#46
|
|||
|
|||
Quote:
I would be interested to know the provenance and age of the 'Tropical Mahogany'. I was drilling a piece of 'undetermined' mahogany about 1" thick a few weeks back, which could have been nato, and it just fell apart like it was a biscuit. Looking at the other pictures of the guitar with the separated neck joint, I've had problems myself with some Sapele heals separating, which I think was due to the oil content of the young wood affecting the glue, and the grain going in a poor direction. I quite like maple for guitar necks. |
#47
|
|||
|
|||
This. And slack the strings.
|
#48
|
|||
|
|||
Double post
Last edited by Grizzly Adams; 03-19-2020 at 04:11 PM. |
#49
|
|||
|
|||
This will require removing the neck, IMHO:
My brother took his 1933 Martin to a "qualified luthier" to have him install a strap button in the heal. It ended up cracking the heal in the same way as the OPs. The neck had to be pulled off in order to correctly repair the damage. Much easier to do on the Taylor than an old Martin!
__________________
If you can read this, thank a teacher. If you can read it in English, thank a Vet! 1936 Martin R18 Bourgeois Vintage D Gibson F5 Goldrush Mandolin Wildwood Balladeer Custom 5 string Banjo |
#50
|
|||
|
|||
So here we are four months later, and I finally felt comfortable bringing the guitar out for a repair since Covid is, at the moment, under control in NY.
I dropped it off at Guitar Center the other day (I know, but I felt more comfortable going to a large space with corporate PPE rules, etc), and the tech called back to let me know that the repair is beyond the expertise of him and the more experienced tech from another store, and that buying a new instrument would probably be more cost effective than getting it repaired since the repair involves removing the neck and essentially rebuilding it. Well, I just came home with a new guitar along with the broken one, but I'd still like to look into getting the other one fixed if it's not too expensive. I do know of a few luthiers in the area that are probably much better equipped for this type of repair than Guitar Center, but how much money do you think I'm looking at? $300 to fix a $1500 guitar is probably reasonable, but $800 to fix it is definitely not worth it. |
#51
|
|||
|
|||
Quote:
I would find the approximate resale value before making a decision. BTW, I doubt the repair will even come close to $800.
__________________
Patrick 2012 Martin HD-28V 1984 Martin Shenandoah D-2832 2018 Gretsch G5420TG Oscar Schmidt Autoharp, unknown vintage ToneDexter Bugera V22 Infinium |
#52
|
|||
|
|||
Crazy, its not even a 100 dollar repair, less than 30 minutes work, I speak from having done lots of these
Steve
__________________
Cole Clark Fat Lady Gretsch Electromatic Martin CEO7 Maton Messiah Taylor 814CE |
#53
|
|||
|
|||
I'm talking about what I paid for it new (approximately).
|
#54
|
|||
|
|||
Get it fixed by a pro.
But the good news is that the repair will be stronger than the original wood. |
#55
|
|||
|
|||
I'm neither an expert nor a luthier, and I suspected no more than $200-300.
__________________
Patrick 2012 Martin HD-28V 1984 Martin Shenandoah D-2832 2018 Gretsch G5420TG Oscar Schmidt Autoharp, unknown vintage ToneDexter Bugera V22 Infinium |
#56
|
|||
|
|||
Quote:
Finish is the only expensive component of this repair, To fix for the lay person. 7/16 nut driver to remove the two bolts holding the neck heel on 1/4 allen key to undo the fretboard extension and the neck is off, Titebond glue into the crack and a clamp allow dry 24hrs Re-attach neck vee bolts and allen key Steve Job finished
__________________
Cole Clark Fat Lady Gretsch Electromatic Martin CEO7 Maton Messiah Taylor 814CE |
#57
|
|||
|
|||
One advantage of the Taylor bolt-on neck.
__________________
Patrick 2012 Martin HD-28V 1984 Martin Shenandoah D-2832 2018 Gretsch G5420TG Oscar Schmidt Autoharp, unknown vintage ToneDexter Bugera V22 Infinium |
#58
|
|||
|
|||
A thought
My advice to OP: Bring the unnecessary new guitar back for a refund. This impresses me as fraud, plain and simple. The nonsense that the 'techs' at that store were trying to blow up OP's backside in order to spin him into buying a new instrument is astounding to me. Thoroughly deceptive. As others have mentioned, this is a dead-simple repair for a Taylor-savvy luthier to do in a half-hour plus glue drying time.
|
#59
|
|||
|
|||
Quote:
And in terms of the new guitar, I figured worst-case scenario I'd have a replacement guitar, best-case scenario, I have two nice acoustics. Should I have waited? Maybe. But I fell in love with the wood grain on a Taylor 214ce-K-DLX, and wanted to come home with it! |
#60
|
|||
|
|||
understandable
I can certainly agree with the allure of a nice and shiny and new Taylor of any flavor. They're all examples of high quality engineering and design and manufacture. Ain't nothing wrong nohow with another one...
But those 'techs' didn't mind spewing ignorant nonsense. |