#31
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I didn't have nice guitars at first and never knew what I was missing. I loved using them to play the song I wanted to play and sing. I was a Mockingbird and just wanted to copy pretty sounds. My GAS is inspired by going to jams where people have nice instruments that they know what to do with, and also inspired a lot when reading here how much people love their (insert a guitar name/model!).
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Diane 2017 Taylor GS Mini Mahogany; 2006 Alvarez AJ60SC/12 NAT 1994 Martin D-1 1992 Guild JF-30 BL, Westerly build |
#32
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No, I’m holding my guitar back. If the poor thing could speak it would ask for a better player.
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#33
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Furch Yellow Master’s Choice — Cedar over EIR |
#34
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#35
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Desire. A purely hedonistic one to see, feel and hear different guitars. "Better" is such an elusive term, context-sensitive; and with contexts changing, so does the determination of better. It's a mirage in that sense.
That said, thanks to the informative posts and great variety of used guitars for sale here, I now have some guitars with necks that fit my arthritic, neuropathic hands better; fancy casein plectra that provide a better sound to my ears with the high-end hearing loss; and perhaps best of all, one guitar with PRS-style abalone inlays of birds.
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~~~~~Bird is the Word~~~~~ Martin D-41, Larrivee L-19; Gibson L-130; Taylor 614-ce-L30; R Taylor 2 H&D Custom OM; Bauman 000 Cervantes Crossover I; Kenny Hill 628S; Rainsong Shorty SGA; CA GX Player, Cargo; Alvarez AP70; Stella, 12-string; 2 Ukes; Gibson Mandola; Charango, couple electrics |
#36
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Once I got beyond the beginner stage, none have held me back. Gas started with the chance to play a guitar that was stunning, superb (and not for sale): it let me know how much better I could play than I thought and how much better I could sound. That let to a months-long search (decades before "internet" was a word), during which I discovered my mind did not retain an exact memory of what the special one felt and sounded. Eventually I got something I thought was close. It wasn't, it turns out, but it was still a very nice guitar and I kept it for 20 years, - until I decided I needed something louder as I was playing quite a bit more with others by then and just could not hear myself.
So if I was going to change instruments for something louder, I wanted something "better" as well. My finances had improved enough so I could do this. Which led me to look at boutique guitars, ones made by small builders. Another months-long search ensued and I happened to to play a luthier-made guitar that was really good. The internet had just arrived at my doorstep and I used it, only to discover that this same builder could make one for me, exactly how I wanted, for less that the used one I'd found in the store. That was a no-brainer. It was not my first build. That was an autoharp made for me as I had requirements no company met. That broke the ice in the custom world, but I'd never expected to to repeat this. But I did, and the process proved to be a LOT of fun, maybe even approaching the fun I have had playing it since. The AGF here of course has fueled this sort of thinking, as have the high end shows I have attended. And both have also educated me greatly, which I appreciate. Subsequent guitars arrived, the idea being each would fill a hole or meet a new requirement for sound. Some are specialty instruments, not used daily, but when you do, nothing else sounds the same (12 string, resonators, baritone). They are surprisingly useful when recording. A couple are for specific situations and are going to stay around as long as I have that sort of use once in a while. But mostly I play a variety of music on one guitar for each practice session.
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#37
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When I started taking lessons in 2011 (as I began retirement) and heard and played some of my teacher’s guitars (old Martins, a Goodall, a Santa Cruz, an old Gibson, amongst others), i realized that spending big bucks could open some doors tonewise, and give me greater comfort and ease when playing. And I had more money to spend than I did in 1970…a lot more. Can I claim that better guitars were a necessity if I wanted tp progress as a player? Probably not. Do I enjoy playing nicer guitars, and do they support me in improving? Definitely! |
#38
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The desire for better is simply part of the human condition always has been always will be (and is often simply called progress) The other specific and usually multiple reasons people have a desire for a "better , new , or other" guitar are as likely as numerous and different as the people involved , and can't be shoe horned into two simple categories .... A guitar can't really "hold you back" BUT a better guitar can definitely help move you forward
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 Last edited by KevWind; 05-27-2022 at 08:05 AM. |
#39
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‘00 Martin HD28LSV ‘04 Martin D18GE ‘22 Burkett JB45 |
#40
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The hunt is what's exciting.
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Proud member of OFC |
#41
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I agree, "the hunt" is exciting and imbedded deep in our DNA.
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‘00 Martin HD28LSV ‘04 Martin D18GE ‘22 Burkett JB45 |
#42
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This is such a good thread! So many interesting replies and stories. It makes me feel lucky to be at the beginning of my guitar journey. Being a beginner can be frustrating at times, but I have the rest of my life to learn and play guitar and explore different instruments. I can't wait to meet them all.
I love Jayne's description of her process! It's a path of growth and evolution. We are always growing, changing and evolving, and our guitars along with us. |
#43
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So you know what that means... We have a two guitar minimum on these forums at all times. |
#44
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There is another angle to the question.....
Playing places, playing with other people. They don’t mean to, but people DO treat you differently if you have a ‘professional’ standard guitar. And if you play your best, they can tell that you are ‘serious’. My example that set the lifetime standard was when a teen, I had a ‘sort of’ Strat copy and played in a beginner band with some locals. Then I bought a used Fender Telecaster! And got ASKED to join this 50s sort of R&R band because the guitarist/singer loved Telecasters and envisaged a duelling Tele kind of thing. But he said to the other guys that I was obviously ‘serious’. But I DID sound so much better with the Tele (and Fender amp). And all these years later, I am still ‘serious’! I DO sound better when I play nice acoustics! And......I just stopped playing my hand made custom 00 deep body made by a local luthier for ME! Still can’t believe it BluesKing777. |
#45
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My 28.6" maple jumbo baritone is perhaps a body size too big. The scale length is probably too big for me, too. Otherwise, what I have is as good as it gets. Planning on adding a few things before I consider my collection complete.
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