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#16
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It also sounds like my budget ought to be bumped up.
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2017 Bourgeois OM Custom - Adirondack/Peruvian RW 2017 Brian Bishop OM Custom - Sitka/Western Maple Fender Texas Tea Ultra Tele Fender Mocha Burst Ultra Strat Fender CS '61 Strat NOS |
#17
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If what you want is a great guitar that will last a long time in your family, I wouldn't worry about the logo. The quality of the construction and sound is way more important. Personally, I would focus on those aspects above all else. |
#18
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I don't know that you'll find better build quality than a Boucher dread. And they offer EIR, Madagascar, and Braz rosewood. But one of the tone woods that I bought somewhat by happenstance is Bubinga. Boucher builds a Studio Goose (SG-22) in Adirondack/African Bubinga. Just a nod to your comment about the side and back tone wood not having to be rosewood. Not only is Bubinga similar in qualities to EIR and Cocobolo the "waterfall Bubinga" is visually stunning.
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Jim You can never do the wrong thing by doing the right thing... |
#19
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Of the boutique builders mentioned, the Huss & Dalton, a Collings Traditional. a used Santa Cruz PW/D or a Bourgeois dreadnought are all in the style of a pre-war dreadnought, but each has its own voice as opposed to trying replicate the vintage Martin sound. I was just in Rudy’s in Scarsdale, and they had versions of many of the above guitars. If you were in Manhattan, you could go to Rudy’s in SoHo and TR Crandall and your head would be spinning. If you don’t have a shop or a couple of shops near you that carry these types of guitars, I highly recommend that you take a trip to a place that does (Nashville, San Francisco, etc.). You need to play these guitars to understand which one or ones speak to you in terms of tone, neck carve, etc. |
#20
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Modern Martins that I can afford are slightly too woody and dark sounding for me in comparison to the “clearer” and more “separated” tones of the Boutique stuff Ive played in this price range.
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2017 Bourgeois OM Custom - Adirondack/Peruvian RW 2017 Brian Bishop OM Custom - Sitka/Western Maple Fender Texas Tea Ultra Tele Fender Mocha Burst Ultra Strat Fender CS '61 Strat NOS |
#21
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2017 Bourgeois OM Custom - Adirondack/Peruvian RW 2017 Brian Bishop OM Custom - Sitka/Western Maple Fender Texas Tea Ultra Tele Fender Mocha Burst Ultra Strat Fender CS '61 Strat NOS |
#22
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Atkin is another newer brand on the scene. Time will bring notoriety and higher prices will follow. I'm used to the Gryphon newsletter, but other large dealers might have e mail notifications too.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#23
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I went to Nashville this spring and played a lot of guitars in a handful of shops there. My favorite from that trip — and legitimately one of the most impressive guitars I’ve ever played — was a Martin Custom Shop 1937 D-28. I probably should have thrown caution to the wind and taken it home. Oh well!
I guess what I’m trying to say is don’t rule out Martin in this range. Yes, the luthier-built guitars are fantastic and I own one myself. But when the factory-built guitars are done well they are absolutely in the ballpark and sometimes at a lower price point and/or shorter wait time. |
#24
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Why not a Martin d-28 on their authentic line? In my mind, their recent authentics are just as good of not better than pretty much any other boutique brand in the similar price range. Of course this is highly subjective, but i own two martin authentics after many other similarly priced d-28 copies from boutique builders have come and gone. Just food for thought.
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Atkin Bourgeois Collings Gibson Goodall Huss & Dalton Kopp Martin Santa Cruz Taylor |
#25
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- fewer hands touch the guitar, less room for error - more skin in the game - cost of advertising not baked into guitar cost/non-existent - name on headstock doesn’t add 20% I’d also prefer to have something less recognizable if possible, flies under the radar a little better.
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2017 Bourgeois OM Custom - Adirondack/Peruvian RW 2017 Brian Bishop OM Custom - Sitka/Western Maple Fender Texas Tea Ultra Tele Fender Mocha Burst Ultra Strat Fender CS '61 Strat NOS |
#26
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This'll get shot down six ways to Sunday, and I'm okay with that, but if you read up on how these are built, it undoubtedly meets the criteria of Boutique. Just not in the traditional North American way. Either which way, you might be very surprised if you get a chance to play.
Yamaha FG9 R. |
#27
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Whatever. If you actually want a guitar that is faithful to the way vintage Martins were built and sound, in your price range, nothing comes close to the Authentics, especially the aged Authentics.
Of the guitars you mentioned, Huss & Dalton is the least recognizable, which is reflected in their poor resale value. Based on your criteria, I would get a used Santa Cruz PW/D. Santa Cruz’s production is fraction of the other small factory/boutique builders. I personally think the D-28 Modern Deluxe competes very favorably with many of the guitars mentioned, for less money. |
#29
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I have no affiliation with either the seller or the guitar in question...but...
Right now, out on our classified section, forum member matts67 has a Merrill C-18 for sale...which is his version of the Pre-War style Martin D-18...for a price well under your upper range. Merrill guitars are IMO, as good as it gets in the vintage pre-war Martin repro world. That guitar would definitely give you the vintage look, feel, and tone you are after, and in spades. And under budget for you! Jim Merrill builds a fabulous pre-war Martin repro guitar. You should seriously give this one a looksee and talk with the seller. I believe fellow forum member "brencat" would/will back me all the way up on this if he see's this thread. He is a huge Merrill fan and owner/player. Give it some thought. duff Be A Player...Not A Polisher |
#30
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Atkin would be my choice (D37 pre-war), dry vintage tone. The H&D TDR is terrific but quite lush sounding to my ears.
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Huss & Dalton DS-12 Custom (Italian/Mahogany) Collings 000-2H (Sitka/Rosewood) Dave King L-00 (Adi/Mahogany) Gibson J-45 JT project "1942 Banner" (Adi/Mahogany) Eastman E20P (Adi/Rosewood) Sigma-SDR-28MLE (Adi/Madagascan Rosewood) Sigma SDR-45 (Sitka/Rosewood) Sigma SDM-18 (European/Flamed Mahogany) Freshman FA400D (Engelmann/Rosewood) Freshman FA300 (Cedar/Hog) Voyage Air VAD-06 |