#16
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I'm a flat picker turned finger style player and I'm just wondering, why would you want to do that? Does it give a thicker tone for slower, more melodic runs?
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Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#17
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Quote:
I did buy a felt pick for pocket change once, took it home, tried it on a few songs and went: “Blechh!” I diddled around with it for about a week before consigning it to a basket full of picks I didn’t care for or use much. In the case of the felt pick, I never used it again. It’s my understanding that some bassplayers like felt picks, and I used to know an autoharp player who got a good sound using them. But they’re definitely not for me. whm |
#18
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Barry, it's more for strumming especially where the percussive aspect is overwhelming the musical one.
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#19
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If I remember right it was Scott from Charmed Life picks, who suggested putting a small piece of cloth style surgical tape on the pick. It's cheap, and would hold up fairly well.
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Something something, beer is good, and people are crazy. |
#20
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Or, you could simply use picks cut from cereal boxes. Start every morning with the energizing brightness of fresh tone. Cardboard is an excellent tone material, especially if quarter-sawn. I highly recommend the early "Tony Rice Krispies" recordings. Amazing attack and articulation.
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro Last edited by DesertTwang; 03-18-2019 at 09:09 PM. |
#21
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Ok thanks.
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Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#22
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Quote:
If we were all in the same room together we'd make you buy a round of beer for the rest of us to pay for THAT pun! I'd like a Spaten Oktoberfest, please. Then Monsoon wrote: Quote:
whm |
#23
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Ripstop nylon?
Very thin Very durable (parachutes) Very slippery (it seems) Very cheap Many colors |
#24
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When the cloth wears through, wouldn't the adhesive underneath gunk up the strings?
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#25
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Waterproof also; an added value!
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Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#26
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Ripstop for those chainsaw moments when the audience gets rowdy?
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Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#27
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I've tried a felt pick before. D'addario makes one for ukulele players. Here's the link:
http://www.accessories.daddario.com/...8-cfe5dc31943e |
#28
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Noted. You're welcome.
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |