#16
|
||||
|
||||
I like an A shape
6th string-5th fret 5th string 7th fret 4th string 7th fret 3rd string 6th fret 1st/ 2nd strings open slide this shape up 2 frets and make an otherworldly sounding B Regarding A maj- I use my middle, ring and pinky for the standard shape |
#17
|
||||
|
||||
Quote:
It's a 'relax' move, not one that responds well to forced/tense muscle movement. |
#18
|
|||
|
|||
Quote:
I'd use my normal A fingering which is middle-ring-pinky. But hammering on the 2nd should be possible with any fingering using separate fingers. I can do it with index-middle-ring or middle-index-ring. James Taylor himself plays it a very weird way - ring-middle-index I can do it that way, but I just wouldn't! He's obviously used to it.
__________________
"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#19
|
|||
|
|||
Quote:
I'll have to get my fingers used to that shape. Right now each finger is screaming at me "YOU WANT ME TO DO WHAT!" |
#20
|
|||
|
|||
That's A(add9) - assuming you're sounding the 2nd string and not muting it. Slid up two frets, it's B(add4)
__________________
"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#21
|
|||
|
|||
Not really.
Here's a similar option (another Aadd9): -0- E -0- B -6- C# -7- A -0- A -x- Or: -5- A -0- B -6- C# -7- A -0- A -x- For plain A major: -0- E -5- E -6- C# -7- A -0- A -x- You don't even have to mute the low E, it may not sound too bad to include it. One more (A major triad): -0-- E -10- A -9-- E -11- C# -0-- A -x-- A little trickier: -9-- C# -10- A -9-- E -11- C# -0-- A -x--
__________________
"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#22
|
|||
|
|||
Thank's for taking the time to write these out (I'm going to have to break out my Edly's theory book again).
|
#23
|
|||
|
|||
I have more trouble with the a7 chord, the open g string being inadvertently muted by the other fingers. Especially since I started doing fingerstyle and every bit of sloppy fretting is highlighted!
__________________
Street Photography: https://www.flickr.com/photos/notaflag |
#24
|
|||
|
|||
I like to finger the A7 with index middle, especially if I’m not going to need the A. I have more control over those two fingers and therefore can fret cleaner.
|
#25
|
|||
|
|||
Simple A, 1st position - I use 2 fingers, #2 and #3. Each finger gets 1.5 strings, I guess. I have friends who can do it with one, but my fingers won't bend that much. Wish it could as that frees up another finger to do something else if needed.
__________________
The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Goodman J45 Lutz/fiddleback Mahogany Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#26
|
|||
|
|||
Justin Sandercoe has a great lesson Fire & Rain. The fingering he teaches is what I use - the index stays on the g string for the D to A to E section. It took me a while to get all the hammer ons and pull offs right but it is worth the effort.
James Taylor also has a video lesson out on the net and he uses a much different fingering. Watching and hearing the master at work is a treat. (Edit - I see there's a link above to the JT lesson) Beautiful song!
__________________
EMTSteve a couple guitars too many Last edited by emtsteve; 03-08-2020 at 09:16 AM. |