#16
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I have only tried one Dazzo in a Lowden Jumbo. It was so microphonic and picked up human chatting voice through it that it was unusuable to us. Might have been a defective unit. Ever had this problem? I've tried almost all SBT pickups and 'generally' settle on the HFN now days, but I know there are many great options now days.
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Steve Mcilroy A25c (Cedar, English Walnut) with Schatten HFN (custom MiSi Crystal Jack Preamp, putty install.) Maton 75th Anniversary OM 50th Anniversary Fender Am Std Strat. Gretsch 6120 Nashville Players in Blue. Line 6 Helix. If I played as much as I read threads, I'd be a pro.... |
#17
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Seems like every pickup has some issues with some guitars and/or installs. Petty1818 has been trying to get the HFN to work, but unable so far to get adequate bass. Most others are able to achieve the sound they want.
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#18
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In my opinion the Dazzo is superior to the Schatten HFN when it comes to close reproduction of the true acoustic sound.
Yes, Schatten HFN is less expensive and installation is very simple and easy to remove. But it can lack some low end and it can sound overly bright. So gaining a lot of experience with the different SBTs available (Trance Amulet is not available here in Germany) in very different guitars I started learning or suggesting which brand of SBT could be the right one in one particular guitar. The vintage Martin 0-17 I used in the vid is a bit boxy sounding and not overly bright. So I opted for the Schatten, and I would say it is a good match. When I got my new Pre-War D28 guitar (lightly built and very responsive) some months ago I managed to get a pair of Dazzo wooden housing pickups with slightly reduced bass response, and they sound great. Had Dazzo 70s in my huge sounding Merrill C28 and Merrill OM18, and both guitars sounded overly boomy. Same pickup sounds great in my Merrill OM28 - best amplified sound I ever had. So when it comes to the definite solution, I always would contact Teddy Randazzo for his advice on the particular guitar.
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Blazer & Henkes, vintage Martins & Gibsons, Altman, Martin 00016 Streetmaster mandolin family, Weissenborn, dobro, lap steel, pedal steel, 5-string banjo live gear: Dazzo, Schatten, K&K, Mimesis Kudos, Schoeps CMC6MK4, DPA4061, Neumann KM85, Grace Felix 2, SunnAudio, ToneDexter, RedEye https://www.youtube.com/@roberthasleder1526 |
#19
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He's a top operator to be sure. I'll have to try them again sometime.
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Steve Mcilroy A25c (Cedar, English Walnut) with Schatten HFN (custom MiSi Crystal Jack Preamp, putty install.) Maton 75th Anniversary OM 50th Anniversary Fender Am Std Strat. Gretsch 6120 Nashville Players in Blue. Line 6 Helix. If I played as much as I read threads, I'd be a pro.... |
#20
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I have a Dazzo lying around and have at times been tempted to install it. My experiences with the HFN and Amulet have definitely played a role in stopping me. It can be such an experiment to get it right and when you are working with epoxy/glue, it makes it even more daunting. I do wonder if the epoxy that Teddy recommends has the same impact on the wood as the K&K? I assume it too would penetrate the wood, which I don't like but I am not sure how one would test that.
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#21
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I haven't had that experience yet. I seen a few people mention this before. Most of my HFN installs for myself and friends were in dreadnoughts and neither of them lacked any bass. The main thing with the pickup is to make sure it has even contact across all 3 feet.
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