#16
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I bought one in 1971 and it's still played regularly.
OK - as some people have said, they are not the greatest guitars ever made but (as Steveyam commented) for we budding guitarists in the early 70s they were just the ticket. |
#17
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You should post some more of those photos that you have on Harmony Central to show just how well they were made.
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Experienced guitar tech and singer/guitarist based in the midlands, England. McIlroy AJ50 Yamaha CPX-1200 Yamaha CPX-700/12 Yamaha LS16 Yamaha FG-300 Yamaha FG-580 Vox V2000-DR + electric guitars.. |
#18
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Yep, had one just like Garthman's around 1969. It was my 1st acoustic and although it was heavily built I learned my 1st chords and learnt to fingerpick on that guitar. Fond memories. Sold it to Les Mackeown of the Bay City Rollers for the same price I paid for it - £25 from memory. Years later I started work at £10 a week!!!! Often wonder what happened to that guitar. Saw one today on Gumtree, but couldn't go back to one, it's a bit like a piece of furniture, really well made but too heavy and clunky.
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#19
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Last edited by Garthman; 11-12-2012 at 10:02 AM. |
#20
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__________________
Experienced guitar tech and singer/guitarist based in the midlands, England. McIlroy AJ50 Yamaha CPX-1200 Yamaha CPX-700/12 Yamaha LS16 Yamaha FG-300 Yamaha FG-580 Vox V2000-DR + electric guitars.. |
#21
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It's a tremelo version, using ball bearings as far as I knew. Best tremelo I've had, better then Bigsby me thinks (which had the spring drop off if you pulled it up, eeeeek). The top was an acrylic type of material, bonded to the wooden back with some plastic strip. It had a very nice action but can't remember if I did something to the neck angle to make that happen. Those switches had a tendency to change all by themselves with even the slightest touch. The one used most would prevail as it would slide much easier then all others. I remember moving them unwanted with my sleeve only. It didn't really sound very good but beggars can't be choosers, I also had two Rangers, a 6 and 12 string. Both necks broke after a bit of a mishap in respectively a bus and a train. They were indeed pretty heavy and tough to play, but at the time I had not much of an idea of what a guitar should be like. The sound of these wasn't bad, but then again I also didn't have much of a clue as to what a guitar could sound like. I don't think they have added collector's value, they're just cheap instruments for the poorest of the poorest, which means they were exactly the right thing for me in 1970, Man I'm getting quite nostalgic now, those were the days! Ludwig Last edited by Von Beerhofen; 11-12-2012 at 11:30 AM. |
#22
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< I dodn't realize it at the time but I was a witness to the last remnant gasp of popularity for accordians and polka band music in Milwaukee, as well as the surging increase in the popularity of guitars and "British Invasion" pop music. < I was playing a solid body "Holiday" branded electric that my parents bought through the Montgomery Wards catalog. My guitar teacher at LoDuca Brothers tried valiantly to convince my parents that a shiny new EKO electric guitar was just what I needed to help me improve. Perhaps he received a commission on Eko sales. I didn't know much about business then, but even at that tender young age I was aware enough to wonder why (if the Ekos were so good) my instructor played a Gibson 335. < In hindsight I wish my parents had bought an Eko. It was a volatile time in guitar history, and Eko was an interesting chapter in the evolutionary story of guitars and guitar manufacturers. It would be a cool thing to have one today. < Uncle R. |
#23
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__________________
Experienced guitar tech and singer/guitarist based in the midlands, England. McIlroy AJ50 Yamaha CPX-1200 Yamaha CPX-700/12 Yamaha LS16 Yamaha FG-300 Yamaha FG-580 Vox V2000-DR + electric guitars.. |
#24
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The story goes that a 15-year-old Bob Taylor wished for but couldn't afford an Eko Ranger 12 string, inspiring him to build his own guitar in shop class...
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#25
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An Eko was my first guitar. My Mom had it first, remember singing Tom Dooley with her on that one. Once I got the bug to play we traded it in on a Yamaha FG 160 I believe. Memories!
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Taylor '10 Custom Koa GS Taylor '10 Custom GA-Rosewood/Sitka Taylor '12 612ce-N Taylor '13 Custom 12 Fret Hog GC PRS P22 Fender MIM Strat |
#26
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I can't remember where I read it, but I seem to recall some connection with Eko and Levin (better known for their Goya line) and possibly even Hagstrom. I'll have to search a bit and see if I can find the info-have to head to my MDs so don't have time right now.
Brad
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Guild F212: 1964 (Hoboken), Guild Mark V: 1975 (Westerly), Guild Artist Award: 1975 (Westerly), Guild F50: 1976 (Westerly), Guild F512: 2010 (New Hartford), Pawless Mesquite Special: 2012, 90s Epi HR Custom (Samick), 2014 Guild OOO 12-fret Orpheum (New Hartford), 2013 12 fret Orpheum Dread (New Hartford), Guild BT258E, 8 string baritone, 1994 Guild D55, Westerly, 2023 Cordoba GK Negra Pro. |
#27
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Last edited by Big.Al; 11-12-2012 at 02:39 PM. |
#28
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I had one briefly in the 60's, one of my first instruments. Traded it in because the fingerboard was too dang narrow; wish I knew what it measured, but I was a newbie who knew nothing about that stuff. It had a tailpiece and movable bridge.
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#29
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I started playing guitar sometime in the '60s and I suppose I'm unusual in that I never owned an Eko, but must of my guitar playing friends did.
The challenge back then was finding a cheap guitar that was actually playable. Ekos, being built like Norman castle (and almost as heavy) were built so solidly that they were the easiest guitar to play for many. I only know of one eldedrly get who still plays his Eko. There was very little tone, beng to heavily built, but opened the door to music for many. Once my R&B band got popular our second guitarist obtained a semi solid electric made by Eko, and loved it so m8ch, he kept with it even though others had moved on to Harmonys and even some Gibsons and Guilds. Eko made a great number of different syles of electrics. I believe they were all made in Italy and so probably sold throughout free Europe, and thrived especially when the embargo on American instruments was in force.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#30
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I played a few EKO’s back in the mid 70s and my experience echoes many of the above comments.
About 30 years ago a company in the UK called Brandoni bought up all the part-finished guitars and necks when production stopped and were offering them for sale. From their website: Eko, the largest guitar manufacturer in Europe had in fact closed down and in 1987 Roberto acquired the entire inventory of remaining stock. Although known mainly in the UK as purveyors of low to mid-priced instruments, the Company was capable of producing some excellent products using the best woods, matched by excellent building skills. Roberto is quick to point out that Eko always maintained large stocks of well-seasoned timber; only using wood that had been stored for at least 15-20 years. The copious quantities of necks in stock at Wembley are therefore now over 40 years old and the fact that they are still in fine shape is sufficient testament to Eko longevity More recently, I became aware that the brand name was in use again, and producing decent sounding guitars, due to the YouTube videos of Marco Cirillo who uses one almost all the time. |