#16
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Quote:
https://www.youtube.com/watch?v=6aCCdectVdE From 2:00, he demonstrates playing the pattern by making each finger in turn louder than the others. You don't have to choose that fancy chord shape, of course, but it does give you something interesting to listen to while doing the exercise . Likewise, you can choose a simpler right-hand pattern than that fiendishly difficul one! Just pick any chord, and any easy p-i-m-a arpeggio. Then focus deliberately on making the thumb and each finger in turn louder than the others (while keeping the same pattern). Really exaggerate the difference, like Carroll does. In your case, you may want to focus mostly on the ring finger.
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"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#17
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I have the same problem with a weaker 3rd finger, my 3rd finger training program consists of playing a couple of Irish jigs alternating im throughout and then ma but mostly ma when training and no thumb, seems a lot more realistic and enjoyable to me at least than playing endless arpegios.
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#18
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Thanks again. That video by Clive is great, and I would never have found it through search alone.
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