#16
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As to what flavor people prefer, that is like asking if you prefer chocolate or vanilla ice cream and this will be all over the place depending on musical style and tonal preference. Another factor is in a two channel amp, does the dirty channel give you the kind of "grind" you want. Keep in mind, these are simple generalities and most tones can be achieved to some degree with any good amp and a LOT of pedals. Also depends on the guitar/p'ups driving the amp too. I like Blackstar, but their tone while very good, doesn't really have any distinguishing characteristics. You want great "edge of breakup" tones - might want a Fender. Like high gain ala Metal - perhaps a Marshall. Tons of gain with fuzz mixed in? Get an Orange. Pair this with the Clean tone available on an amp which vary widely too and not only are there tons of amps to choose from - it actually takes a while to discover what your preference truly is. Right now, I strongly prefer the roundness and light weight of my hybrid Orange.
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Roy Ibanez, Recording King, Gretsch, Martin G&L, Squier, Orange (x 2), Bugera, JBL, Soundcraft Our duo website - UPDATED 7/26/19 |
#17
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For roughly the last 40 years the general opinion that tube electric guitar amps are better. That remains so, though things are changing in some situations and could change some more.
A well built tube amp is not a big hassle. Tubes do wear out, but for many home/occasional giging users the number of hours in use take a long time to add up. Getting a tube change/bias setup once a decade isn't that big a deal. Nor are well made ones fragile. Solid State components die too. For many home and recording users I think there's a lot to be said for the non-tube options, including modeling. In the last decade modeling has taken over larger segments of the "pro" market as travel size/weight cost and versatility concern increase and as more stages are low-volume in-ear monitor situations. I go back and forth myself, currently playing a couple of tube amps mostly, though readying myself for use of a pedal board with them. For recording, there's some very efficient and good sounding workflows with software plugins or modeling, and I still do that. Guitar oriented solid state amps without modeling of any kind are very niche right now. But they can sound fine. They can suffer from a market that buys with specifications and expectations in mind rather than ears. All types can work with pedals.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#18
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My limited experience:
When I bought my Gretsch, my first and only electric guitar, about two years ago, I also bought a Fender Mustang LT25. I hated it. Next I bought a used Line 6 v4 modeler, and it was an improvement, but I didn't love it. At Steve DeRosa's suggestion I bought a Bugera V22 Infinium tube amp and I really like it. I did swap out the stock tubes for JJs. I also bought a used Yamaha THR10C modeler, which is fun to play with, but I don't really like the sound. I never use it and should probably sell it. I think I like the tube amp best because the solid state amps, to my ear, sound somewhat sterile. The tube amp seems to impart a degree of warmth that enhances the signal from the Gretsch's pickups. Of course, that could just be BS that I've talked myself into, since I paid as much or more for the tube amp than the others combined, so it must be better!
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Patrick 2012 Martin HD-28V 1984 Martin Shenandoah D-2832 2018 Gretsch G5420TG Oscar Schmidt Autoharp, unknown vintage ToneDexter Bugera V22 Infinium |
#19
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One funny thing is that people often compare $100 SS amps with $1,000 tube amps, and conclude that tubes is better. I don't think that is exactly an apples vs. apples comparison.
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Breedlove, Landola, a couple of electrics, and a guitar-shaped-object |
#20
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my favorite Amp, ive had since i was 15 My dad bought it and rebuilt it with extra transformer/ buffed caps & marconis. 1963 Ampeg Gemini II with wrfdale cabinet and original hammond 2 stage floating spring reverb. original echo/tremolo pedal. i have extra tubes for it,but have only ever had to replace 2 of the 12ax7 tubes in it since i got it. super warm and rich...however if i want to play on one of my decks outside and such i just use my randall rx25rm and it does the job.
the only pedals i run through the ampeg are boss DS1, a chorus and flanger.
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Don 1929 SS Stewart Pro Archtop 1921 G Houghton Archtop Banjo 2007 George Rizsanyi Custom Maple Banjo Killer 2017 James Malejczuk Custom OM Black Limba 1980 Norman B50-12 Norman B-20 Recording King single 0 1996 Takamine 1967 Yam G-130 Melvina 1980s Seagull S6 Cedar 2003 Briarwood 1970s Eko Maple 1982 Ovation 2020 Fender Telecaster Mandolin Yam THR5A Sienna 35 Kustom |
#21
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I've never found tube amps to present maintenance issues -- at least not maintenance issues that were at all tube-specific. For years I've used tube amps for guitar and SS amps for bass, and I haven't noticed that the former need fixing any more often than the latter.
The thing I get from a good tube amp that I've never gotten satisfactorily from a SS amp is a certain chimey, overtone-rich character in the clean tones. I'm not talking edge-of-breakup; I'm talking about a tone that is absolutely clean, but also harmonically complex and lively. In my experience, that's hard to get a SS amp to do -- for instance, the classic SS amps like Polytone or Roland Jazz Chorus feature a clean tone that is just too sterile for me. But that may be changing. I played a Quilter Micro Pro in a music store a couple of years ago and was surprised at how close it came to my ideal clean tone. It wasn't quite there, but it was darn close. From what I'm hearing online, the new Aviator Cub and Super Blocks may be even closer. The Roland Blues Cubes look interesting too. And the Fender Tone Masters seem to have taken digital modeling to a new level--they have some very impressive web samples and user testimonials. I'm shopping for a second amp right now, and I am leaning hard toward one of these.
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Martin HD-28 Eastman E10OM Guild D50 Martin D12X1AE LaPatrie CW Concert |
#22
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I absolutely love my point-to-point wired Fender Princeton. However, I do have a Roland Cube for when I want a more easily portable amp or I want to play into headphones. It can't touch the Princeton in terms of sound or feel, but it does OK for its low cost. I have been tempted by the Blues Cubes as well, but never pulled the trigger. My son is starting to play, and if he sticks with it, I will likely eventually get him a Blues Junior. I think it is hard to beat a tube sound, but to each their own. There are good solid state amps out there.
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#23
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I will readily admit I prefer tube amps and aside from a bass amp and an acoustic amp, all of my amps have tubes. My favorite is my Princeton Reverb RI. I have owned a few SS amps but they never stay long. I have had zero issues with my tube amps.
I will also admit that you could play me a song by a well known/good musician and I could not tell you if it was tube or SS.
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https://www.mcmakinmusic.com |
#24
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I only play technologically cutting edge instruments. Parker Flys and National Resonators |
#25
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Well, it's a generalization. What I mean is that, as a general proposition, I prefer how amps with tubes in the pre-amp and power amp sections sound and feel over solid state amps. And that is true for me regardless of volume level. Of the tube amps I've played, I prefer Mesas but there are others I'd be fine with (like Buddha) and others I don't care for (Like Fender or Vox) for what I play.
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#26
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I'm a big Marshall tube amp guy. Love the tone with my Les Pauls / SGs through them.
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#27
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Buy and play what you want, and don't worry about it.
Here's what I wanted, so I bought them: Tweed Deluxe (Lil Dawg Amps) Princeton Reverb (Vintage Sound Amps) Vox AC4 HW1 There are lots of great tube and solid state amps out there, but I'm very happy to have these particular amps and have no desire for other amps, tube or solid stare. That doesn't mean you would feel the same. |
#28
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Which Vox do you have? I have the Cooperhead drive and it sounds great through my clean channel. It truly has the Marshall tone to it. |
#29
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Now for a 25-pound TM '63 Vibroverb...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#30
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If you were looking for a good crunch sound at low volume, are you better off getting a tube or ss amp? Would a 10 watt ss or 1 watt tube be a better choice?
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2021 Fender Telecaster (Player Series) 2014 Yamaha FS700 2020 Rouge RD80 - sold 2014 Epiphone Les Paul Junior - sold |