#16
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I had the death grip when I was younger. Now I intentionally practice finding the least tension I can use to get a clean sound.
I reminds me of early spring and golfing. I usually go to a range and get a bucket of balls. After half of a bucket of death grip my hands get sore. Then I lighten my grip and swing easier and start hitting good shots again. |
#17
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I taught fingerstyle for 40 years, and often when students improved significantly it was time to work on not over-pressing, relaxing the fretting hand, elevating the headstock while playing, proper setups etc - all of which work together in a package to improve sound/tone, and playing flexibility. They practiced simple and very repetitious exercises done daily and kept up till the magic happens. These were scales and etudes, arpeggios which they already knew how to do. I taught all my students first position scales (2 octaves) in keys of E-A-D-G-C-F and we started with quarter notes and built up to 16th notes (at tempo) using hammer ons and pull offs as we built speed. We also learned a few basic etudes based on arpeggios. These were what we reverted to as they began to learn to relax. And I had them practice them daily for 15 minutes or each exercise repeated at tempo 10 times without a mistake (make a mistake and start over). Within weeks they were adjusting their touch, and better intonation and fluidity appeared. But before any of that the guitars had to have a proper setup (we have a local guy who does good setups reasonably). In a couple cases where money was tight, I suspended lessons for a couple weeks (they bought them in packages of 4) so they could apply the money to a setup. Without a setup which supports easy pressing of strings, there is no learning to lighten up the touch. Good luck as you pursue this goal… |
#18
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Thank you for this insight! I do hope I can find a teacher like this and have time for the lessons and practice
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www.studio1-vintage.com Based in Auckland ; bringing Rare, Premium & Vintage Guitars to Australia, New Zealand & Beyond. |
#19
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Yes. I was that soldier!
I went from a casual noodling to playing rhythm in bluegrass bands and it took me some while to realise tat the energy put into the picking hand should NOT be the same in the fretting hand. I actually taught this to myself playing slide/bottleneck. Put the notes down as lightly as possible (adding speed) but the power/volume with the picking hand.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#20
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learning a new tune is where, as others have mentioned, I press harder than needed. If I play at a lower volume I tend to not press as hard.
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#21
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Here is a guy who never puts his thumb behind the neck! He has gravity in his favor, but still he does not appear to be pushing down very hard.
Rory starts to play about one minute in.....
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Bob https://on.soundcloud.com/ZaWP https://youtube.com/channel/UCqodryotxsHRaT5OfYy8Bdg |
#22
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Common topic. Even composed a guitar piece "Pinky Bee" about it which if can get through you are doing ok with barre pressure.
Often number one thing is a good guitar action setup beginning at the fretboard nut and then all the way up. When playing the amount of pressure needed to play cleanly is highly dynamic. Not constant pressure. Lighten up where possible saving more energy to use where needed. Play around with different fingering and chords to see how light you can go without getting buzzes or muted notes. That can be your relaxed hand boundary for those fingerings and chords. Like Bob Womack mentioned fret height makes a difference. I find taller frets easier to play cleanly and if you do over press you will get note sharpening feedback that you are doing so.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#23
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#24
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#25
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I do some bends on my acoustics. In that instance a light touch won’t get it done.
The truth is there is a fine line between pressing too hard and not hard enough. Your guitar’s setup is a huge factor as is the scale, the strings you use, the type of neck and all that.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#26
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#27
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Great post! There's nothing better than a really light touch on the strings. Especially for a guitar that's set up well ..... a very light touch is all that's necessary. Keeps your fretting hand nice and relaxed, making it easier to change chords and your hand rarely cramps or has any other problems. You can play faster with a really light touch. Everything across the board (including the acoustics) is better with a light touch. Even your frets last longer.
This is also true for electric bass. I've got a Fender Precision that works beautifully with the same light touch. It's also set up really well. A light touch takes almost no finger strength at all to play this bass well. This is so well worth the time and energy to learn to play with a light touch. A death grip is not only bad for your playing but hard on the guitar. In the saxophone world, a death grip and fingering with a lot of force often leads to bent keys and mechanisms and the repair shop. Turtle Last edited by turtlejimmy; 09-01-2022 at 03:15 PM. |
#28
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Sometimes I find myself having a death grip on a barre. I was doing that tonight while playing a Bm. I realized it was because I didn't have the neck up enough to get my fingers perpendicular and my hand was compensating for it. Once I brought the neck up I was able to relax.
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Barry Sad Moments {Marianne Vedral cover}: My SoundCloud page Some steel strings, some nylon. |
#29
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Hi WG,
I think pressing harder than necessary on the fretboard is extremely common. However, it doesn't seem to be a problem that I have today after almost 60 years of playing. I don't really know how I learned to get over this almost universal problem, but somehow I must have figured it out. I think that I played so much when I was younger, 3 or 4 hours per day most days, that I had to figure out how to deal with the fatigue from over-pressing on the fingerboard as a matter of playing survival. Barre chords do take a lot more effort, but even at my age (74) I rarely have trouble with them tiring me out unless a lot of stretching is involved. I think the secret is being aware of how we are playing and putting in enough time on the guitar so that our bodies find ways to adapt. - Glenn
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My You Tube Channel |