#1
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Elixir sting gauge
This has probably been asked as often as how does father Christmas fit down a chimney but i have finally heard of these supposedly better string life and tone strings with ( get this nanno tech .
Because i am going to pay a bit more for to leave no doubt that my strings are not the reason i feel i am out of tune even though my tuner says they are in tune . I bought a maplin brand set and although sounded ok at first ,they have quickly lost their sound and the high e/b sting sound tails off sounding un tuned . my question is what is the most common gauge for pickers to use and why .
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#2
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The best thing you can do is to put a set on and try them out. Strings can have a profound effect on your tone, even when you use the same guage. You will want to try both the 80/20 and phosphur bronce Elixirs, as these sound markedly-different from each other. |
#3
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of the two biggies you mention i think i will go with the custom lights first . I think the fact that Taylors come with them on must stand for something . I'll go with them first . Edit ....just out of curiosity when you say 80/20 and phosper bronze sound different what would you say that difference is ( has one a brighter sound or more bass tone etc ) . I'm asking because i think the most marked difference in me and someone i concider better or more effective than me ,usually come from them having better understandings of setup and tech ,and i am becoming much more concerned with my own setup preferences
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http://www.myspace.com/ivanwoolnough Last edited by markIvan; 12-07-2009 at 08:39 AM. |
#4
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Really? That interesting; I had assumed that all makers who put lighter strings on their guitars would choose lights as opposed to custom lights.
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#5
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I use Phosphor Bronze Custom Lights on my 614ce ltd. I find that the PBs tame the brightness of the maple somewhat. I play ALL fingerstyle tunes in Open-C and closelye-related tunings on this guitar, and this works out great. On my 814ce-L10 and my Stehr (both Coco/Spruce), I use 80/20s, which I find to be balanced with a hint of brightness and very articulate. Not as "boomy" as others I have tried. Great for fingerstyle work. The Stehr lives in DADAGAD/Open G and is used almost-exculively for fingerstyle work. The 814 lives in std tuning and is used for just about everything, pick/strum/fingerstyle/whatever. |
#6
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Thank you Laird i just went and got me a set of custom light 80/20 .
you made a good reply here thanks
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http://www.myspace.com/ivanwoolnough |
#7
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Having said that: On my cedar topped guitar I prefer the phospher bronze lights to brighten up the warmer sound of this guitar without overwhelming the tone. On my baritone guitar, I can only get the "baritone gauge" in the 80/20s unless I drop down to a medium gauge string. With the medium gauges I'd have to tune it up a little more (from B to D). On my redwood topped guitar, I prefer the phospher bronze with a medium gauge. I use this guitar for a lot of alternate tunings, so I prefer the heavier gauge for doing this. Happy hunting for strings!
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Tod 2009 Taylor XXXV Baritone 2007 Taylor GS5e-12 String (Spruce and Mahogany) 2006 R. Taylor "MARS" (Redwood and Cocobolo) 2006 Breedlove ABJ250 SM4 (Acoustic Bass) 1997 Taylor 514c (w/ Fishman Ellipse Matrix Blend) 2 Turntables and a Microphone |
#8
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1) How the strings interact with your guitar 2) How your fingers interact with the strings Picking style and technique will have a lot to do with it. You really can't tell how a guitar is going to sound with new strings (or a new pick) until YOU try it out and see what it sounds like with YOU playing it. Don't be too hasty in settling on one thing. |
#9
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Suggestions appreciated
oh boy ... one more variable to consider ...
I am willing to try some new brands/types of strings and would appreciate some 'general' ROTs (rule of thumb) - if possible. My main guitar is an epi rjns 500 (spruce top, rose sides and back) and I was pretty happy with the light nanos for a while. Now, it seems with robust strumming, the sound is too blended - no seperation. Arpeggioing, they still sound good though. I like brightness but I don't like loosing seperation to robust strumming. Is part of the problem the light gauge? I equate gauge thickness to stiffness - I think I could handle a stiffer gauge, especially if this was a ROT for getting/preserving articulation even with more robust strumming. Thanks |
#10
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Quote:
Fran
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