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#106
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John has routed the dovetail pocket. Check out the precision on rim miter where the two sides meet…
![]() ![]() The beautiful two tone heartwood landscaping of the Malaysian Blackwood rims can be seen set against the Gaboon Ebony end graft framed by John’s mitered flamed Maple purflings. ![]()
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#107
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Simple Gaboon Ebony bindings with white purflings and short pattern diamond and squares position markers.
![]() Fitting the neck to the dovetail joint. Check out how well he executed that miter joint on the rims… ![]() ![]() Beginning to look like a guitar… ![]() ![]()
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#108
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Wow, things are really moving along now. Looking great. It won't be long before it gets sprayed!
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#109
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I wonder if John could make you a Lucite neck, so that you could see all that pretty MBW turning the corner? It almost seems a shame to cover it over with that opaque Mahogany.
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#110
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Fretting with Jescar EVO 0.043” x 0.080” wire.
John’s method has a large support bag of lead shot under the neck, and a box of shot in top too! ![]() ![]()
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#111
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The Partridge Family album cover to mask the guitar top is an absolute art piece!
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#112
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I love my MBW guitar, I’m sure this is going to be mind blowing!
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#113
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John has five guitars ready for finish including mine seen in the middle (left to right: Madagascar Rosewood, Brazilian Rosewood, Malaysian Blackwood and two Macassar Ebony). He is waiting for more conducive weather to spray nitro.
![]() Here’s a wider view showing all 13 guitars being built in his shop including Juston’s Style 34 seen on the top shelf. ![]()
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#114
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What a flock of superb instruments! John’s guitars are as clean and beautiful as they come.
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#115
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Moving right along!!! Woohoo Paul
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For Sale: 1995 Taylor LKSM 12 https://www.acousticguitarforum.com/...d.php?t=677895 3 John Kinnaird SS 12c CUSTOMS: Big Maple/Cedar Dread Jumbo Spanish Cedar/WRC Jumbo OLD Brazilian RW/WRC R.T 2 12c RW/Claro 1995 & 96 LKSM 12s 552ce 12x12 J. Stepick Bari Weissy WRC/Walnut More |
#116
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A bunch of nice archtops, flattops, a gypsy & nylon strings… Last edited by iim7V7IM7; 09-10-2023 at 03:35 PM. |
#117
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Some amazing woodworking!
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Paul |
#118
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Looking great Bob. I have mentioned before how much I think of John and his guitars. Wow having a big batch like that is really something. I usually have four going at any particular stage but usually only two that are side by side in the process and that is about as much as I can keep track up, never mind 13!
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#119
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Wow, 13 guitars at one time! Never seen anything like that in the custom shop threads! All exceptionally beautiful, too
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#120
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John has finished his application of nitrocellulose lacquer and the long drying process has begun. While in shop photos are always a challenge, John was kind enough to forward a few. The curly Maple top purfling can be seen against German Spruce soundboard (left) and the landscaped heartwood and sapwood of the Malaysian Blackwood back are beginning to show.
![]() Instead of traditional Nazarethesque (I invented a word) Ivoroid plastic, John used some curly Maple in both the rosette and top purflings. ![]() My neck is the one all the way on the right. ![]()
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |