#16
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I have one song I capo at the eighth fret. When I bought my Martin OM-16GT, I was surprised to find that my Paige capo wouldn't go that high (it had worked fine on my Kinscherff at the eighth fret). That was when I discovered the (at the time) new Planet Waves NS which worked fine.
-Raf
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-Raf |
#17
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Quote:
whm |
#18
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I use a Jim Dunlop capo and have gone all the way up to the ninth fret without having any problems. But it also depends on the gauge of your strings, and the thickness of the guitar neck.
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#19
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Dan Crary was once asked, "Why do you capo that song at the seventh fret?" His answer was, "Because it sounds so good up there."
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Jim _____________________ -1962 Martin D-21 -1950 Gibson LG1 -1958 Goya M-26 -Various banjos, mandolins, dulcimers, ukuleles, Autoharps, mouth harps. . . |
#20
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I believe I once used one on the 9th fret for one song when I was part of an acoustic ensemble, but for the most part I impose a 5th fret restriction. Almost always it's because I'm playing with a drop D tuning using the D fingerings to get the key of G.
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#21
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I don't think I've ever gone above the 7th fret.
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#22
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Capo 5 is pretty common, where D equates to normal G, great for blending two guitars.
I go to the 6th fret with one song (With a Little Help from My Friends), and capo a LOT but usually only the 2nd or 3rd frets.
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Rich - rmyAddison Rich Macklin Soundclick Website http://www.youtube.com/rmyaddison Martin OM-18 Authentic '33 Adirondack/Mahogany Martin CS OM-28 Alpine/Madagascar Martin CS 00-42 Adirondack/Madagascar Martin OM-45TB (2005) Engelmann/Tasmanian Blackwood (#23 of 29) |
#23
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I use a 12 string Paige capo on my 6 string acoustic so I can easily go up the 7th fret.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#24
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I try to never go above the 4th fret when playing because I think you just choke the sound out of a guitar. Once I got to where I could play an F really good, I stopped playing the Key of C capoed on the 5th and play it open. It sounds so much better to me.
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Education is important! Guitar is importanter!! 2019 Bourgeois “Banjo Killer” Aged Tone Vintage Deluxe D 2018 Martin D41 Ambertone (2018 Reimagined) 2016 Taylor GS Mini Koa ES2 |
#25
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I also capo a ukulele on the 2nd fret ('D' form again) for the same song and reason. Don
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*The Heard: 85 Gibson J-200 sitka/rosewood Jumbo 99 Taylor 355 sitka/sapele 12 string Jmbo 06 Alvarez AJ60S englmn/mpl lam med Jmbo 14 Taylor 818e sitka/rosewood Grand Orchestra 05 Taylor 512ce L10 all mahogany Grand Concert 09 Taylor all walnut Jmbo 16 Taylor 412e-R sitka/rw GC 16 Taylor 458e-R s/rw 12 string GO 21 Epiphone IBG J-200 sitka/maple Jmbo 22 Guild F-1512 s/rw 12 string Jmbo |
#26
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The whole purpose of a capo is to be able to get desired voicings in the key you want. Playing G shapes capoed at 5 gives you a far different sound than playing C shapes uncapoed. Sometimes it just sounds better to capo high up the neck.
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Jim _____________________ -1962 Martin D-21 -1950 Gibson LG1 -1958 Goya M-26 -Various banjos, mandolins, dulcimers, ukuleles, Autoharps, mouth harps. . . |
#27
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I've had several Elliott capos. Originally, I had one made for a Collings D3A with a 1-11/16" nut width, but I soon discovered that the narrowness of that particular capo was restrictive. Sometimes I like to capo at the 7th fret, and that made the side of the capo pretty tight.
Since then, I've bought several (some were gifts, as I was impressed with the quality), and still have two. Both are 1-3/4", with the most recent being an Elite, with a 16" radius. This is my favorite, due to the smaller footprint, and there's plenty of space to capo just as high as I wish, even to the 9th or 10th fret. I don't think it gets better than an Elliott. Once you've discovered the optimal place to place the capo on your guitar (and it can be different for various guitars) the clarity of the sound is hard to beat. ... JT
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"Yield to temptation. It may not pass your way again." - Robert A. Heinlein |
#28
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FWIW - I play only 12 fret guitars, with wider necks (including two 12 strings) and I use only Shubb original capos.
I generally use capos on 2nd or 4th but for one number I capo 5 because I need to play a C progression using a G shape.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#29
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I just bought a Paige capo, which will go to the seventh fret of my Martin HD-28V. My Shubb capo will go to the eleventh fret, as will my $1.49 Chinese clamp-on capo.
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#30
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I've gone as high as 9. Tonight I was playing a few songs in CGDGAD - 6th, 5th and 3rd fret capo'd songs. Each time I moved it down I had to tweak the tunings. I'm using a Paige Clik and even though it has its limitations its a bit ahead of the Planetwave NS I was using. I'm thinking about getting a Thalia with the swap out different radius pads. I could really use that (or so I think - capo GAS = CAS), although I'm sure I'd have to tweak it each time I move it, but maybe not as much. Then again if you still have to tweak the tunings each time you move the capo, what's the point of spending $75+ when $20 does the same thing (but doesn't look as cool)?
I play one song at the 9th fret and the Paige does fine there as well.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: Last edited by TBman; 07-12-2018 at 08:42 PM. |