#16
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Well, I live right in the middle of a bluegrass hotspot and go watch shows as often as possible but hadn't thought of attending a BG jam. I was going to ask how you find something like that when I thought I'd type Asheville bluegrass jam into the Google. And sure enough I immediately found a Facebook group that posts the various jams in town. Now I'll just have to work up the nerve to show up at one.
I bought my first guitar right around when the Covid lockdown happened so very much a beginner but would love to start playing with others. I don't have a Martin so won't be going with one if I work up the nerve, but I think it will be fun anyways. |
#17
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I played a 1995 Taylor 810 for several years as my bluegrass guitar and it was perfect for bluegrass. Every anti-Taylor guy that played it, loved it!
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Education is important! Guitar is importanter!! 2019 Bourgeois “Banjo Killer” Aged Tone Vintage Deluxe D 2018 Martin D41 Ambertone (2018 Reimagined) 2016 Taylor GS Mini Koa ES2 |
#18
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The local jams I attend have a few beginners. Folks who have been playing less than a year. Someone is always willing to help when asked.
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2007 Indiana Scout 2018 Indiana Madison Quilt Elite 2018 Takamine GJ72CE 12-String 2019 Takamine GD93 2022 Takamine GJ72CE 6-String 2022 Cort GA-QF CBB 1963 Gibson SG 2016 Kala uke Dean A style mandolin. (Year unknown) Lotus L80 (1984ish) Plus a few lower end I have had for years |
#19
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#20
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If you get a few leads down solid, and you can be heard, almost everyone will smile at you. Another thing I agree on above: At any reasonably well known festival, there are at least three guitars in every jam and three more waiting to step in. There are also two banjo players with a backup lurking in the weeds. There's at least one mando player. However, show up with a resophonic or a bass.... many of the jams I attend are missing these two instruments And don't even get me started with fiddle players .... the more the merrier. I've heard some amazing lead/harmony fiddle duets at these jams. |
#21
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Blueridge is probably the second most common brand after Martin at the bluegrass jams I've been to. Even people who might have a pricey Martin will sometimes have a Blueridge they'll bring to jams. I've never encountered any shade toward import guitars. People were really surprised at how good the BR-40 I bought used for under $300 sounded.
I've seen a lot of Eastman mandolins but I can't remember seeing a lot of their guitars at jams. I'm sure they would be fine. Recording King, I see more of their banjos but their guitars are great too. Alvarez has some guitars that are great for bluegrass. |
#22
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Lots of good insight here. I have some festivals coming up and I'm debating whether I travel with my nicer guitars (especially on planes) versus something a bit more "disposable."
As an aside, my Yamaha FG830 truly can't be compared with my D28, but I can probably play it a bit better because of the faster neck. I also think that it may be a bit more audible in a crowd because it's a bit more mid/treble forward than the bassy-full spectrum of the D28. Further, if someone decides to toss the FG830 down some stairs, I could always get the natural one because I picked the red one on a lark. I'd shed a tear for the D28! |
#23
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__________________
Education is important! Guitar is importanter!! 2019 Bourgeois “Banjo Killer” Aged Tone Vintage Deluxe D 2018 Martin D41 Ambertone (2018 Reimagined) 2016 Taylor GS Mini Koa ES2 |
#24
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On a tangent here. On one of the Letsmeetguild tours of the New Hartford shop, there was a rack with Fender dreads, made in Hew Hartford , not just rebranded Guilds, apparently different bracing and neck shapes. These were finished in pastel shades and , IIRC< had the typical six on a side Fender headstock. My thought was too bad I didn't have the money to waste on one, it would have been great to show up with it at a BG jam and watch the reactions of the Martin only crowd. As accepting as they may be to Blueridge and other brands, I think the color would have gotten to them!
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Guild F212: 1964 (Hoboken), Guild Mark V: 1975 (Westerly), Guild Artist Award: 1975 (Westerly), Guild F50: 1976 (Westerly), Guild F512: 2010 (New Hartford), Pawless Mesquite Special: 2012, 90s Epi HR Custom (Samick), 2014 Guild OOO 12-fret Orpheum (New Hartford), 2013 12 fret Orpheum Dread (New Hartford), Guild BT258E, 8 string baritone, 1994 Guild D55, Westerly, 2023 Cordoba GK Negra Pro. |
#25
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The only shade I ever got at a jam was for bringing a six-pack of Coors Light to the potluck. At that point, the guy running the jam said, "Well, at least he brought his Martin this time."
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1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |
#26
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Part of the thing with my monthly jam is it takes place in the host's barn. It's a finished barn, with heat, AC, carpet, wi-fi, and an awesome sound system. His board can support 12 microphones & 12 plug-in acoustic guitars.
So it really doesn't matter if you're playing a dread, or an OM, or a 000, or a GS Mini. Every guitar and every singer can be heard. I know that's not an "authentic" bluegrass parking lot jam, but it's 2022 not 1952. The issues that drove Martin to roll out larger and larger body guitars, and drove bluegrass players to adopt them, only exist today if the players want them to. Regardless of how many violins, mandolins, and banjos surround them, guitar players can choose the guitar that provides the best tone and a good board op can balance everything.
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Eastman AC422CE - sitka & rosewood '86 Guild D-25 - spruce & mahogany Taylor GS Mini - spruce & rosewood Eastman MD-514 Mandolin - spruce & maple Kentucky KM-250 Mandolin - spruce & maple |
#27
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Good playing and goodwill trump all else. Im not looking up or down at anyone for what they can or cant afford, or choose to play.
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Dave F ************* Martins Guilds Gibsons A few others 2020 macbook pro i5 8GB Scarlett 18i20 Reaper 7 |
#28
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I wouldn't worry about the name on the headstock so much, just bring what guitar you like to play and enjoy yourself. It's much more about the good time
and connecting with people than cork sniffing.
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Proud member of OFC |
#29
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Yes and no. I’ve played some of the most amazing guitars I’ve ever heard at bluegrass jams. It’s where I discovered Bourgeois guitars. It’s where I saw a Style 40 Martin for the first time, it’s where I saw Herringbone purfling for the first time and thought, “I’ve got to get me one of those”!! The people and the Instruments go hand and hand! Add in killer playing and singing and Magic happens!!
__________________
Education is important! Guitar is importanter!! 2019 Bourgeois “Banjo Killer” Aged Tone Vintage Deluxe D 2018 Martin D41 Ambertone (2018 Reimagined) 2016 Taylor GS Mini Koa ES2 |
#30
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I agree. It doesn't make any sense to buy a D-28 and not take it to bluegrass jams.
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