#16
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You didn't happen to see anyone in the Custom Shop working a J-17, did you? I'm 3 months into the minimum 6-month wait and the suspense is killing me!
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#17
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Quote:
The guitars themselves are a thing of inherent beauty, the guitars could very well be a fine piece of furniture or jewelry. Several of the workers stopped what they were doing to explain what they were doing. Our tour was very personal and interactive.
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It never moves any faster than it's supposed to go - Taj Mahal |
#18
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My wife enjoys the tours. One of the guys was re-fretting a pre-serial number guitar from the late 19th century and spent a good 10 minutes talking to us and answering questions. Good stuff!
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#19
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Great way to show your grandsons that there are career paths available to them outside the traditional ones mentioned at school.
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Denise Martin HD-28V VTS, MFG Custom Taylor 358e 12 string Martin 00L-17 Voyage Air OM04 Breedlove Oregon Concert 1975 Aria 9422 |
#20
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I took my wife and daughters on the tour a couple of years ago, before I owned any Martins.
To my amazement, my wife said "You should take a picture and send it to your brother and tell him you're here picking out your new guitar." I didn't get one that day but I think that it opened the door to me getting a new D-18 a couple of years later.
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2015 Martin D-18 1982 Martin HD-28 2013 Taylor 314ce 2004 Fender Telecaster MIM 2010 Martin DCX1RE 1984 Sigma DM3 Fender Mustang III v2 |
#21
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We've signed up for the factory tour after our visit to the 50th Anniversary Woodstock Celebration at Bethel Woods.
Don't know when I'll ever be that close to the Martin factory again, and should be a great way to cap off that trip. Really looking forward to it. D
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"There's a lot of music in songs" |
#22
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I almost forgot a very cool story about the time when I took the Martin factory tour.
There was an older gentleman working on a vintage d-45. I noticed that the name plate on his workbench said Musselwhite. I asked him if he was related to Charlie Musselwhite, the legendary blues harmonica player. He said yes, Charlie was a cousin. That was cool thing number one. I complimented the gentleman on the beautiful vintage guitar he was working on at his bench. He said to me, " this guitar belongs to Marty Stuart. It was given to him by Lester Flatt. This is the guitar that Lester played most often while he was with Bill Monroe." I got to be within an arm's length of the guitar that was used to record Foggy Mountain Breakdown, among other legendary Bluegrass tracks. It was extra cool that the guitar was currently owned by another phenomenal musician. Even cooler that it was being worked on by a relative of yet another legendary musician. |