#16
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These moments happen to me on a weekly basis.
Was I a better guitarist yesterday than today? No. I think sometimes we're not focused. Sometimes our hands are exhausted. There are many variables to consider. |
#17
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Well at 63 (now 64) I made a commitment to restart lessons and really practice more. Also picked up a baritone ukulele to learn along the way. Anyways I’ve learned what I set out to learn, barre chords, bass runs, and now triads. It’s the most I’ve ever played in years. Loving my new teacher. We do in person and virtual as needed.
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2021 Martin 000-28 12F Custom Adirondack/EIR 2021 Martin OM-28 LSH Custom Adirondack/EIR SB 2006 Martin 000-18GE Adirondack/Mahogany SB 1968 Ovation 1111-4 RIP 1968-2021 |
#18
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Being part of another art form I can tell you it's part of being an artist. It's never good enough.
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#19
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I’ll stop playing, shake my head and laugh.
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#20
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Sure, lots of times. I fully get where I stand in the food chain of players and if there was truly survival at stake, I’d have been eaten a long time ago. But it’s not about how good you are, it’s about enjoying making music. Anyone with three chords and maybe a scale or two can enjoy making music. I’ve been doing it on and off for well over 40 years and some days I can’t get anything going at all, but some days feel like magic. I mean, low level magic - my magical days are nothing like Tommy Emanuel’s or Jorma’s magic days. But lots of days I’m doing it well enough to enjoy it immensely. That’s all I’m playing for. So I enjoy the good days and I’m not too hard on myself about the bad ones - nothings really at stake here...
-Ray
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"It's just honest human stuff that hadn't been near a dang metronome in its life" - Benmont Tench |
#21
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Quote:
No. After 57+ years of playing I'm confident in my skills, and sober in my assessments of how well the last gig went. I don't draw satisfaction from how well I played, but from audiences. And I enjoy just sitting and playing in a quiet room for nobody… |
#22
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Quote:
Well, keys are my main instrument, so it was no less than 6 months later I was able to get it into shape to make a recording of it.
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2018 Guild F-512 Sunburst -- 2007 Guild F412 Ice Tea burst 2002 Guild JF30-12 Whiskeyburst -- 2011 Guild F-50R Sunburst 2011 Guild GAD D125-12 NT -- 1972 Epiphone FT-160 12-string 2012 Epiphone Dot CH -- 2010 Epiphone Les Paul Standard trans amber 2013 Yamaha Motif XS7 Cougar's Soundcloud page |
#23
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Rather than feeling good ABOUT my playing, I mostly feel good WHEN I'm playing. Can't think of a time when I put my guitar down in disgust or frustration. That's because if I'm having trouble getting something down, I'll stop and play a tune that I know frontwards, backwards and sideways. Then I say to myself, "yeah, that's how it's done!". Disclaimer: I play mostly Blues originals and the covers I do, I "make them my own", so even if I'm wrong, I'm right. I'm too lazy to do otherwise.
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#24
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Well, that's true! It's different than playing golf.
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2018 Guild F-512 Sunburst -- 2007 Guild F412 Ice Tea burst 2002 Guild JF30-12 Whiskeyburst -- 2011 Guild F-50R Sunburst 2011 Guild GAD D125-12 NT -- 1972 Epiphone FT-160 12-string 2012 Epiphone Dot CH -- 2010 Epiphone Les Paul Standard trans amber 2013 Yamaha Motif XS7 Cougar's Soundcloud page |
#25
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Rarely happens, but when and if it does, I'll "remedy" this with changing up guitars. Most nights this solves the issue!
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1993 Bourgeois JOM 1967 Martin D12-20 2007 Vines Artisan 2014 Doerr Legacy 2013 Bamburg FSC- 2002 Flammang 000 12 fret 2000 McCollum Grand Auditorium ______________________________ Soundcloud Spotify |
#26
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Oh no, another reason to buy another guitar lol
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#27
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Spot on. You know when you mess up. You know when you do fine. But the audience (whether it's one or one hundred), can tell if you're in a groove or just playing.
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Martin D-35 Taylor 555 6 & 12 string Kinscherff High Noon (and a couple of banjos, autoharp, recorders...) |