#16
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BIG tone difference PB vs 80/20 on my Taylor. I wonder if the mahogany top accentuates the difference (more so than on my spruce tops). I haven't tried Nickel (Monel) on it yet, but plan to out of curiosity... A third tone choice on the same guitar would be nice. |
#17
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I've owned most of the Martin 15 series guitars and have settled on a newer 00-15. It just fits me. It is surprisingly loud and yet can be sweet too, strums and fingerpicks equally well. My only gripe is the neck, a bit wider and fuller would be nice, but I can adjust. I'd love to try the Santa Cruz 1929 sometime, sure sounds and looks good in videos. So is my 00-15M an "only" guitar? Probably not, but I wouldn't want to be without it.
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EMTSteve a couple guitars too many |
#18
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#19
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On the other hand, the distinctive tone is spot on for some pieces. And mahogany tops really sing in DADGAD and open G. The "right" strings can enhance it even more. My OM-15 is my everyday guitar, as a result of buying before I considered all the angles. I really do like it, but I wish I had a spruce/mahogany, and someday will when the time is right...not gassing; I can wait. There's a lot of tone to be had with a mahogany top but you have to "work" a bit to get to it. In the last 8 years, my own style/technique has naturally evolved to get as much of it as possible (for me anyway). Friends have complimented it, but sometimes as a "novelty" (to use another poster's term). I'm happy with it, but if I had it to do over, my everyday would be spruce topped. |
#20
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Not sure I understand all this talk of mahogany being a novelty top. I’ve had my Martin OMC15 for about 10 years and I can play just about every kind of style with it. Would I want it be my only guitar? No, but I wouldn’t want my Spruce and Rosewood or my Cedar and walnut to be my only guitar either.
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#21
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I have a Pre*War 000-28, basically a recreation of a late 30s Martin 000. Wonderful guitar, got me interested in hunting down actually prewar Martins.
I was able to try 4, including a '36 D-18, a '44 000-21, and a '08 00-21 (not considered golden period, but still was quite nice)... and a '34 0-17. Out of those 4, the 0-17 was my favorite, and of course was the least expensive. That guitar just 'had it'. It was a local shop and I felt the price was a tad high, but it haunted me and I went back to purchase it was gone. Oddly enough it was the only one that I felt was on the level of my Pre*War despite being a much smaller body and all hog... even the neck was dang near identical. https://www.youtube.com/watch?v=9fVWNUPHJe8
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'18 Pre*War 000-28 Braz |
#22
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I've had a couple. One was a Santa Cruz 00 1929 that was spectacular in every respect, but the neck didn't work for me so I let it go.
Another was a rare Eastman AC508 with a slothead. Cool guitar, wish I had kept it. I loved the tone of both, very uncomplicated and fundamental. But I'd have to have a couple other guitars to complement it.
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2002 Martin OM-18V 2012 Collings CJ Mh SS SB 2013 Taylor 516 Custom Last edited by KenL; 08-03-2021 at 01:57 PM. |
#23
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Taylor 322,512ce 12 fret cedar/hog & 362ce Martin 00015SM Guild 1966 F20 Larrivee P03 sitka/hog,simple 6 OM & OM 09 Eastman E100ss-sb Gibson J185 & 2016 J35 Fender player plus telecaster & Mustang P90 Gretsch MIK 5622T |
#24
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#25
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My favorite guitars have always been all hog. 15 series martins are unbeatable values. My signature model Iris Guitar is insanely loud and balanced for a small body instrument. I think all hog shines at a lot of sizes, but really is its strongest on 000 and smaller. It has a magic quality to have a lot of volume and presence at a smaller size without getting to overly bright and still maintaining some noticeable bottom end. I love my hog tops more than anything else for sure.
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#26
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I used to own an Ibanez AC240 which had a solid mahogany top and it was a joy to play and had incredible volume. I like the finger picking tone from it more than using a pick. Its warmth was wonderful. I really wish I hadn't sold it!
Best, PJ
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A Gibson A couple Martins |
#27
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Another mahogany top fan here. I got the GPC-15me a few months ago and love it. Very tasteful aesthetics, very musical tone, plenty of mojo. Currently eyeing other 15 series boxes and Taylor AD27 looks sweet. They're great guitars.
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#28
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I've always liked my Martin 00-15's sound. Like one poster up-thread, I'm not in love with the neck and dimensions at the nut (beefier and wider would please me) -- but the sound makes up for that. My favorite non-resonator slide guitar by far, my "fingerpick-like sound with flatpicking" crosspicking suits it fine, and I've even been surprised by its strumming response recently.
Do I think it's less versatile? Not really, though I'd play it more if I liked the neck better. Probably not the loudest guitar in my accumulation, but volume has little value to me most of the time. I suspect the AGF has more mahogany topped guitars proportional to the general guitar owner population, and we're not shy here talking about them, but it is good to have an excuse to mention how nice they sound.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#29
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-2017 Gibson J-45 Standard -2019 Gibson J-15 -2019 Gibson Les Paul Junior -2020 Gibson Les Paul Special -2019 Gibson Les Paul Studio -2021 Fender Aerodyne Special Telecaster -2022 Fender Telecaster 50s (Vintera) -1994 Fender Telecaster Deluxe 70 (Vintera) -Sire V5 5-string |
#30
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The Martin 000-15sm has a 1.75 nut.
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1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |