#1
|
|||
|
|||
Is it possible to use the same amp for both microphone and guitar
Hey guys..
Was wondering if it was possible to use the same amp for both microphone and acoustic guitar and still get a good result for a live performance (for busking, preferably, so portability and perhaps even battery use and the ability to plug it to power as well Thanks in advance
__________________
Guitars: Seagull Performer CW Concert Hall Burnt Umber Norman B-20 |
#2
|
||||
|
||||
Most(?) good acoustic amps are dual channel. I have a Fender acoustasonic with an XLR mic channel input and a guitar input.
__________________
Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 |
#3
|
|||
|
|||
Yep. An acoustic-amp is, essentially, a miniaturized PA with some guitar effects built into them. Most are designed to work with both instrument line-ins and microphones. For instance, my Fishman Loudbox-Mini has two channels, one for instrument and one for mic. It would be sufficient to play a small restaurant, club, or cafe that didn't have a sound system of its own. If I play a larger venue with its own sound system, I'll often use the Fishman as an onstage monitor and run a line out from it to the board or run a line out of my preamp/DI.
__________________
Alvarez MC90 Guild GAD-50 w/Seymour Duncan Mag Mic Taylor 352ce Taylor 514ce Zoom AC3 https://linktr.ee/erikjmusic |
#4
|
|||
|
|||
Quote:
__________________
Guitars: Seagull Performer CW Concert Hall Burnt Umber Norman B-20 |
#5
|
|||
|
|||
How are those Fender acoustasonics?
__________________
Guitars: Seagull Performer CW Concert Hall Burnt Umber Norman B-20 |
#6
|
|||
|
|||
Quote:
As a matter of fact, I played a wedding recently and the violinist and I realized we had the same amp and she said "it just works." That is a good summary, it works well and sounds good in most situations. There are better amps, but for 60-watts at that price, you'll be hard-pressed to find a better value.
__________________
Alvarez MC90 Guild GAD-50 w/Seymour Duncan Mag Mic Taylor 352ce Taylor 514ce Zoom AC3 https://linktr.ee/erikjmusic |
#7
|
|||
|
|||
Quote:
__________________
Guitars: Seagull Performer CW Concert Hall Burnt Umber Norman B-20 |
#8
|
|||
|
|||
Quote:
I just played a rather large wedding and venue with it and it worked well as a stage monitor and I ran a XLR from it to the board. In hindsight, it would've been better to run my DI/preamp to the board and then just have my amp as my monitor, but it worked fine. The amp is a solid "Swiss Army Knife" of sorts for small venues (and some large) where your set-up requirements are simple.
__________________
Alvarez MC90 Guild GAD-50 w/Seymour Duncan Mag Mic Taylor 352ce Taylor 514ce Zoom AC3 https://linktr.ee/erikjmusic |
#9
|
|||
|
|||
Quote:
__________________
Guitars: Seagull Performer CW Concert Hall Burnt Umber Norman B-20 |
#10
|
|||
|
|||
Quote:
__________________
--'87 Ovation TB-01 Thunderbolt --'15 Yamaha LL-16-12-string A.R.E --Fishman SA-220 PA --TC Helicon Voice Live Play GTX --Audix OM5 Dynamic mic --Shubb C1 Capo --Various other "stuff" |
#11
|
|||
|
|||
Yeah, you'll need some sort of power source, like a generator or battery. I've never done it, but I'm sure there's some sort of mobile power source you could use.
__________________
Alvarez MC90 Guild GAD-50 w/Seymour Duncan Mag Mic Taylor 352ce Taylor 514ce Zoom AC3 https://linktr.ee/erikjmusic |
#12
|
|||
|
|||
Carvin Stagemate 600
|
#13
|
|||
|
|||
I have both the Stagemate S600B and a Roland Street Cube EX. For busking I would use the Street Cube EX. It's smaller, lighter, works on the ground angled up, and I have a spare battery pack which would give me a longer play time.
Sent from my SM-P900 using Tapatalk |
|
Tags |
acoustic, amp, busking, guitar, mic |
Thread Tools | |
|