#31
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While I understand your point, its much harder for my guitar to get lost in the couch cushions.
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Original music here: Spotify Artist Page |
#32
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I’m also an average living room player and do not think my skill level justifies a $35 pick. My guitars sound pretty good with Dunlop picks. I have nothing against these picks as their are some players here on are exceptionally skilled at flatpicking and those little details may make a bigger difference than me flatpicking Wildwood Flower or Foggy Mountain in my living room. I’m not a really a boutique type of guy so I probably won’t buy expensive capos, Fancy expensive cables or things like that. If I ever do decide to try one of these picks I would give Scott my business because I respect the way he runs his company and talks good about other companies. |
#33
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I dont easily lose $3000 guitars. I've only been playing Primetones for 2 months now an out of the 12-15 or so that i bought I can only find about 5 of them right now, and one is in my pocket and I wiill probably lose that before the end of the week. I stopped buying expensive sunglasses years ago for same reason. Ironically, the Oakleys I currently have and have had for a record 3 years now were free.
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Just an old drum playing guitarist now. |
#34
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I took it home, did the lhot needle test - definitely "organic" and not celluloid or any other composite. I spent ages cutting it into picks and polished them etc. All fine. Started playing with them and the "flaked" - yup- they came apart in flakes. Maybe that critter hadn't been well, or maybe only one species provides the densest shell. See: https://en.wikipedia.org/wiki/Hawksbill_sea_turtle
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#35
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'59 Gibson J-45 "Spot" '21 Gibson LG-2 - 50's Reissue '94 Taylor 710 '18 Martin 000-17E "Willie" ‘23 Taylor AD12e-SB '22 Taylor GTe Blacktop '15 Martin 000X1AE https://pandora.app.link/ysqc6ey22hb |
#36
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Looking forward to this thread - thanks for starting it Scott!
Like strings, picks are a great, inexpensive (even at $35) way to enjoy the varying tones of guitars. I enjoy using several different picks during practice sessions - I've even noticed that some songs sound better with certain picks. In addition to the the Pearse Turtles, I'll add Hanse to the recommendations - same/similar material, but I like the shape and thickness of the Hanse better. |
#37
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Dunlop already has covered the "market" for guitar picks both with competitive products and upscale offerings. I know of which I speak as we did this in my company with a different product but the pricing and marketing approach was very similar...$1 for generic, $5 for upscale with value added. It worked because we were able to prove to the end user there was a significant advantage to the $5 product. This took an enormous amount of work at the street level and we were able to prove there indeed was a benefit. Martin is trying to sell Titanium Guitar strings at $40 a pop. If you examine that market you will see that acoustic guitar strings follow the same pattern pricewise as guitar picks. We can buy decent strings in bulk as low $2-3 a pop. Then we have the $10-20 "upscale" stuff and then Titaniums. I wonder how well Martin is doing with these strings. I know for a fact the dealer cost on these allows for a HUGE margin. My belief is that Martin overestimated the acceptable retail price point by at least 40%. Had they come in at $25, they might have had something, but then the dealer's margins would have taken a huge hit. I don't believe the Titaniums are selling well and they are truly just a niche' product. Maybe that's what Martin envisioned all along...who knows. Getting back to Dunlop, the real question is "why would they choose to go into the $20 pick market or even higher?" Profits? Ego? Insofar as they haven't yet, I conclude it's been considered and tabled.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster Last edited by rokdog49; 07-12-2018 at 07:35 AM. Reason: Spelling correction |
#38
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Struggling mightily since surgery to find picks.
C6/C7 disc rupture has left no feeling in right 3 middle fingertips, I cannot hold a pick anymore, As it simply falls out of my hand and I don’t even know it until I hit a string and it’s not there. Multiple fingerpicks have failed, so I am trying to make my own with plastic, socket wrench, spoon, ball peen hammer etc. Would love be to see some alternatives and suggestions from the forum. Thanks |
#39
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#40
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If I lost picks a lot then I could see how I might not be motivated to pay a lot for a pick, but I still have the first Blue Chip I ever bought back in 2009 or 2010 and it's still going strong. I use Blue Chips with guitar, mandolin and tenor guitar - only instrument I still use a nylon pick with is my tenor banjo because I like really thin picks when playing it.
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1969 Martin 00-18 2018 Frank Tate tenor guitar |
#41
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It may well be these 71-year old ears, I don't know - but although I can hear some differences, they do seem very very small mostly. I hear the slicker sound of the bevelled picks sure enough, but I wonder if that's because you're a far better guitar player than I am, with a more delicate touch. I suspect all those picks would sound the same if I were playing the demo. What I'm wondering though is this: if the pick is properly bevelled, does it make it easier on the right hand? My chief problem is that it's so much more hard work using a thick pick (I'm a 0.5mm Dunlop Tortex player) that all the fun disappears after a few minutes of playing. It becomes a slog - and the sound is so clunky with my protesting right hand that there's no reward for the effort. After all these years I've become a very lazy player, but I'm probably past saving I should think.
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#42
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Play On! Scott Memmer |
#43
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Excellent point. I only became interested in "premium" picks (anything that isn't found in the $0.25 cent bin at the local music store) once I began to learn flatpicking and doing exactly the styles of playing you mention. If I strummed songs or did only the occasional walk-up or walk-down from chord to chord, something like a BlueChip pick would offer no advantage in my opinion.
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |
#44
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I'm not sure how many here are familiar with Hense picks. They are made in Germany, and I recently acquired a sample pack. I'm planning to test-drive them extensively and compare them to my American-made premium picks. Upon first picking and listen, their products are something to watch. Impeccable craftsmanship, super-clean speed bevels and amazing tone for 20 Euros a piece. Especially one of their styles, called the "Hense Cream Speedy" has me mightily intrigued. I haven't had a chance to A/B it against my BlueChips yet, but my first impression is that this pick just might push the BlueChip off its pedestal. The tone and volume are impressive, and the material (whatever it is) glides across the strings extremely effortlessly.
I'm looking forward to sharing my experiences with the Hense pick line, which includes casein picks, in the hopefully not-too-far future. (Our new baby is only semi-conducive to my guitar exploits these days, although he does like to fall asleep to me crosspicking "Wildwood Flower."
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |
#45
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