#31
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#32
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Are any coated like the Elixir polyweb acoustics that last almost forever?
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#33
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In my short period of experience with classical strings I'd say coating would be a waste of time because the windings wear through much more rapidly than any "standard" brass or bronze sets I've played over a lot of years of experience. You have to change the basses (4, 5, and 6) long before they degrade tonally, and about twice as often as the treble strings which seem to remain fine for a long time.
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#34
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Totally agree. Have been through a lot of strings over the past three decades and when I found the D'Addarios my search was over (specifically the EJ44C Extra Hard Tension). They last a long time despite my heavy handed playing style. Have tried other strings since (including the Titaniums) and always come back to the Composites. I always use the wound-G when I restring.
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http://soundcloud.com/jwflamenco |
#35
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Wow am I ever confused.... My 1st nylon is in the way and looking into educating myself on strings
I'm also a heavy plucker... I worry about low tension strings being "floppy" slow responding. One thing I like about steel strings is they snap back into place for the next pluck. I also don't want them to play like jello. I have no experience with the treble springs so all the carbide, titanium or other material strings are just names. I have no idea what strings to buy to try based on my playing style which is more ragtime than classical or flamenco. Suggestions?
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Martin HD28E Retro Seagull Maritime Mahogany Alvarez Rd8c Dean EABC5 Gretsch 9121 Lag TN100 Nylon Recording King RO-10 Recording King RP-06 https://soundcloud.com/search?q=Smokerblacker |
#36
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#37
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Why start with hard? You have only one direction to go and no other options.
Why not start with medium/normal/standard.? At that point you have two directions to go, softer or harder. |
#38
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"I'm also a heavy plucker... I worry about low tension strings being "floppy" slow responding. One thing I like about steel strings is they snap back into place for the next pluck. I also don't want them to play like jello." I say go with hard tension. |
#39
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If I'm understanding it correctly there are no sizes, just tension... Anyone have a preference on brand of string? I drink even know which knew are "name brand" I consider myself an intermediate player and would like to rule out the "cheap" or "crappy". I am going to try as many sets as possible, just don't wanna buy ones that are no good.
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Martin HD28E Retro Seagull Maritime Mahogany Alvarez Rd8c Dean EABC5 Gretsch 9121 Lag TN100 Nylon Recording King RO-10 Recording King RP-06 https://soundcloud.com/search?q=Smokerblacker |
#40
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Savarez,Galli,Dogal,Oasis,Knobloch,Aquila,Dadario, Augustine. |
#41
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What about Martin, EXP's, DRs, luthier strings.....
__________________
Martin HD28E Retro Seagull Maritime Mahogany Alvarez Rd8c Dean EABC5 Gretsch 9121 Lag TN100 Nylon Recording King RO-10 Recording King RP-06 https://soundcloud.com/search?q=Smokerblacker |
#42
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I use mixed brands for my all guitars: D'addario ej45 for treble and Savarez light for bass (cedar top) . The another guitar has different combination (spruce top). Their tones are unique way that I like.
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#43
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Can I ask the relationship between light bass and cedar top?
__________________
Martin HD28E Retro Seagull Maritime Mahogany Alvarez Rd8c Dean EABC5 Gretsch 9121 Lag TN100 Nylon Recording King RO-10 Recording King RP-06 https://soundcloud.com/search?q=Smokerblacker |
#44
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Savarez light tension = Daddario normal tension, IHOP
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<<>> Taylor, Martin, Jose Ramirez, Takamine, Yamaha guitars .... |
#45
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Flamenco players will use normal classical strings like pro arte med tension Popular choices are Luthier 20 Labella 820b Savarez red card Mari 300 Flamenco players generally prefer med tension All a hit and miss so quite a bit of try and buy I use either luthier 20 or savarez red (rectified nylon ) on my Conde hermanos media luna Not sure there is a fundamental difference in classical or flamenco strings Just packaging But luthier, savarez and la bella for instance have thinner trebles than say d'Addario or hannabach We look mainly for brightness in trebles and growl in basses The guitar really is everything to how a string sounds and pulsates |