very similar to what I heard in the Kraut guitars. You could tell they both come from the same school of building. It was this Matsuda, I think:
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#7
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Played both at Healdsburg...can't say one was better than the other...different, yes...better, not to my ears...both had outstanding guitars...love the fact that we have so many marvelous luthiers from which to choose...
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Price is what you pay. Value is what you get. Warren Buffett |