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#31
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I lusted for a D35 for many years.
After getting my X30 fan fret, I no longer need a D35 IMHO my X30 is a D35 gas killer.
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------------------------------- Emerald Green Wing, Multi Scale Length X10 Emerald Ruby Cross, Multi Scale Length X30 Breedlove Blond Jumbo Yamaha Silent Steel String |
#32
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None, especially as a high end wooden guitar ages. However, there are some really great sounding CF options and they are getting better all the time.
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Don't chase tone. Make tone. |
#33
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#34
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#35
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I agree. I took my Rainsong WS1000 to an open mic last week. Before playing I went outside and tuned the guitar. I went back in and started playing. I would’ve never done that with a wood guitar. I didn’t have to worry at all about the guitar going out of tune or the finish cracking due to the temperature change.
I’ve played out a lot with my Collings OM with an LR Baggs Dual Source pickup. That Collings is a joy to play and it sounds fantastic. I baby it more though than my carbon fiber guitars and know it’s susceptible to changes in temperature and humidity. |
#36
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Emerald X20 Nylon, X10, X10 Slimline Nylon, X5 OS Nylon Composite Acoustics 5iM-CE (GXi) Cordoba Stage, Journey OC660B1M Enya NexG 2, Mountain Guitar, Luna Tribal Rainsong S-DR1000 (Studio Dreadnaught...matte finish) |
#37
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![]() ![]() Well, it sounds like ... something! ![]() Tony
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“The guitar is a wonderful thing which is understood by few.” — Franz Schubert "Alexa, where's my stuff?" - Anxiously waiting... |
#38
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In my opinion, the smaller guitars, like the Enya Nova Go, LavaMe, and Joytar sound plasticky, like a toy guitar.
Rainsongs sound like wooden guitars, but admittedly do have a more full EQ response, resulting in some people saying it sounds more piano-like. But that's really a subtle thing. I have owned a few Rainsongs, have cycled through them as the model I owned raised in value and I was able to buy a newer model for cheap and put $300 in my pocket. But I finally settled on a Composite Acoustics GXi because *to me*, it sounded like I remembered my friend's extremely expensive Guild acoustic sounded like, with a boomy low-end and rich mid-range. The last time I heard his guitar was nearly 30 years ago, and memory is fickle. Still, I like it. I really like playing soft and then hitting it hard. It responds the way *I* would want a wooden acoustic guitar to respond. The Composite Acoustic Cargo is fun, too, because although it is the size of an Enya Nova Go, it sounds much bigger. Sounds basically like a wooden dreadnought to me. And then I have an Enya NexG 2. And that one is so much fun on both the Dreadnought and Jumbo settings. The Jumbo really rings out. I forget I'm not playing an actual wooden guitar sometimes. But try before you buy...ear mileage can vary.
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Emerald X20 Nylon, X10, X10 Slimline Nylon, X5 OS Nylon Composite Acoustics 5iM-CE (GXi) Cordoba Stage, Journey OC660B1M Enya NexG 2, Mountain Guitar, Luna Tribal Rainsong S-DR1000 (Studio Dreadnaught...matte finish) |
#39
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Of course, those go alongside my Martin HD28 and my luthier-built spruce over Tasmanian blackwood 00. It doesn't have to be either/or. |
#40
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Once you let go of wanting a CF guitar to sound like a wood guitar, they become a lot more fun to play.....and to travel with
However, I had a Lucky 13 that had a woody vibe.
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Furch D32-LM Martin D-35 MJ Franks Lagacy OM Rainsong H-WS1000N2T Stonebridge OM33-SR DB Stonebridge D22-SRA Tacoma Papoose Voyage Air VAD-2 1980 Fender Strat 2 Partscaster Strats MIC 60s Classic Vib Strat |
#41
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I agree with most comments here . . . guitar choice is largely subjective.
Through the years I’ve found experienced guitarists to be a very conservative group of people. On acoustic, you’ve got your Martin people (I was one of these), your Taylor people and the others. On electric, you’ve got your Gibson tribe and your Fender tribe. And the others. I’ve owned a ton of guitars in the last 45 years. Some high end, most not. I now own a carbon fibre Emerald double neck (the Chimaera). IMHO, it sounds as good/better as any higher end 12 string and 6 string and it has the following happy characteristics: - no worries about climate (how many 12 string guitars have I dumped because the action made it almost impossible to play . . . ) - it stays in tune (how much time have I wasted in stage tuning my guitars . . . ) - it always sounds great live or recording I understand that CF is a relatively new idea but to me, there’s no going back. |
#42
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I think that's true. One can fail to appreciate the tone if always chasing after a desired tone in their head...
Last edited by RP; 09-21-2023 at 02:00 PM. |
#43
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I've had several CF guitars that didn't sound like wood at all. Once was an all CF Rainsong... dread I think. It was a nice guitar, but sorta thin and bright sounding and I didn't care for the N2 neck on that one. I had an original Emerald X20 that was great but again didn't really sound like a wood guitar. Sold it when I got my Sable. My McPherson Sable sounds most like a wood guitar to my ears, but my Rainsong Shorty with the unidirectional top sounds pretty close to a wood guitar as well. Those are the ones that remain in my stable.
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#44
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I'm thinking I might be in the market for a wood guitar that sounds like a high end carbon fiber guitar. And if it could be impervious to humidity changes, that would be a big plus. Also, it would be nice to not have to mess with all that pesky frequent tuning stuff. And while we're looking, maybe make the ergonomics designed to eliminate all those hard edges, with some smart bevels that fit the human form.
Yeah, I'm kidding. I like my guitars to sound like guitars... it is fortunate that, to this point, that is the way it has played out. ![]()
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Some CF, some wood. |
#45
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All in good fun, of course - but seriously, trying to ascribe a common sound to all wood (or CF) guitars ever made is like saying all wine tastes the same.
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1963 Martin 0-16NY 2021 Emerald Amicus 2023 Emerald X20 Some of my tunes: https://youtube.com/user/eatswodo |