#31
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I agree that some simple classical pieces are worth trying. When I was teaching myself this style back in the 1960s (from records by Jansch, Donovan, Dylan, Ralph McTell, John Renbourn, Mississippi John Hurt, etc - no tab or lessons in those days!), I bought a book of classical pieces. Great tunes, and good finger workouts. For the more advanced Jansch/Renbourn pieces, right hand classical exercises would also be valuable. You can find Giuliani's free online - tab version here (but no fingering shown): https://www.songsterr.com/a/wsa/maur...s-tab-s32808t0 Full document here, with tips (but no tab): http://www.classicalguitar.org/freem...iuliani120.pdf If you can find lessons, great, but I recommend working out as much as you can by ear. If I was learning it today, I'd be using youtube etc too, like anyone, but nothing beats doing it yourself. I used a 2-speed tape deck back then, but now it's Transcribe: https://www.seventhstring.com/xscribe/screenshots.html
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#32
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Trying to pull ideas out of a hat, just because they're ideas, isn't the best way to define a path. Let inspiration be your guide, Gdasshoppa! |
#33
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#34
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Hey, this is 50 years ago! I still have it (and a couple of similar ones from the same era), but it must be way out of print by now.
Essentially you could choose any book called something like "favourite classical guitar pieces" - and then choose according to your skill level. The pieces I particularly liked were mostly by Francisco Tarrega - beautifully melodic, and mostly not too tricky: Lagrima, Maria, Marieta, Prelude in D major, Capricho Arabe...
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#35
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#36
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It's worth trying classical position (left leg + footstool), because that is an ideal position for both hands when playing fingerstyle (that's why it's the convention ). But that does depend on the guitar you're playing. It's pretty uncomfortable to play a dreadnought in that position (unless you'e a big guy). I would recommend classical position unreservedly if that was going to be your preferred genre. If you're more into general folk/blues fingerstyle, with classical an optional add-on, I'd stay with right leg. But definitely experiment, and give the other options a good try - I mean not just for a couple of minutes.
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#37
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First off you must be doing something right if you’ve learned to play everything you want! That’s something to be proud of. Personally I have no allusions right now that I’ll ever learn everything I want to play. I have a decent list of popular music I can play but always adding more. I have a couple jazz standards I’m working on, both fingerpicked. I’m working on a Spanish style fingerpicked piece as well as a classical piece. I think for myself learning everything I would ever want to play would like being getting to the end of the internet😁
So I’ve only been playing a classical style guitar for several months. I got to the point where the more intricate pieces just didn’t sound the way I wanted on steel strings, so I started working with nylon string. With the classical I also started holding the guitar in the classical pose. It took a little bit to get used to it, but there’s no question certain chords are much easier to hit in that form. I find fingerstyle pieces much easier and even some of the jazz stuff with its more complex, ( at least for me), chords in classical position. However if I’m strumming I switch back to “normal” position. So give it a try and see how it works for you. Good luck, Jeff |
#38
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As far as sitting position I always play classical guitar with it on my right leg (like the flamenco guitarists). On the left leg my back feels strained.
IMO do what you find physically comfortable.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
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