#16
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I lived with a guitar or two that were “OK”. Then the guys on the forum got me into set-ups. Now all my guitars are easy to play.
Find a good tech/luthier and guitar life is much better!!! |
#17
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I guess the question for OP is whether any particular guitar feels “more great”.
Maybe a 12 fret feels a but more relaxed because there is a bit less of a reach for chords and fretting on frets 1-5? Maybe a 1 and 7/8 neck feels a bit easier and more comfy to work with when fingerpicking (though all nut sizes might be pretty workable)? Maybe a short scale opens up a few doors that are closed in regards to reaches that OP wants to play. But maybe not... |
#18
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For years I played a guitar without knowing anything about set ups or scale length, etc. I wasn’t very motivated to practice and I didn’t sound very good. Once I got a guitar that “felt” better, I practiced more effectively and became a better player. The guitar sounded better as well. It is great that you are so adaptable to a variety of specs. It’s an evolving personal journey and for some it takes some time.
Best, Jayne |
#19
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Yes, a lot of the feel has to do with getting a proper set up. But, in addition, I think for many people on the AGF, aging narrows down the range of guitars that are comfortable to play. Shoulder injuries for example, can make it hard to play a large body. I used to find most any size of guitar comfortable. Not so much anymore.
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#20
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Buy the guitar that INSPIRES you. If a guitar inspires you to pick it up and play more often, you'll become a better player because of it.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#21
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Quote:
I started playing guitar when I was 41... been at it for 9 years. I'm super picky about neck profiles and feel, and can pick out nuances in the tone and responsiveness of different guitars -- part of the blessing and the curse of being super detail oriented. My taste in guitars has also evolved from the early days of mostly strumming to now being hip deep into bluegrass flatpicking. Many guitars sound and feel great. Others sound and feel a LOT better -- and so I chase them to experience them.
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Merrill | Martin | Collings | Gibson For Sale: 2023 Collings D2H 1 3/4 Nut, Adi Bracing, NTB -- $4100 shipped |
#22
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You need to develop what I call the once a decade attitude. It works like this. You aren't actively looking. You have some fine guitars already. Don't try guitars you aren't willing to buy. Every one has a comfort level. Break this rule only if something strikes your fancy and is no more than 30 to fifty percent above your comfort level. Say you envision your level to be $5K, but you come across an old J 45 that is $7000. Play that. If you put it back on the wall after ten or twenty minutes, pass. It won't do the trick for the long haul. That 1939 D 28? Don't even go there.
So you play a bunch of $5K guitars. Do you know how much guitar you can get for $5K? But still, 20 minutes, put it back. One day you'll pick up a guitar, look at the clock and two hours has flown by. That is when you get serious. Maybe it's a $2500 guitar, maybe $6K. I've thankfully decided to sleep on it twice, both because I played vintage guitars I could not afford. I had not established rules for myself. One I decided to sleep on, and I was hoping it would be gone next day. It was. It was in need of extensive work. I could have bought the guitar, but not the repairs. There are thousands of wonderful guitars. Very few are really the one, and it's different for everyone.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#23
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I find the OP's comments interesting, because I tend to find that most guitars feel almost equally playable to me, also. In terms of feel about neck size or nut width or width of strings up at the picking end of the guitar, I have never played a guitar that caused me too much problems unless the action was just terrible. I do notice high action! And, I suppose I slightly prefer guitars with narrower nut widths like 1 11/16" a little more than wide ones, such as 1 13/16". (I own three guitars, however, with 1 13/16" nut width because of how these guitars sound. )
However, what jumps out at me is how easy or how hard it is to get great sounds out of a guitar. Each guitar has its own kind of sensitivity to a bunch of plucked notes. Some guitars tend to make rather dead or muffled sounds, and some guitars just make kind of average sounds, and some guitars tend to make glorious sounds, as if I was a whole lot better player than I really am. It's the glorious ones I like the best. Trouble is, those are the ones that generally seem to cost the most! - Glenn
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My You Tube Channel |
#24
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I generally get along with all guitars/neck widths except the necks on Martin "V" series such as the HD-28V. I loved the sound/look of those but just couldn't get past their necks.
I couldn't tell you the nut width on any of current guitars though...
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Martin:1956 00-18, 1992 D-16H, 2013 HD-28, 2017 CEO-7, 2020 000-28 Modern Deluxe Santa Cruz OM/PW, Larrivee OM-03R, Taylor GS-Mini Mahogany, Taylor 356CE, Fender American Professional Stratocaster, MIM Telecaster, Gibson Les Paul Studio, Epiphone ES-339 Pro YouTube Channel | Listen to my stuff on Spotify/Apple Music |
#25
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Great comments everyone! Maybe I'm indeed lucky. This is just one of those things that I've been thinking about lately since I'm searching for my next one and I want to be more mindful on this subject. In the past, it was more about looks and sound. This time I want to focus on playability and sound. This forum is great!
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#27
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The guitar that you continually pick up will be the one in which the neck fits your fretting hand and the guitar body is comfortable against your body. All others...you'll be less inclined to pick up. After you've played several sizesand neck shapes, you'll get the message.
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#28
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Quote:
It feels inviting to play. Wherever you place your fingers, good sounds come out - sometimes they are surprising, and you think "Was that me?" Play a chord. It sounds beautiful. Play a different one. Still sounds excellent. Misfinger a chord. It STILL sounds good! You start to wonder if it is even possible to make this thing sound bad. You look at the clock, thinking it's been 5 minutes since you started playing this thing. Whoa - 30 minutes have gone by! You find yourself playing things that have always been just out of your grasp. And they feel natural. It's the experience of playing an instrument that SEEMS similar to all the other instruments you've played, but there is something - actually a whole bunch of generally subtle things - different, and your playing has increased a notch without having to do anything.
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#29
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This might seem stupid, but what does it mean...
Quote:
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#30
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For me, when buying a new guitar, the most important consideration is not that a guitar "feels right". It has to sound right. Tone and volume are the most important factors for me by far.
I may have slight preferences for certain body types, neck widths, etc. And I'm aware that in most cases the play-ability of a guitar can be enhanced with a setup. So for me, tone trumps feel almost every time. YMMV.
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Martin D35 Taylor 510e Taylor 150e Martin DX1ae Fender CD 60SCE-12 |